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6323499 No.6323499 [Reply] [Original]

What the fuck is happening

>> No.6323511

>>6323499
The birth of a great author.

>> No.6323512

>>6323499
That's the best fucking cover.
Where can I buy it?

>> No.6323521

I just began reading this a few days ago.

People are getting nose jobs and hunting for alligators. It's madness.

>> No.6323531

>>6323512
http://www.amazon.com/gp/aw/d/0553246860/ref=tmm_mmp_title_0?ie=UTF8&sr=8-2&qid=1427472744

>> No.6323647

Just finished Mondaugen's chapter and got enough into the next one to read the part with SHOCK and SHROUD

What the actual fuck

>> No.6323658

>>6323499
For once you've finished the novel
http://www.jstor.org/stable/441592?seq=1#page_scan_tab_contents

>> No.6323666

>>6323658
Anyonw have the pdf of this?

>> No.6323684

>>6323666
Sorry I don't

>> No.6323838

>>6323666

https://drive.google.com/a/tcd.ie/file/d/0B-UNkz-rlC-FV3VLTHp5bkZvdm8/view?usp=sharing

>> No.6323861
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6323861

>>6323838
Thanks a bunch cousin

>> No.6323893

>>6323499
How difficult is the book?

>> No.6323906

>>6323893
Well, I'm having a harder time understanding V. Than I did with GR. Mainly because of how quickly it shifts subject and characters.Maybe I'm just retarded.

>> No.6323918

>>6323499

Finished it a few days ago. Loved it, still mulling it over

>> No.6323921

>>6323906
Damn, what did you read before GR, and was that a struggle?

>> No.6323928

>>6323921
I read Lot 49, Bleeding Edge, and Against the Day. GR was a lot of fun to read. There were parts where I didn't know what was happening but still laughed.

>> No.6323957

>>6323658
The reverse Dorian Gray parallel in this is a horrible stretch

>> No.6323991

>>6323918
Is it supposed to be confusing? I'm like at pg 75 and I'm not entirely sure what's going on.

>> No.6323994

>>6323906

But GR is constantly shifting subjects and characters.

>> No.6323999

>>6323991

Yeah, but it's not that hard. I always thought of each chapter as individual scenes. Think that mindset helped

>> No.6324012

>>6323991
It all comes together. The BIG problem I had was with Stencil and his speaking in third person while also referring to his father as Stencil. Then 2 or so chapters later they explain it. Great book, though.

>> No.6324024

>>6323994
Right. So did Against the Day. Whenever it did shift I was able to pick up on it after awhile, mainly because GR was profound as hell and Against the Day was hilarious so that did grab my attention. With V. I kind of have an idea on what's happening but I feel like I'm missing out.

>> No.6324051

>>6323906
>>6324024

The way I keep track of it, is that whever it's a chapter about someone other than Stencil or Profane (like the vignettes in Egypt) then it has to do with V. or something relevant to Stencil's dad.

Basically, the novel has two settings: Stoners and layabouts in the 1950s, and espionage in the late 19th/early 20th century.
I don't know if that's entirely correct as I'm only half way through it myself, but that seems to be the pattern.

>> No.6324280

>>6324024
>>6324051
The "present"/Profane chapters are self-explanatory, but the past ones follow Stencil's reconstitution of events based on what info he's gathered. IIRC the title of the first Stencil chapter is the only thing that clues you in on this for a long while.

>> No.6324451

>>6324280
I thought about this, but they're awfully detailed to be just that, unless Stencil is filling in gaps. I think the Mondaugen story is another point to these sections being information Stencil has gathered, but how would he have such detailed and intimate information, especially from the Florence chapter?

There seems to be a convergence on Godolphin, Victoria, Vheissu, and ancilliary people that are involved, like the Gaucho and Vera