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/lit/ - Literature


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11005336 No.11005336 [Reply] [Original]

ITT movies that are better than the book

>> No.11005346

>>11005336
Clockwork Orange

>> No.11005383

>>11005346
this
>>11005336
your picunrelated is better in the book. the indian nigger going on about how he'd seen the machinery inside his pills and how they rigged it to make it disappear before he could prove it is top-tier.

obligatory heart of darkness/apocalypse now

>> No.11005388

>>11005383
shit i meant to "this and" not "this". clockwork orange the book is much better if you get the one with the final chapter. if you get the one without the final chapter, i can accept the movie might be better

>> No.11005397

>>11005388
>if you get the one without the final chapter, i can accept the movie might be better
there are two different book versions?

>> No.11005401
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11005401

>> No.11005408

>>11005336
>Lolita
Movie or book ?

>> No.11005409

>>11005336

The Godfather
Brokeback Mountain
The Shawshank Redemption

>> No.11005415

>>11005397
there's an ameritard version which chops out the ending. the original american ending is "he can't change stuck in darkness". the original ukfag ending is "he gives up and joins society".

ameritards apparently wouldn't be convinced that the state could force you to change your mind like you'd never been an individual but inextricable from society. i think most new versions include the "extra" chapter, but the movie is based on the ending that amerifats would buy.

>> No.11005465

>>11005415
The bong version ending is pretty much, ‘Oh well, Boys will be boys. Young Álex was just going through a rape and murder phase but he’s outgrown it now.”

Bongs are degenerate. The American publisher was right to cut it.

>> No.11005467
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11005467

>> No.11005475

>>11005401
most of stephen king's books make better movies
>>11005336
thought the book was more cohesive and heartwrenching imo

>> No.11005499

>>11005409
Seconding The Godfather. The difference in quality is unbelievable. The book is complete trash.

>> No.11005501

Michael Crichton

>> No.11005504

>>11005388
>>11005397
>clockwork orange the book is much better if you get the one with the final chapter.
No, it makes everything dull, might as well not write anything.

>> No.11005509

>>11005408
The only Kubrick adaptation in which the book is better than the movie. Even his wife said so.

>> No.11005521

>>11005467
i hope the next time you get a haircut it looks slightly off and you feel self conscious for a bit until it grows back

>> No.11005522

>>11005499
>implying the movie is good

>> No.11005525

>>11005415
>ameritards apparently wouldn't be convinced that the state could force you to change your mind
It's not that they forced him to change his mind. He just "grew" out of it.
>>11005465
I mean, you didn't go though a rape and murder phase?

>> No.11005540
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11005540

>> No.11005547

>>11005540
Nah.

>> No.11005570

>>11005467
>>11005521
Shots fired

>> No.11005575

>>11005504
>law of the jante isn't more horrifying precisely because it works
>being this much of a north american protestant
I'm not sure how you felt it made nadsat, the rape scene or anything else retroactively dull, but his metanoia makes the world and character more complex. It's a Catholic trope that's why I'm pointing out the likelihood of you being Protestant and not getting it. You'd probably call all of his M/F >>>/trash/ for it's last line, and have problems with a lot of Graham Greene or Muriel Spark's endings as well because they're from the same kind of background and appreciation of the world. While the countries that have the Jante Law, or even communism, tend to get why that kind of ending is more horrific, it's harder to understand if you have the kind of culture that Protestant America has (which was even stronger in the time it was published).

>> No.11005581

>>11005336
> watching movies
kys

>> No.11005586

>>11005525
>It's not that they forced him to change his mind. He just "grew" out of it.
I should have probably said society. What I like about that is they all grew out of it. The adults and everyone else who isn't a teen used once do that shit and he'll one day be like them scolding his son and refusing to understand why he might be like that.

>> No.11005591

>>11005509
Wasn't Nabokov in charge of the script ?

>> No.11005613

>but muh combine

>> No.11005633

>>11005581
lel

>> No.11005658

>>11005521
In what regard are the books better?

>> No.11005682
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11005682

>> No.11005688
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11005688

>>11005591
Yes but what Kubrick actually shot is much different than what Nabokov wrote, he kept him as the screenwriter out of respect.

Also pic related

>> No.11005690

>>11005521
lmao

>> No.11005713
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11005713

The Talented Mr. Ripley

>however the rest of the series is much better as books

>> No.11005724
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11005724

>> No.11005727
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11005727

Even the author admitted as much.

>> No.11005779

>>11005713
Inferior adaptation

>> No.11005807

>>11005724
Lold

>> No.11005818

>>11005727
sadly the movie and book are equally shit

>> No.11005905

>>11005467
>>11005658
Literally every regard. The only good stuff from the movies is basically word for word straight from the book. Everything PJ altered or added is mediocre at best and nonsensical and ruins scenes/characters at worst. The Hobbit movies clearly demonstrate that he has no idea what to do without source material to copy and paste.

>> No.11005921

east of eden

>> No.11005943

>>11005682
This is a tough one. I honestly think the two are kind of hard to compare because of how different they are. Both are excellent, but maybe Stalker had a bigger impact on cinema than Roadside Picnic on literature? In that sense maybe it is better.

>> No.11006010

>>11005943
I think Roadside Picnic achieved whatever it was trying to achieve more effectively than Stalker achieved whatever it was trying to achieve.

>> No.11006016

>>11005818
Movie is good for what is is. Get real.

>> No.11006031

>>11005409
Brokeback was pretty damn good writing. Proulx at her finest. Great collection too

>> No.11006038

>>11005905
>>11005905
I never said The Hobbit was better as a movie, only the LoTR trilogy.

>> No.11006042

>>11005540
Are you kidding? The movie is just a parody of one of the greatest right-wing treatises ever.

>> No.11006050

>>11005724
I agree and I love the book. This is the most underrated film of all time. Glad Jodorowsky didn't make his pretentious abortion of it. Lynch is the best.

>> No.11006059

>>11005905
Agreed. PJ stanks and butchered the Hobbit

>> No.11006060

>>11005346
Yes

>> No.11006068

>>11005408
Book

>> No.11006069

>>11005336
Apocalypse Now desu
Heart of Darkness was underwhelming as heck

>> No.11006072

>>11006010
I think I'd agree if we were talking strictly philosophy and theme, but considering the more uniquely cinematic achievements of Stalker, achievements that can't be compared to anything in the book, the choice becomes significantly harder. It's one of my favorites, and worth countless viewings.

>> No.11006080

>>11005336

Hate to say it but 1984. The movie is just fucking great. John Hurt was underrated.

>> No.11006119
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11006119

>> No.11006292

>>11006072
Well, from a purely technical point of view Stalker is a greater achievement in cinematography than Roadside Picnic is in prose by much.

>> No.11006790

>>11005724
It might have been if it wasn't missing two thirds of story content.

>> No.11006858

>>11005346
ew no

>> No.11007034
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11007034

This is the most obvious one.

>> No.11007066

>>11006069
Both are very good for what they are. You have to approach HoD with the understanding of British adventure novels a la Robinson Crusoe, whereas Apocalypse Now is 100% American by design.

>> No.11007177
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11007177

salo or the 120 days of sodom

>> No.11007448
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11007448

Inclusion of romance. Making the instructor and father narrative arcs more compact and profound. Even the loss of the Sci-Fi elements (battle suits & cyborg dogs) improves the narrative because it forces the soldiers to fight as a band of brothers with greater group-identity and philia; rather than being individual super heros flying around the battle field 400m+ apart.

>> No.11007483

>>11006050
Are you me? I've never heard anyone have this opinion I am usually fighting faggots about this.

>> No.11007490
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11007490

unironically

>> No.11007522

>>11005467
The Fellowship of the Ring (Extended Edition) was excellent and pretty faithful to the materiel, but I'd rather just read Two Towers and Return of the King than watch those long ass movies again.

>> No.11007526

>>11005581
Film is superior to literature is every way

>> No.11007534
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11007534

>>11007526
This might be the worst bait I have ever seen on lit.

>> No.11007537

>>11007534
it's true

>> No.11007544

>>11007537
Not happening, pal, pack it in
Move along

>> No.11007555

>>11005346
It doesn't give you the experience of learning a part of a new language. The ending sucks in both versions though.

>> No.11007569

>>11007526

I like them both :)

>> No.11007596

>>11005336
But why didn't they escape when they got the window open?

>> No.11007638
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11007638

>>11007490
I agree for the most part. The movie is funnier (despite most of the script just being command c, command v), just based pretty much on le dubs meme man's performance. The book was plenty funny, but I feel like it did a better job portraying the existential feeling of "there is only the idea of me" side of Bateman's character. The lists are not that annoying if you just kind of let them wash over you and don't worry too much about actually picturing what the people are wearing or eating or whatever. Although it is pretty funny that he describes the businessmen dressing like peacocks and helps show the decent into madness.

>> No.11007642

>>11005346
Anything Kubrick, except maybe Lolita

>> No.11007649

Stoner, if it comes out

>> No.11007692

>>11007034
The PS2 game was better in every way,had tons of fun fucking up cunts with broken bottles in multiplayer mode with my cousin,great times.

>> No.11007720

>>11005467
The film adaptation has a very different feel to me, the "epic" tone of the novels dialog and narration just isn't there as much save for some of the voiceovers and monologues.

>> No.11009005

>>11005408
Book is much better. Nabokov had a prose style that literally pulled you in to the world of the book. The whole first chapter of HH youth get's glossed over in films, but in the book its pure magic, and you sadly understand and sympathize with Humbert because you understand Annabel Leigh meant to him.

>> No.11009011
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11009011

Anything by Bresson or this guy

>> No.11009015

>>11005336
Book was better, you understood the characters more, and it made McMurphy's fight against the nurse more touching.
The film is great too though, the film is what made me interested in reading the book, so kudos to that.

>> No.11009016

>>11005408
You can't film prose which was like 99% of what made Lolita great.

>> No.11009035

>>11007177
Someone has eclectic tastes. ¬_¬

>> No.11009171
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11009171

>> No.11009192

>>11007642
Definitely Lolita

It's the weakest Kubrick film (well, one of) and has the strongest source material

>> No.11009195

>>11005591
You can read Nabokov's screenplay (I'm assuming it's online somewhere, one of the collected works books I own has it), it's very different to the film

>> No.11009265

>>11005727
I mean it's one of my favourite movies. I can't decide which I like better though, the ending of the movie was a bit more cringe

>> No.11009380

>>11007177
The magic of the book was how unfinished it was though, it was genuine fun to read Sade's little scribbles on the side. i.e "write this better" Also the constant mistakes were funny too. it was written in a month.

>> No.11009406

>>11006119
Here's your (you)

>> No.11009411
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11009411

>> No.11009488

>>11005336
everything by Corncob

>> No.11010392
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11010392

The Third Man

>> No.11010399
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11010399

easiry

>> No.11010449

>>11005336
No

>> No.11010488

>>11010399
Whatever argument you make regarding the quality of the film or the book, the movie completely abandoned the original intent of the book - rendering any comparison of quality of presentation of the original intent as being moot.

>> No.11010535

>>11005713
Purple Noon is much better than this.

>> No.11010739

>>11010488
They are not even on the level where you can compare how they used a similar concept to do different things. It would mean comparing a pretty standard Hollywood noir flick to the spiritual ramblings of a literal schizophrenic.

>> No.11011320
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11011320

Spielberg's best work since Schinlder's List.

>> No.11011332

>>11009005
The great thing about the book is that Humbert is trying to make you sympathize with him. The whole Annabel segment is all part of his massive trick. He knows what he is doing is totally fucked, he lets this slip in the latter parts of the book. The movie was alright, book is amazing.

>> No.11011362

>>11010399
Nope. And it's not even close to the book

>> No.11011381
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11011381

>>11011320
>Schinlder's List.

>> No.11011444

>>11005521
Dude calm down

>> No.11011449

>>11005540
I think the book is good and the movie is fun

>> No.11011464

>>11006292
>purely technical point of view
can you tell me what exactly astonishing technique have stalker the movie?. you are just parroting what you heard.

>> No.11011495
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11011495

Plenty of kino made from shitty books. A bad book is arguably better for adaptation

>> No.11011512

>>11011464
You are correct in fact. I don't care that much about it and I already expressed my preference for the book but I didn't want to look prejudiced so I tried to give it some credit for the sake of those that wouldn't accept that it is anything less than a masterpiece. I forgot that there are also people that would be offended if you suggest that it is good in any way.

>> No.11011522

the cuckoo's nest book is better, but to contribute to the thread

Apocalypse Now >>>>>>>>>>> Heart of darkness

>> No.11011548

>>11011512
no, i just dont think that from a "technical point of view" stalker is unique. i want somebody explaining it to me.
normally the people who likes it say "esoteric" things to defend it.

>> No.11011554

>>11005336
Little Children by Tom Perrotta

>> No.11011567
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11011567

The Night Manager, although it's a miniseries

>> No.11011576

inherent vice

>> No.11011602

>>11005540
Yes. The book is a hack dabbling in a fascism he doesn't understand. The film is a sophisticated artist satirising both the short comings of the source material and it's echoes in wider society.

>> No.11011607

>>11007534
literature is a subset of film so it's objectively true

>> No.11011613

>>11011602
More like the other way round.

>> No.11011652
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11011652

the book is just your average pulp fiction

>> No.11011680

>>11011320
It is unironically a massive improvement upon the book though. Spielberg turned a bad book into a slightly above mediocre movie.

He did the same thing to a better effect with the movie Jaws.

>> No.11011701

>>11006080
John Hurt was a truly outstanding actor. Even on projects like Watership Down and Doctor Who, things any Hollywood runoff actor could excuse halfassing, he gave his all and delivered a fantastic performance. An absolute legend.

>> No.11011717

>>11011548
Oh, well, as I suggested I am not an expert on film and I we watched the movie only once so my amateurish opinion is not worth much but I did find it to be well shot. Why didn't you?

I don't know to what extent the techniques were unique and I don't know why you care if they were unique or not but they were used well enough to contribute to a final product that leaves a vivid visual impression in the viewer.

The movie does have some sort of spiritual meaning that might have a merit on its own. People that value that aspect of the movie might find it difficult to separate their personal emotional investment in it from a more inpersonal opinion about how the movie achieves its ends.

I'm pretty sure that if you can look around you can easily find enough articles that strive to point out the technical merits of Tarkovsky's work.

In any case you also shouldn't get frustrated just because you don't like something. It's not really a big deal.

>> No.11011720

>>11005522
>when you get quad-dubs but decided to shitpost
Niggers ruin everything.

>> No.11011752

In Cold Blood (1967) is a pretty based movie

>> No.11011774

>>11007034
>>11007692
mah niggaz

>> No.11011951

>>11005509
Add eyes wide shut to that

>> No.11012008

We Need to Talk About Kevin
Lionel Shriver has a needlessly complicated writing style, basically saying very little with as many words as possible. The film milked the book for just about everything it could, then added great cinematography.

Yes Man
This is a shitty, shitty movie, but it literally changed my life by getting me to take action, which broke me out of a depressive state.
I figured with such an important message, the book must be better. It's not. It's even fucking worse.

>> No.11012020

>>11012008
I share your opinion on Yes Man. I don't know why, but it doesn't seem like any better movies have been as good at simply getting across the idea that you should stop turning down the plethora of offers you receive.

>> No.11012389

>>11005336
Yes
>>11005346
No
>>11005401
Both are terrible

>> No.11012493

>>11009011
He turned Solaris into dumbed down trash and I don't even like Lem that much.

>> No.11012748
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11012748

>> No.11012758

>>11012493
>watching movies for intellect

>> No.11013308

>>11011567
The mini series went too Hollywood with its ending. Although I hear they're considering continuing the series.

>> No.11013316

>>11005346
depends if you think the ruthless youth can be changed or not.

>> No.11013805

>>11005336
https://www.youtube.com/watch?v=U3NoDEu7kpg