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/lit/ - Literature


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11723536 No.11723536 [Reply] [Original]

I'm reading The Old man and the Sea by Hemingway. Why is the prose so....weird and not nice at all? This is widely considered to be a masterpiece, what am I missing?

>> No.11723543

>>11723536
>the prose is not nice
:\

>> No.11723544

American literature is a meme

>> No.11723557

>>11723536
you have to read hemingway like hemingway reading hemingway.

>> No.11723561
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11723561

>reading books for the prose

You'll never make it

>> No.11723566

>>11723544
this

>> No.11723573

>>11723544
This.

>> No.11723582
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11723582

>>11723566
>>11723573
Except for Cormack McCarthy, of course

>> No.11723583

>>11723561
Prose is a significant part of the artistic quality of a work of literature.

>> No.11723587
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11723587

>>11723583
Indeed but a part, young grasshopper.

>> No.11723591

>>11723561
>not reading literature for aesthetic reasons
why even live?

>> No.11723605
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11723605

>>11723591
With hemmingway you're supposed to read it for the prose that's not there

>> No.11723629

>>11723536
Hemingway was American and that is the way he writes and you don't like it and I don't like it and that's not important because joe dimaggio maybe does like it.

>> No.11723631

>>11723587
A work of literature without prose is like a painting without technique, e.g. modern art.
Note that beautiful prose is often simple and to the point.

>> No.11723634

>>11723629
This is pretty much exactly how he writes.

>> No.11723699

>>11723631
Good thing books aren't paintings, huh?

>> No.11723715

>>11723699
>not understanding analogies

>> No.11723719

>>11723582
shut the fuck up

>> No.11723722

>>11723631
why do plebs always compare books to paintings around here? ffs

>> No.11723727

>>11723719
no u

>> No.11723728

>>11723715
I'm not that other guy but your analogy was pretty bad. Besides, isn't the problem with modern art that it's often technique with no substance? And a book with no prose would just be driving plot, or information.

>> No.11723731

>>11723715
>not understanding false analogies

>> No.11723735
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11723735

>if prose is not flowery, it's bad!

>> No.11723736
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11723736

>>11723544

>> No.11723743

shit reads like a 10 years old's essay, fuck off with your ice(((berg))) bullshit

>> No.11723762
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11723762

>>11723722
>>11723728
>>11723731
The point of the analogy was that, like a painting without technique, a book without prose is worthless.
And no, the problem with modern "art" is that it takes so little skill that a monkey could do it and win awards (seriously look up Pierre Brassau). The point of art is to convey your message with a skill you've honed over the years, just having a message isn't enough.

>> No.11723817
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11723817

>>11723762
anon.. easy on the edge

>> No.11723818

>>11723762
>a book without prose is worthless.
you mean a book without stylistic prose, right?

>> No.11723832

>>11723817
>no arguments
>>11723818
I mean beautiful, simple prose.

>> No.11723838

>>11723544
>>11723566
>>11723573
I'm not American and I disagree

>> No.11723870
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11723870

>>11723832
your "argument" was just some subjective appraisal, heck off, kid.

>> No.11723900

If you don't get Old Man and the Sea you are not a man. You are either a flowery, flaming homosexual or a woman.

>> No.11723907

>>11723900
What if I'm both?

>> No.11723911

>>11723900
This, also if you were a man you'd understand that a real man is an iceberg not by society but by his own presentation, much like the protagonist and his prose.

>> No.11723916
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11723916

>>11723911
woah so deep

>> No.11723917

>>11723870
>I LIKED JORDY BEFORE HE WENT MAINSTREAM, IM KEEEEEWWL

>> No.11723922

>>11723907
I've always wondered how does the more feminine dyke seek the masculine dykes or do you just hope that some masculine dyke will find out somehow that you're a lessa silently and hit on you? A feminine dyke forced to hit on women sounds like lesbian bed death waiting to happen.

>> No.11723930

>>11723916
>posts jap shit
I'm listening

>> No.11723945
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11723945

>>11723536
>t.

>> No.11723976
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11723976

/lit/ seems to want the testimony of some middling protagonist awash in abundant self-reflection, mired in inertia, and fettered with painstaking detail.

>> No.11724020
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11724020

>> No.11724029
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11724029

>>11723544
>>11723566
>>11723573
*blocks your path*
>>11723838
Based.

>> No.11724037

Well, the thing is Hemingway aimed for the biblical cadence of sentences and what came out of it resembles rather Dr. Seuss.
¨
Also, YOU FUCKING RETARDS, STOP USING THE WORD PROSE WHEN YOU MEAN STYLE AND STOP USING THE WORD MODERN WHEN YOU MEAN CONTEMPORARY FOR FUCKS SAKE YOU DISGUSTING HIGHSCHOOLERS REEEEEEEEEEEEEEEEEEEE

>> No.11724231
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11724231

>>11723544
Don't talk shit about my nigga

>> No.11724732

>>11723544
Truer words have never been spoken.

>> No.11725029

>>11723536
Look up the audiobook of A Farewell to Arms, read by John Slattery, and listen to the first 15-20 minutes of it, then you will “get” what Hemingway’s deal was and why he is so important as a stylist.

He’s not the greatest American prose writer (that would probably go to Melville or Faulkner), but he’s very good, and he took a very different approach, more influenced by Flaubert and his time as a journalist than anything.

Old Man and the Sea is a little bit too far in that minimalist direction for my taste, but Hemingway can be really, really good at times.

>> No.11725044

>>11723544
>>11723566
>>11723573
>>11724732
Eurocope

>> No.11725220

>>11725029
Thanks anon, I'll do that.

>> No.11725282

>>11725044
>american thinks his "country" has cultural relevance

>> No.11725297

>>11725282
>europoor proves it doesn't by jumping into every thread in which it's mentioned

>> No.11725479

>>11725297
>americans
>americans
>americans
>americans