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/lit/ - Literature


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4010344 No.4010344 [Reply] [Original]

why does /lit/ hates Kerouac?

>> No.4010354

>>4010344
Because he represents that ideal of anarchic freedom that, to cynics like us, is impossible to achieve.

>> No.4010352

We don't, we hate his readers.

>> No.4010370

>>4010352

why do you hate his readers? Honest question, none of my friends read so I only have y'all fags to discuss literature (ie I personally don't know any Kerouac reader)

>>4010354

From what I've read, Kerouac does not represents (at least intentionally) "anarchy" and by the time he wrote Big Sur he was very cynic and bitter towards the whole "beat" thing

>> No.4010376

>>4010354

>anarchic freedom
>Kerouac

Maybe you should read Kerouac first before spouting bullshit.

>> No.4010378

Because his ideas about free living and wandering are routine now that the post-graduation road trip has been ingrained into our customs. Also his appreciation of Buddhism has been appropriated ad nauseum since the 50s. Basically, the events in his novels, once revolutionary, have become middle-class day-to-day ideas.

His narrators often seem emotionally retarded in a way that I think comments on his own character. In The Dharma Bums, the main character watches a woman die and walks away because of some pseudo-Buddhist conviction of Karma and eternal life. He was a an emotionally stunted manchild.

>>4010352
Shut up.

>> No.4010387

>>4010376
Kerouac is a completely amoral writer, he just lives for the experience. He represents the ideal of Anarchist freedom because he doesn't even associate himself with any such ideals and just does what he wants through spontaneity.

>> No.4010395

>>4010378

>Because his ideas about free living and wandering are routine now that the post-graduation road trip has been ingrained into our customs

So basically, you "hate his readers"

>Also his appreciation of Buddhism has been appropriated ad nauseum since the 50s. Basically, the events in his novels, once revolutionary, have become middle-class day-to-day ideas

He abandoned Buddhism shortly after the Dharma Bums. Having said that, I am not sure what does believing in Buddhism has to do with being a stunted manchild (and I do agree with the fact that he was a manchild in many ways)

>> No.4010406

>>4010395
>manchild

This. /lit/ wants to think of itself as intellectual and pragmatic and can't believe that Kerouac's childish and pure outlook of life would be better than the solitary life of books.

>> No.4010432

>>4010395
>So basically, you "hate his readers"
Not at all, and I didn't at all suggest that.
>I am not sure what does believing in Buddhism has to do with being a stunted manchild
It doesn't, and I don't know where you got that idea. When a character leaves a dying woman behind because of some ideology, it is an act of manchildhood.

>> No.4010445 [DELETED] 

>>4010406

hey man

nothing wrong with naive art

As a matter of fact, this is exactly what I'm talking about. I don't see why /lit/ would hate Kerouac for being a "manchild", while many other writers who were obviously completely drenched in fictitious book characters are so liked in this board

Specifically with Kerouac, I don't know how much of his naive views were truly his or only reserved for his Jack Duluoz character. I'd be much more interested on hearing legit arguments and not the overused 'reason' said above

Hemingway was probably a repressed homosex and in many ways he was as "naive" as Kerouac

>> No.4010450

>>4010445
The 'legit' argument is that Kerouac wrote in spontaneous writing and /lit/ thinks thats a cheap way to write.

>> No.4010456

>>4010445
I think you're confusing yourself, because in this thread, it's only me who has used the word manchild to describe Kerouac. I don't represent all of /lit/.

>> No.4010466

>>4010432

>Not at all, and I didn't at all suggest that.

Wait, you said:

>Because his ideas about free living and wandering are routine now that the post-graduation road trip has been ingrained into our customs. Also his appreciation of Buddhism has been appropriated ad nauseum since the 50s. Basically, the events in his novels, once revolutionary, have become middle-class day-to-day ideas.

You're not attacking Kerouac, you're attacking the fact that Kerouac's ideas are ingrained into our modern society. So you're basically hating his readers/people influenced by him

Correct me if I'm wrong, because that's what I am getting from that paragraph

>When a character leaves a dying woman behind because of some ideology, it is an act of manchildhood.

Wait what?? Jack and her had a discussion about some Buddhist thing (IIRC it was the whole "the world is an illusion") then Jack leaves, and while he is gone, she cuts herself and jumps. He didn't know about it til the next day....

How is this "leaving a dying woman"? He didn't even see the corpse. All he saw was an X on the ground, showing the landing spot. He does not do anything in here that would be an act of "manchildhood"

>> No.4010471

>>4010450

that's not an argument, that's a personal opinion

>>4010456

ah yes sorry I'm tired and I'm not a native English speaker, I just re-read your comment and it makes sense now

>> No.4010474

>>4010471

>I spent my entire youth writing slowly with revisions and endless rehashing speculation and deleting and got so I was writing one sentence a day and the sentence had no FEELING. Goddamn it, FEELING is what I like in art, not CRAFTINESS and the hiding of feelings.

Then you see the hundred of writing threads here where people paste the stuff they wrote and 500 others tell them to go rewrite it because its shit. Of course /lit/ is going to take offense at this guy.

>> No.4010512

>>4010474

It's starting to make sense

>> No.4010520

>>4010466
>>So you're basically hating his readers/people influenced by him
No, not at all. There is no hate in the content of my message. I'm saying that some of his concepts, once revolutionary, are now normal to our lives. So, the impact of his work has been blunted.

>How is this "leaving a dying woman"?
To be completely honest, I didn't read this particular part, which explains my inaccurate representation of it. I was talking about this scene with my used records guy and he said that the way the character sort of rationalizes her death by saying some eastern clap like "It's the way of the world, life is so fleeting" is an abnormal and emotionally stunted response. If this character was emotionally mature, he probably would have been upset that he couldn't help her in her final moments. But, because this is Kerouac, it's just another way to express ideology.

>> No.4010533

>>4010520
>the impact of his work has been blunted.

Basically this. /lit/ now associates him with edgy teens and people who talk about YOLO. Also if that anecdote is true then he's an asshole.

>> No.4010593

>>4010520

You're painting him as some New Age Buddhist who only parroted what he read/was told

I am assuming you haven't read the book in a while but (if Kerouac is telling the truth) he was studying Buddhist for over 5 years, meditated every day and so on. So I don't think it was "Eastern clap" as you said

And regardless of your spiritual beliefs or lack thereof, I still don't know why you think bawling his eyes or being upset about an almost total stranger's death makes him "mature" in any way. In the book, Rosie, the dead woman, was Neal Cassady's current gf. Jack went to see Neal (he hadn't seen Rosie for years, it was implied) and by that point she was in the middle of some sort of mental breakdown (this was before she talked to Jack). So they had the talk, and then she kills herself. Jack comes back and finds nothing just a chalked X in the ground. What the fuck was he supposed to do? A Hollywood scene, kneeling in the rain with his arms wide open and crying?? For a woman he barely knew? All he did was ask himself if his ideas were "stupid and childlike".He omits what happens until a week later, when he leaves. I fail to see how this is "immature". If anything, this is the typical response I expect from somebody who studies the Dharma, and witnesses something so pointless (from the buddhist point of view) as suicide.

>Also if that anecdote is true then he's an asshole.

Not reading a book and forming opinions based on somebody else's baseless opinion makes YOU an asshole

>> No.4010604

>>4010593
>Not reading a book and forming opinions based on somebody else's baseless opinion makes YOU an asshole

True, but I did place the caveat 'if it was true'. I'm just a proponent of simple morality.

>> No.4010680

>>4010593
Why does it have to be either resigned Buddhism or a Hollywood scene with you? Why can't it be in between?

The character in this scene is immature because he explains away the suicide with his savior Buddhist crap. It doesn't matter how much he studied Buddhism. If it got him to stop feeling bad for the suicides he knew, then he got wrapped up in the teachings and lost something along the way.

>> No.4010684

>>4010593
>>4010680
By the way, I read about half of the Dharma Bums. I stopped because I thought it was preachy, masculine boy's club shut.

>> No.4010686

>>4010684
*shit

>> No.4010712

>>4010680

You are projecting your own beliefs onto something that doesn't make a lot of sense from your own warped perspective.

Read the fucking book. Kerouac does not "explains" anything. He only wonders if the outcome could've been different had she listened to him (there's the empathy you're looking for).

He didn't feel bad for her but he did not "explain" it with "buddhist crap". Read the fucking chapter and shut your whore mouth

>> No.4010716

>>4010712
No thanks.

>> No.4010720
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4010720

>>4010716

>doesn't read the book
>lies to prove his "opinion"


aight den

>> No.4010727

>>4010720
What did I lie about? This is getting silly.

>> No.4010751

>>4010352
Hell, even he hated his readers

>> No.4010752
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4010752

>>4010727

That scene on the book, you're basing it on your hearsay and whatever else you want to base your opinion of Kerouac. He didn't explain shit. He didn't parrot "buddhist" shit. He didn't "leave her dying"

If you want to hate on Kerouac, thats fine with me. But pls stop pulling arguments out of your ass. It makes you look like a fool

>> No.4011627

bump

>> No.4011731
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4011731

>>4010344
http://www.cracked.com/article_18787_6-books-everyone-including-your-english-teacher-got-wrong_p2.html

>Kerouac spent roughly seven years roaming the countryside looking for answers. He never found any, and it's pretty clear in the book. Yes, there were some wild times that seemed like a blast, but it got old after awhile. Nevertheless, it was that side of his character everyone celebrated even though he tried to put it behind him.

>And keep in mind, Kerouac wasn't even describing events that took place during that time. Since the novel came out in the late 50s, everyone assumed he was describing the thought and feelings of that era, but the events of the novel took place almost a decade before. He wasn't even writing about the era he supposedly defined.

>> No.4011770

>>4010344
You either read him at exactly the right time and fondly remember him or you miss this and think he's shit forever.

>> No.4012189

>>4010387
this understanding of Kerouac is why people don't like him, but this understanding fails to recognize that Kerouac is really a very deeply Catholic writer.

>> No.4013004

>>4011731

Wow, anyone with 4 neurons working in unison would have figured this out by now. The book is filled with the dates when each trip took place.

>> No.4013044

>>4010354
No, his writing is just shit. Nevermind the narcissism and Pharisaical hippy bullshit, Kerouac just wasn't a good writer. He had potential for sure, and you see it in some of his poems, but his books are terrible.

>> No.4013048

>>4010593
>You're painting him as some New Age Buddhist who only parroted what he read/was told
>he was studying Buddhist for over 5 years

He studied incorrectly, unfortunately, which isn't uncommon when it comes to Western interpetations of Eastern thought.

>> No.4013057
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4013057

>>4013048

>He studied incorrectly, unfortunately

care to explain, please?

>> No.4013068
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4013068

on a related note, what does /lit/ think of Kesey?

I think pic related is a true masterpiece. Cuckoo's Nest is also brilliant.

>> No.4013082

>>4013068
Kesey's great. Both you mentioned are classics

>> No.4013087

>>4013044
>caring about style
>2013

captcha: nikingt philosophy

>> No.4013099

>>4013087

Style is content

>caring about content

>> No.4013113

>>4013099
REKT

>> No.4013295

He has half the talent of Ginsburg. "On the Road" is passive, rambling, dated

>> No.4013731
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4013731

>>4013295

>"On the Road" is passive, rambling, dated

You must be one of those who thinks art should be X and Y

>> No.4016389

>>4013295
and both are inferior to Burroughs.

but I think all three are excellent.

>> No.4016555

>>4010474
You have to be high on benzydrene.

>> No.4016571

Because his work is about "common men doing common things". The durge of society. The anti-intellectual. The excess.

Really appeals to immature nihilistic-hedonists. Funny thing is, I bet most of /lit/ liked him at one time (or still secretly do), that is, until the elites trashed them to smithereens.

Most of /lit/ loves that annoying dick hole...forgot his name but he sucks, he wrote Fear and Loathing in Las Vegas. He's so shit that I actually forgot his name. Hah.

>> No.4016574

>>4016571
>The durge of society
>dregs

>> No.4016600

>>4016571
Hunter S. Thompson. The best Gonzo. Better than Mailer, and much better than Wolfe.

>> No.4016604

>>4016600
>Gonzo
>Roach Tier /lit/

pls.

>> No.4016631

>>4016604
>Opinions

>> No.4016666

I love Kerouac. On the Road is essential reading for modern american lit. The only thing is it's so...Dickens and Hemingway. It's where you break ground but it's not where you end. You gotta dig deeper. I still thoroughly enjoy Kerouac though. Reading him is like meeting an old friend from church who sat in the back pew and tried not to laugh to hard at inside jokes.

>> No.4017464

>>4016571

if you're grouping HST with Kerouac then you missed the entire point of Fear and Loathing, and by default, you have no fucking idea what you're talking about

>> No.4017497

>>4016666
this made absolutely no sense.

>> No.4017523 [DELETED] 

>>4010370
>I personally don't know any Kerouac reader

then your friends are dense. he's one of the most commonly read american writers. usually assigned high school lit. on the road was about old school hipsters jerking off on eachother whenever they thought their perspectives widened.

>> No.4017638

>>4011770
After my college class didn't like him I went back and reread On The Road. Was surprised how many brilliant bits there are and how interesting the guy's life was. It's grammatically wobbly because it's colloquial, it's plotless because it's memoir.

He has a reputation for being looked down on because of 50s newspaper critics bitching at an outsider who outsold their friends and stood for the wrong things. That legacy of educated disapproval means that when people don't like it they feel they have license to make bold declarations. He's not the best, but he's decent.

>> No.4017641

>>4016666
That was lame brah.

Also, it's not like Dickens at all, and barely anything like Hemingway, Hemingway being a rather tight-lipped precursor to minimalism while Kerouac is a latterday romantic

>> No.4017725

Hemingway and Dickens aren't alike either, but they have inspired countless others to the point where they were at the center of paradigm shifts. That's what I meant in comparing them. They're well known writers, in the pantheon of success. I'm not comparing them in style or subject, but in notoriety.

>> No.4017858

So what I am gathering from all this is that /lit/ is full of snobs.

>> No.4017868
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4017868

>>4017858

>> No.4017873

>>4017868
Too true.

>> No.4017969

>>4017858
Oh my, what a surprise.

>> No.4017973

>>4017858
>snobs.

nah, once you actually develop taste you'll see what we're talking about.

>> No.4017976
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4017976

Everyone needs to just forget about all this shit and read this

>> No.4018006

>>4017976
THIS

>> No.4018015

>>4017973
You sound like a spiritualist. "If only you could understand the secrets of the universe like I understand them."

While i will admit to maybe not having the most diverse palette i shall forever cherish not being a conceited snob who convinces himself that his subjective taste and foe intellectualism is an objective assessment.

>> No.4018025

>>4018015
>You sound like a spiritualist.

true. but i do encourage you to keep reading and to put a little trust in what are considered classics before you condemn us all as snobs.

>foe intellecualism

teehee.

>> No.4018068

>>4018025
>true. but i do encourage you to keep reading and to put a little trust in what are considered classics

I will take that under advisement. I am not saying that the classics are not classics for a reason or that they have been invented as classics. Classics are objectively good in some way, shape or form. The same way a lot of authors have faces and glimmers of beauty and skill to their writing that a lot of people ignore subjectively and then relate as an objective truth. This threads seems to stink with a little bit of that mindset. People seem to relate their opinion as fact simply because it's their opinion.
Mainly remember that no one wants to end up like the art snobs, buying blank canvases at premium price while whole heatedly knowing they are fucking morons with out being able to confront that fact.

I enjoyed On the Road. I wouldn't say everyone HAS to enjoy it. They should at least try to enjoy it when they read it though, otherwise they are just being a snob. If they actually try to see the good, then asses the bad and say "This book is tripe" then fucking ey and all power to you. But without that first step of trying to find enjoyment in reading the book then all assessment after that is tainted.

>> No.4018076

>>4017976
YES. I just finished it about weeks ago. It's wonderful