[ 3 / biz / cgl / ck / diy / fa / ic / jp / lit / sci / vr / vt ] [ index / top / reports ] [ become a patron ] [ status ]
2023-11: Warosu is now out of extended maintenance.

/lit/ - Literature


View post   

File: 234 KB, 1058x1497, pessoa 12.jpg [View same] [iqdb] [saucenao] [google]
13058460 No.13058460 [Reply] [Original]

The superior man differs from the inferior man and his animal brothers by the simple trait of irony. Irony is the first sign that our consciousness has become conscious, and it passes through two stages: the one represented by Socrates, when he says, ‘All I know is that I know nothing,’ and the other represented by Sanches,* when he says, ‘I don’t even know if I know nothing.’ In the first stage we dogmatically doubt ourselves, and every superior man arrives there. In the second stage we come to doubt not only ourselves but also our own doubt, and few men have reached that point in the already so long yet short span of time that the human race has beheld the sun and night over the earth’s variegated surface. To know oneself is to err, and the oracle that said ‘Know thyself’ proposed a task more difficult than the labours of Hercules and a riddle murkier than the Sphinx’s. To consciously not know ourselves – that’s the way! And to conscientiously not know ourselves is the active task of irony. I know nothing greater, nor more worthy of the truly great man, than the patient and expressive analysis of the ways in which we don’t know ourselves, the conscious recording of the unconsciousness of our conscious states, the metaphysics of autonomous shadows, the poetry of the twilight of disillusion. But something always eludes us, some analysis or other always gets muddled, and the truth – even if false – is always beyond the next corner. And this is what tires us even more than life (when life tires us) and more than the knowledge and contemplation of life (which always tire us). I stand up from the chair where, propped distractedly against the table, I’ve entertained myself with the narration of these strange impressions. I stand up, propping my body on itself, and walk to the window, higher than the surrounding rooftops, and I watch the city going to sleep in a slow beginning of silence. The large and whitely white moon sadly clarifies the terraced differences in the buildings opposite. The moonlight seems to illuminate icily all the world’s mystery. It seems to reveal everything, and everything is shadows with admixtures of faint light, false and unevenly absurd gaps, inconsistencies of the visible. There’s no breeze, and the mystery seems to loom larger. I feel queasy in my abstract thought. I’ll never write a page that sheds light on me or that sheds light on anything. A wispy cloud hovers hazily over the moon, like a coverture. I’m ignorant, like these rooftops. I’ve failed, like all of nature.

>> No.13058474

>>13058460
Pessoa truly is his own separate form of based.

>> No.13058510

>>13058460
Shit posting.

>> No.13058512

Irony is a rusty form of wit. Just stating the opposite whenever it seems absurd. Has about the same punch as a silly pun.

>> No.13058548
File: 103 KB, 1196x752, 1556276184264.jpg [View same] [iqdb] [saucenao] [google]
13058548

>>13058512
Puns are the highest form of comedy possible. Shakespere and Wilde, two of best comedic writers to have lived knew this and used them as often as they could

>> No.13058568

>>13058512
Rusty is a term used to denote primarily faeces but secondarily menstruation in English.

>> No.13058597

>I’m an idiot

NEXT