/lit/ - Literature

[Anonymous No.19901610]

Does /lit/ like films?
What are some /lit/ approved directors and films?

[Anonymous No.19901637]

Yes, I’m a film buff
Most French New Wave directors (Godard, Bresson, Marker, Tati, Truffaut, etc)
Japanese directors like Kurosawa, Ozu and Teshigahara
Tarkovsky obviously
Kubrick
Malick (has a degree in philosophy)

[Anonymous No.19901978]

>>19901637
what are some films?
don't say Prestige, I already know that one and the one with the ship crashing against the iceberg

[Anonymous No.19902214]

>>19901610
>inb4 thread gets deleted

Greenaway, Roy Anderson, Aki Kaursmaki, Woody Allen, Pauwels to name a few

[Anonymous No.19902243]

Lars Von Trier, Gasper Noe, Jean-luc Godard, Sorrentino, Antonioni

[Anonymous No.19902290]

>>19902243
>Lars Von Trier, Gasper Noe, Jean-luc Godard
I see /lit/ is filled with teenagers

>>19902214
>Greenaway,
>spends his entire career criticizing text based cinema

>>19901637
>Refers to himself as a film buff
>cites entry level 101 films
>calls Bresson French New Wave
>malick

>>19901610
Do you mean adaptions?

[Anonymous No.19902338]

>>19901610
Werner herzog.

[Anonymous No.19902343]

>>19901610
Sion Sono
Edward Yang
Wong Kar-wai
Hirokazu Kore-eda
Naoko Ogigami
Naomi Kawase
Eros and Massacre by Yoshishige Yoshida
Death by Hanging by Nagisa Ōshima

[Anonymous No.19902364]

Tsai is a fucking joke
Sion sono is one of the best directors.
No, I'm not going to elaborate

[Anonymous No.19902374]

>>19901610
Ah Rohmer... For me, it's his brother's /lit/ work tho

[Anonymous No.19902396]

>>19901610
Robert Downey Sr.
Whit Stillman
70’s Herzog
Frederick Wiseman
Most of the low budget late 60’s early 70’s new Hollywood degenerates
David Blair
Damon Packard
Adam Curtis
“Structuralist Cinema”
Pre-internet hidden camera docufiction like Peter Watkins and his associates
Godfrey Reggio
Roy Andersson
The Kingdom 1&2 by Lars Von Trier
Oliver Stone
John Cassavetes and Elaine May <3
Apichatpong Weerasethakul
Spalding Gray
“Private Snafu”, “Popeye” and 1930-34 “Betty Boop”
Tetsuo The Iron Man
Freaked 1993 and Southland Tales
Out 1
The Turin Horse
Ghost Dance 1983
Becket and The Lion in Winter
George Kuchar’s Weather Diary series

[Anonymous No.19902410]

>>19901610
i can't think of a modern-to-contemporary literary great who didn't have some degree on interest in the medium of film. i wish there were nice & comfy places to discuss films in depth on the internet.
here's some approved directors:
>jonas mekas
>john frankenheimer
>costa-gavras
>frantisek vlacil
>todd solondz
>victor sjostrom
>kiyoshi kurosawa
>jean-pierre melville
>taylor & neveldine
>sammo hung
but the biggest pleb filter will always be pre-2000 bollywood movies

[Anonymous No.19902480]

>>19902410
>taylor & neveldine
O fuck! Thanks!
I forgot the Crank movies in my list!
>>19902396
Any movies with that kind of energy is definitely /lit/ approved!
Japanese Cyberpunk is in definitely worth exploring but Tetsuo and 964 Pinocchio is the only truly great ones (with Crank being that energy mapped onto the Hollywood Action Blockbuster!)

[Anonymous No.19902486]

>>19901610
Renoir

[Anonymous No.19902611]

>>19901610
hong sang-soo ONLY

[Anonymous No.19902656]

>>19902611
His latest solemn movies seem somewhat boring

[Anonymous No.19902816]

>>19902290
Hey smartass, I recommended entry level directors precisely because their movies are the most literary.
The films of the likes of Stroheim, Dreyer or the more experimental like Brahkage have almost nothing in common with lit.

[Anonymous No.19902856]

>>19902816
>7 hour direct adaption of a book
>not literary

>adaption of several Swedish plays
>not literary

[Anonymous No.19903001]

Yes. Cronenberg is my favorite director. Found out so many great writers through him which I still read to this day.

[Anonymous No.19903006]

>>19903001
I like him too. Did you read his interviews to know his favourite auhtors or was that in a book?

[Anonymous No.19903151]

>>19903006
mostly by all his adaptations that he did (jg ballard, burroughs, delillo, mcgrath, wagner)

[Anonymous No.19903160]

>>19901610
Lee-Chang Dong and his films, particularly Burning. He was a novelist before becoming a director.

[Anonymous No.19903197]

>>19902343
Based Sono chad. Few films took me through a spectrum of emotions like Love Exposure did, and still left me wanting more after four hours.

Can anyone think of the literary equivalent of Tarkovsky's Mirror? Something that's told through a kaleidoscope of memories and dreams? Seen it only recently and cannot get it out of my head.

[Anonymous No.19903224]

>>19901610
Of course but I have an imagination, so they're inferior to books. As stories they have marginal merit. The reason to watch films is because of the photography, costume and set design, acting, special effects - things only film can do.
One movie I watched recently was The Cell, notably starring Jennifer Lopez's buttocks during its brief acting stint. I like this movie because the director had come from music videos and he places most emphasis on the visuals. There are some amazing shots you won't see anywhere else. Lopez's ass plays a social worker who fell into a highly specialized role where she interfaces with the minds of traumatized victims and engages in therapy with them inside their psyches.
Story-wise, it's a by the numbers hunt for a twisted serial killer. However the pageantry of the dream/mind sequences makes it worth watching. It also stars Vince Vaughan as the detective, and Vincent D'Onfrio having way too much fun as the "Bleach Killer."

[Anonymous No.19903260]

>>19902656
which?

[Anonymous No.19903397]

>>19903260
i should clarify: which particularly? i've seen everything back to hill of freedom excluding you & yours

[Anonymous No.19903499]

>>19901610
Lynch

[Anonymous No.19903515]

>>19903197
I'd highly recommend Whispering Star by him if you haven't watched it. Doesn't get mentioned much when you see discussion on him.

[Anonymous No.19903555]

>>19901610
Shunji Iwai's Lily Chou Chou
Bergman's Persona
Tokyo Decadence
Tokyo Twilight
Funeral Parade of Roses
Taste of Cherry by Abbas Kiarostami
The Color of Pomegranates
Fantastic Planet

[Anonymous No.19903605]

>>19903197
>Can anyone think of the literary equivalent of Tarkovsky's Mirror? Something that's told through a kaleidoscope of memories and dreams? Seen it only recently and cannot get it out of my head.
Obviously, Finnegans Wake.

[Anonymous No.19903641]

>>19903160
burning's phenomenal; what else should i watch?

[Anonymous No.19903674]

>>19901637
New wave is hack, kubrick is hack, tarkovski is too early and only figured some techniques out may as well say dw griffith

[Anonymous No.19903683]

too busy reading to watch movies
it's also a lesser art form compared to books

[Anonymous No.19903772]

>>19903683
>it's also a lesser art form compared to books
WHAT THE FUCK DID I JUST READ....... I just lost legitimate braincells what the actual FUCKKK im utterly devastated by your ignorance. FUCK

[Anonymous No.19903791]

>>19903772
Kinotard moment

[Anonymous No.19903803]

I do but I enjoy directors like Rohmer more than the true greats. He gives me certain things that a book can't

[Anonymous No.19903814]

>>19901610
A dinner with andre

[Anonymous No.19903818]

>>19903772
You're retarded

>>19903641
'phenomenal.' It's an okay thriller than turns into a frivolous political commentary.

>>19903803
>true greats
Another retard

[Anonymous No.19903826]

>>19903001
there's a physiognomical pattern between him, lynch and beckett. it's interesting.

[Anonymous No.19903832]

>>19903818
>You're retarded
argument pussy

[Anonymous No.19903878]

>>19903832
It's an art for people who don't like to think and is uglier than painting.

[Anonymous No.19903927]

>>19903878
If you think cinema isnt art you probably watch the blockbusters only and when you think of movies you automatically relate them to little kids eating popcorn in a dirty cinema theater
Cinema is art and all art is the same, no matter if it is displayed on a screen in your monitor, paper in a book, music on your headphones etc etc

[Anonymous No.19904791]

I just bought a 4k tv and I'm wondering where can I find 4k restorations of old movies beside rutracker, and are there even that many to begin with?

[Anonymous No.19904800]

>>19903927
Very few directors are artists and most likely the ones you consider great aren't that.
A good blockbuster is better than arthouse garbage anyway.

[Anonymous No.19904986]

>>19901610
The 1970 Soviet version of Crime and Punishment
https://www.youtube.com/watch?v=4RbMsU2WElM&ab_channel=Y%C3%BCkselY%C4%B1ld%C4%B1z
The 1970 Soviet version of Uncle Vanya
https://www.youtube.com/watch?v=EF3A9mmRzGc&ab_channel=Mosfilm
Both masterpieces.

[Anonymous No.19905681]

bump

[Anonymous No.19905694]

>>19901610
My specialty is Hammer horror, Giallo movies, exploitation cinema, and absurd comedy like Freddy Got Fingered and Caddyshack

[Anonymous No.19905700]

>>19903674
>kubrick is hack
Do contrarianfags really...?

[Anonymous No.19905713]

>>19901610
Heaven Can Wait (1978)
Catch 22 (1973)
Basic Instinct (1992)
Wolf (1994)

[Anonymous No.19906032]

My favorites are Hideaki Anno and Yazujiro Ozu. The japanese at their best seem to make more emotional and pretty films.
I also enjoy from a lit informed perspective Godards Contempt, both Twin Peaks series, some of Oshii's work like the Sky Crawlers, Miyazakis work in general but specifically some works like totoro and spirited away.

[Anonymous No.19906127]

>>19903641
Watch his other films, they’re also amazing. Edward Yang and Hirokazu Kore-eda are also great asian directors

[Anonymous No.19906140]

>>19901610
I like Sofia Copola

[Anonymous No.19906155]

>>19901610
Sorrentino’s La Grande Bellezza, È Stata La Mano di Dio and Le Conseguenze dell’ Amore. His others ones you can skip.

[Anonymous No.19906238]

>>19901610
Buster Keaton

[Anonymous No.19906456]

>>19902396
>Oliver Stone
Based. Fuck Tarantino.

[Anonymous No.19906471]

>>19906032
>Miyazakis work in general but specifically some works like totoro and spirited away.
a man of taste

[Anonymous No.19906508]

>no mention of Paul Verhoeven in this thread
hmmmm

[Anonymous No.19906526]

>>19901637
Bresson and Tati aren't nouvelle vague tho
Marker barely qualifies
all very based nonetheless

[Anonymous No.19907204]

>>19906238
FUCK! Sound really did ruin cinema didn't it?

[Anonymous No.19907339]

>>19907204
Yes.

[Anonymous No.19907368]

>>19903197
the diary of a superfluous man by turgenev felt a little bit like mirror

[Anonymous No.19907380]

L'argent
Passe ton bac d'abord
Out of the past
Journey to Italy
The night of the hunter
My darling Clementine
Winter light
Scattered clouds
Ma nuit chez Maud
Late autumn
The ghost and Mrs. Muir
Jeanne Dielman
The deer hunter
The conversation
Ordet
Mystic river
Thérèse Desqueyroux
Two Lovers
Vertigo
Manhunter
Le cercle rouge
La stanza del figlio
Limite
Johnny Guitar
La peau douce
La notti bianche
The apartament
Roman holiday
Yi yi
Feu follet

[Anonymous No.19907402]

>>19903803
based fellow midwit. rohmer, woody, ozu, anderson, the list could go on

[Anonymous No.19907418]

>>19907402
Why you consider Rohmer and Ozu midwits? It's just because they have a minimalistic style?

[Anonymous No.19907419]

>>19901610

[Anonymous No.19907435]

>>19907339
cute!

[Anonymous No.19907553]

If I were to recommend one movie, specifically for /lit/ purposes, it'd be The Assassination of Jesse James. Great pace, storytelling, casting/acting and original soundtrack. Magnificent cinematography. Definitely one of my very favorites post-2000.
Of my favorite directors, I think Wim Wenders is the most /lit/.
Paris, Texas is amazing and Der Himmel über Berlin is specially /lit/ and poetic.

[Anonymous No.19907688]

>>19907553
About a week ago I watched The Salt of the Earth, a Win Wenders documentary about internationally famous Brazilian photographer Sebastiao Salgado.
Great film about the life of the man and his art.

[Anonymous No.19907893]

>>19901610
The Family Game (1983)

[Anonymous No.19908125]

>>19902290
tbf he’s better than the vast majority of people who call themselves film buffs. Practically all of the people at my school who act like they’re really interested in movies and would refer to themselves as film buffs are really just marvel and tarantino dilettantes.

[Anonymous No.19908131]

Malick, Kurosawa, Lynch, Jodorowsky

[Anonymous No.19908141]

>>19901610
TV Show, but the sopranos is on the same level as the best literature. Closest thing to it are the Russian classics

[Anonymous No.19908209]

[Anonymous No.19908391]

>>19908141
>americans

[Anonymous No.19908396]

I do not watch movies and neither should you.
Every movie you watch is a chunk of time wasted that could have been spent reading.

[Anonymous No.19908413]

>>19908125
Or they’re like this guy >>19908141

[Anonymous No.19908434]

>>19901610
Ridley Scott is my favorite director.

[Anonymous No.19908465]

>>19908396
There are boobs in movies though

[Anonymous No.19908712]

>>19906456
Oliver Stone is absolutely BASED

[Anonymous No.19908741]

>>19908712
i suspect that he's a glowie, because there's no other explanation as to why a movie like JFK was even allowed to be made, let alone get as much media circulation and marketing as it had. it's all very fishy.

[Anonymous No.19908936]

>>19908741
He's obviously a false-flag glowie.

[Anonymous No.19909000]

Thoughts?

[Anonymous No.19909009]

unironically The End of Evangelion

[Anonymous No.19909010]

Tarkovsky is the only director who has produced a work on par with the greats of literature. He also wrote a good book about films. So, Tarkovsky.

[Anonymous No.19909028]

>>19902396
it warms my heart to see southland tales mentioned, overall very cool list

[Anonymous No.19909092]

>>19909010
>babby’s first kino

[Anonymous No.19909096]

>>19909092
The first and only with any artistic merit.

[Anonymous No.19909116]

>>19909096
Not him, but you’re embarrassing yourself.

[Anonymous No.19909122]

>Not him, but you're embarrassing yourself

[Anonymous No.19909136]

>>19909122
Don’t get me wrong growingpainsanon. Tarkovsky is one of the greats, but Not the be all end all.

[Anonymous No.19909179]

>>19907688
I saw him speak in Paris in 2018 after a screening. Seemed very pure. I will always appreciate Wings of Desire

[Anonymous No.19909182]

>>19909000
Fargo is unironically 10/10

[Anonymous No.19909197]

>Lynch
>Kubrick
>Carpenter
>Herzog

[Anonymous No.19909256]

>>19909136
If you say Tsai Ming-Liang, Tarr, or Apichatpong you're retarded and a pseud.

>>19909010
Dreyer's Gertrud, Michael Snow's Corpus Callosum, and Tarkovsky's The Sacrifice are the peaks of cinema.

[Anonymous No.19909337]

>>19909256
>Michael Snow's Corpus Callosum,
I'm 5 minutes in and let me tell you, this is not promising.

[Anonymous No.19909397]

>>19909337
Nevermind it became quite cool

[Anonymous No.19909418]

>>19905700
not him but I think kubrick is sterile and boring for the most part.

[Anonymous No.19909445]

>>19901610
Stalker; Solaris, by Tarkovsky
Landscape in the Mist, The Beekeeper, Ulysseys' Gaze; by Angelopoulos
End of Evangelion, by Anno
Cemetery of Splendor, Uncle Boonmee; by Weerasethakul
On the Beach at Night Alone; Hotel by the River; by Hong Sang-Soo
Angel's Egg; by Oshii
Stray Dogs, Goodbye Dragon Inn; by Tsai
Antiporno, Cold Fish; by Sion Sono
An Elephant Sitting Still; by Hu Bo
A Touch of Sin, Still Life; by Zhang ke Jia
Le Quattro Volte; by Michelangelo Frammartino

[Anonymous No.19909460]

>>19909445
>End of Evangelion, by Anno
You made this post just for this didnt you

[Anonymous No.19909465]

>>19909397
It’s about npcs

[Anonymous No.19909471]

>>19909000
It's a good list, but you need to branch out more, anon. There's much better stuff out there. Visit the art film threads on /tv/ and branch out.

[Anonymous No.19909475]

>>19909465
I have been loling for about 5 minutes now at the special effects

[Anonymous No.19909477]

>>19908396
Shit take.

[Anonymous No.19909486]

>>19907380
Holy kinosseur

[Anonymous No.19909497]

>>19909460
It's one of my more favourite films, for sure. But how'd you guess?

[Anonymous No.19909533]

>>19903818
>'phenomenal.' It's an okay thriller than turns into a frivolous political commentary.
its like BlowUp by Antonioni. Slow mystery drama film

[Anonymous No.19909564]

Cinemafags perplex me. When we talk about the greatest works of literature, they're always some of the most famous and beloved works around the world like Anna Karenina or Shakespeare. When people talk about the best movies, it's a bunch of arthouse shit that no one has ever heard of. I know cinema is harmed by the fact that it's a major business and has less artistic integrity but why can't there be a balance of global recognition and artistry? The best works of art should be universal to every person, not exclusive to a handful of people who are lucky enough to buy Criterion editions of European art films

[Anonymous No.19909584]

>>19909564
lucky enough? Its simple to find it if you want to. Everyone knows Anna Karenina? Maybe from name but no normie actually read it. Same with films, maybe they heard some names like Fellini or Herzog, but only those interested are actually watching them

[Anonymous No.19909586]

>>19909564
Some litfags will say finnegans wake is the peak of literature, kind of the same thing

[Anonymous No.19909612]

>>19909564
cinema is a younger medium so even comparing the two is dumb. the average person has no idea foreign films were ever an option. most great cinema wasn't easily accessible until the past two decades.

[Anonymous No.19909654]

>Does /lit/ like films?
No

[Anonymous No.19909704]

>>19901637
reddit

[Anonymous No.19909706]

>>19909533
I don’t like Antonioni

>>19909564
>muh popularity
>fame = great
I hope you’ve read more than basic bitch Shakespeare

[Anonymous No.19909724]

>>19901610
My favorite movie is Martyrs and I dont care if its pleb

[Anonymous No.19909741]

Rate my 10 favourite films (by year):

The Third Man (1949)
Sunset Boulevard (1950)
East of Eden (1953)
Il Conformista (1970)
Badlands (1973)
The Shining (1980)
Come and See (1985)
Withnail and I (1987)
Caché (2005)
Burning (2018)

[Anonymous No.19909749]

>>19901610
Only John Wayne movies the rest is trash

[Anonymous No.19909818]

>>19909741
Il conformista is awful. Before the revolution is better.

[Anonymous No.19909838]

>>19909256
>>19909337
Well I finished the movie. It was entertaining enough but why do you think it is a GOAT

[Anonymous No.19909997]

Spider-Man 2 (2004)
Transformers (2007)
The Cat in the Hat (2003)

[Anonymous No.19910069]

You guys have more to say about movies than you do about books

[Anonymous No.19910758]

>>19910069
The only good books one that can be used to make a movie; yea sweet imagination you see while reading a book, you like challenges? Show us what your imagination looks like, and do it to a degree of such sensational quality that noone could have imagined the beauty and grandeur and subtlty and tenderness and epicness of each second

[Anonymous No.19910764]

>>19903878
Based

>>19903927
Cringe

[Anonymous No.19910767]

>>19901610
Rush Hour 2 starring Chris Tucker and Jackie Chan

[Anonymous No.19910778]

I wish I had time to watch movies. I can only afford to watch one film a week. I should get off the internet rn.

[Anonymous No.19910782]

>>19901610
Lars Von Trier. Breaking the Waves and Dogville are the most /lit/ movies I’ve seen.

[Anonymous No.19910798]

>>19903683
Movies are hard to get in to if you start with books because the movies considered “great” are nowhere near as good as classic books. Same thing with rock music. The fact that the beatles are still considered the greatest band of all time is a testament to this. Still, there are movies that are as good as almost any book I have read.

[Anonymous No.19910801]

>>19909706
Bold of you to shit on Shakespeare

[Anonymous No.19910814]

>>19910801
I didn't shit on Shakespeare at all, I shit on people who don't read Shakespeare but blindly name drop him.

[Anonymous No.19910876]

>>19910798
>The fact that the beatles are still considered the greatest band of all time is a testament to this.


The fact that so many books still name the Beatles as "the greatest or most significant or most influential" rock band ever only tells you how far rock music still is from becoming a serious art. Jazz critics have long recognized that the greatest jazz musicians of all times are Duke Ellington and John Coltrane, who were not the most famous or richest or best sellers of their times, let alone of all times. Classical critics rank the highly controversial Beethoven over classical musicians who were highly popular in courts around Europe. Rock critics, instead, are still blinded by commercial success. The Beatles sold more than anyone else (not true, by the way), therefore they must have been the greatest. Jazz critics grow up listening to a lot of jazz music of the past, classical critics grow up listening to a lot of classical music of the past. Rock critics are often totally ignorant of the rock music of the past, they barely know the best sellers.

[Anonymous No.19910888]

>Νοt one mention of Kieslowski

[Anonymous No.19910911]

>>19910876
So true. In a sense, the Beatles are emblematic of the status of rock criticism as a whole: too much attention paid to commercial phenomena and too little to the merits of real musicians. If somebody composes the most divine music but no major label picks him up and sells him around the world, most rock critics will ignore him. If a major label picks up a musician who is as stereotyped as can be but launches her or him worldwide, your average critic will waste rivers of ink on her or him. This is the sad status of rock criticism: rock critics are basically publicists working for major labels, distributors and record stores. They simply highlight what product the music business wants to make money from.

[Anonymous No.19910924]

>>19910911
>>19910876

This hits the nail on the head. No attention is paid to the actual innovations and achievements of rock music. Hopefully, one not-too-distant day, there will be a clear demarcation between a great musician like Tim Buckley, who never sold much, and commercial products like the Beatles. At such a time, rock critics will study their rock history and understand which artists accomplished which musical feat, and which simply exploited it commercially.

[Anonymous No.19910994]

for me its
Marcel L'Herbier
80s RR
early jia zhangke
Brat 2
pauwels
classic westerns (not revisionist or new hollywood trash)
JAV

[Anonymous No.19911014]

I’ll come back to this thread later and watch the films recommended here
Jannie please don’t delete

[Anonymous No.19911024]

>>19910924
>there will be a clear demarcation between a great musician like Tim Buckley
That was a quote from the Scaruffi page of the beatles, and he regards Tim Buckley highly and considers him among the greatest rock musicians

[Anonymous No.19911112]

Dzień świra

[Anonymous No.19911117]

>>19911024
He’s right. Lorca is incredible.

[Anonymous No.19911122]

>>19901637
Bresson and Kubrick are god tier.

[Anonymous No.19911369]

Texas Chainsaw Massacre (1974)
Empire Strikes Back (1980)
Ghostbusters (1984)
Short Cuts (1993)
Pulp Fiction (1994)
American Beauty (1999)
Magnolia (1999)
Crash (2004)
Walk Hard (2007)

And I feel like I have to include 1 foreign film in my top 10. Almost went with The Tale of Princess Kaguya but I chose picture related because it's the superior kino.

[Anonymous No.19911376]

Thanks for the suggestion, added these all to my watch list

[Anonymous No.19911380]

>>19901610
The Room (2003)

[Anonymous No.19911418]

>>19902396
>Robert Downey Sr.
Pitney Swope is one of the great outsider comedies. 60s New York is the haven of video art!
> https://youtube.com/watch?v=KP13OQo7L2Q

[Anonymous No.19911563]

>>19911117
Any suggestions for a tim buckley fan? Closest I get is Van Morrison and Fred Neil

[Anonymous No.19911981]

Christopher Nolan is peak human cinema. Aaand is shitty. So yes, literature > cinema art

[Anonymous No.19912191]

Reminder if your favorite director isn't on this list you're a fucking pleb
1. Charles Lube
2. Frederico Feline
3. Chung-kee Bo Som
4. Jean-Luc Mondieu
5. Benissimo Fellato
6. Thomas Sodomite
7. Geena Voluptina
8. Anal Smithee
9. Harry Pucci
10. Adolf Titler
11. David Lynch
12. Kino Steve
13. TBA
14. Igor Mortis
15. Bob Opeña
16. Rajesh Areola
17. Ivan Gulagovich
18. Wes Underboob
19. Bing Boredome
20. Mutt Gobling
21. Massivo Titti
22. Tudip Foryu
23. Bobba Fatt
24. Big Shit
25. Timmy
26. Milk Jugger
27. Anna Lactata
28. Magnus Anussen
29. Hanz Gesundheit
30. Babylonian Bastard
31. Richard "Dick" Cock
32. Buddy Rosenblattstein
33. Victorio de Sicko-Mode
34. Paul Thomas Underboob
35. Alejandro "Boy" Nevada
36. Jay "Retard" Johnson
37. Andrzej Dumbasski
38. B'akamalo S'ucock
39. Zubrava Vacijnevic
40. Harakiri Yomama
41. Itin Titin
42. Zack Snyder
43. Phil M. Titties
44. Samuel "Slam" Dunkin
45. David "Nigger" Williams
46. Vittupää Vitunviheltämäaapa
47. Buddy Rosenblattstein, Jr
48. Paul W. S. Underboob
49. Tetris Landaloupolous
50. Winston Poppecock

[Anonymous No.19912522]

>>19911563
Honestly I don't know. He was a very special musician, one of a kind. I feel the same way about other musicians, such as Robert Wyatt and Peter Hammill, but they make different music.

[Anonymous No.19912586]

>>19909838
Firstly, a film has to make an impression on a superficial level in order to be worthy of analysis or evaluation. For me, Corpus Callosum was one of the most unique things I've seen in any art, and probably the leading example of visual art expressing the ineffable, it was horrifying, baffling, and portentous. However, most experimental cinema I've seen gets caught up in its form and loses any sense of abstraction, so it doesn't reach that ineffable like Corpus does. With that in mind, the many seemingly random aspects of the film could be interpreted in various ways or 'critiques' on our current way of living. How we are essentially cogs in a machine that is feeding itself, and by not expressing it 1:1 to real life it creates that horrifying feeling more. Another aspect, was the completely lack of God and humanity in the film, as if we were motionless automatons slaves to whatever we are told our desires are. If we are to find any humanity or God in the film it'd be in the middle sequence when the credits finally appear when you're given a brief pause to reflect on what you've see, showing that the past and future are determined, but the present is where reflection occurs.

[Anonymous No.19912595]

https://letterboxd.com/new_user333/