/vt/ - Virtual Youtubers

>>13870398
>The girl begins her career as a slave, a pretty child bought from miserably poor parents under a contract, according to which her services may be claimed by the purchasers for eighteen, twenty, or even twenty- five years. She is fed, clothed, and trained in a house occupied only by geisha; and she passes the rest of her childhood under severe discipline. She is taught etiquette, grace, polite speech; she has daily lessons in dancing; and she is obliged to learn by heart a multitude of songs with their airs. Also she must learn games, the service of banquets and weddings, the art of dressing and looking beautiful. Whatever physical gifts she may have are; carefully cultivated. Afterwards she is taught to handle musical instruments: first, the little drum (tsudzumi), which cannot be sounded at all without considerable practice; then she learns to play the samisen a little, with a plectrum of tortoise-shell or ivory. At eight or nine years of age she attends banquets, chiefly as a drum-player. She is then the most charming little creature imaginable, and already knows how to fill your wine-cup exactly full, with a single toss of the bottle and without spilling a drop, between two taps of her drum.
>Thereafter her discipline becomes more cruel. Her voice may be flexible enough, but lacks the requisite strength. In the iciest hours of winter nights, she must ascend to the roof of her dwelling-house, and there sing and play till the blood oozes from her fingers and the voice dies in her throat. The desired result is an atrocious cold. After a period of hoarse whispering, her voice changes its tone and strengthens. She is ready to become a public singer and dancer.
>In this capacity she usually makes her first appearance at the age of twelve or thirteen. If pretty and skilful, her services will be much in demand, and her time paid for at the rate of twenty to twenty-five sen per hour. Then only do her purchasers begin to reimburse themselves for the time, expense, and trouble of her training; and they are not apt to be generous. For many years more all that she earns must pass into their hands. She can own nothing, not even her clothes.
>At seventeen or eighteen she has made her artistic reputation. She has been at many hundreds of entertainments, and knows by sight all the important personages of her city, the character of each, the history of all. Her life has been chiefly a night life; rarely has she seen the sun rise since she became a dancer. She has learned to drink wine without ever losing her head, and to fast for seven or eight hours without ever feeling the worse. She has had many lovers. To a certain extent she is free to smile upon whom she pleases; but she has been well taught, above all else to use her power of charm for her own advantage. She hopes to find Somebody able and willing to buy her freedom—which Somebody would almost certainly thereafter discover many new and excellent meanings in those Buddhist texts that tell about the foolishness of love and the impermanency of all human relationships.
>At this point of her career we may leave the geisha: there-. after her story is apt to prove unpleasant, unless she die young. Should that happen, she will have the obsequies of her class, and her memory will be preserved by divers curious rites.
--Lafcadio Hearn, "Glimpses of Unfamiliar Japan" (1894)