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10100029 No.10100029 [Reply] [Original]

Best books on film theory?

>> No.10100037

>>10100029
>pic absolutely unrelated

>> No.10100040

>>10100029

Film theory is mostly watered down phenomenology, just skip it for the latter.

>> No.10100057

>>10100029

Metz wrote a good book on Film Language, Kael’s reviews are brilliant, Robin Wood did good work analyzing Hitchcock (and others), Truffaut’s interview with Hitch is essential.

I think Zizek has some humorous points but I don’t take him seriously (he doesn’t even watch many of the movies he mentions). Sitney and Gary Indiana have written some good essays on film.

Etc, etc.

>> No.10100062

Paul Virilio - War and Cinema

>> No.10101005

>>10100029
Trufant wrote one I believe.

>> No.10101719

>>10101005
Which one?

>> No.10101747

Susan Sontag's Theatre and Cinema, and the whole Styles of Radical Will which contain that one and more essays. Most of those refer more or less directly to cinema.

>> No.10101902

Andre Bazin

>> No.10103134

>>10101902
Which stuff?

>> No.10103139

>>10101747
>Susan Sontag
stopped reading there

>> No.10103140
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10103140

>>10101747

>> No.10103149

>>10103139
why?

>> No.10103166

>>10100037
why, lol

>> No.10103179
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10103179

>>10101719
He wrote two?

>>10103149
Some psycho-sexual trauma, liklely.

>> No.10103677

START WITH EISENSTEIN

>> No.10103693

>>10101902
bazin was wrong, and a faggot

Audiovision by Michel Chion. Only plebs will pretend image is enough to analyze films

>> No.10103723

>>10103693
How was he wrong?

>> No.10103735

>>10100040
What would you recommend in that genre for a newbie?

>> No.10103740

>>10103723
>let's make an art where every. single. element. is. purely. artificial.
>let's try to emulate reality ^^^___^^^ RawRrr xD

>> No.10103751

>>10103740
What's so wrong about it?

>> No.10103774

>>10103751
It's restricting your ability to express/convey/whatever something because you arbitrarily decide to restrict the numbers of tools at your disposition in order to try and reach a nonsensical goal that, by the very nature of the medium you're using, cannot be attained.

>> No.10103798
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10103798

>Film """"Theory"""""""

Wew lad. Humanities fags are really stretching to find something to talk about these days, aren't they? What's next, video game theory?

>> No.10103846

>>10103798
Tbqh there is a certain theory to determine how to make a fun game

>> No.10103869

>>10103798
>Aristotle's Poetics comes out
>"""""""dramatic theory"""""""""""
>wew lad. Humanities fags are really stretching to find something to talk about these days, aren't they? What's next, painting theory?

>> No.10104590

>>10103139
>>10103140
Whats wrong with her? I noticed she's never mentioned round here. I haven't read any further than a couple of essays from Styles of radical will so I can't say anything. Is she a hack?

>> No.10105672

bump

>> No.10105735

>>10104590
I would also like to know this.

>> No.10105863

>>10100040
Second this. Read something like Jameson's Geopolitical Aesthetic that theorises using film rather than trying to explicitly theorise film per se.

>> No.10105867

>>10103693
Although no-one seriously talks about "realism" in the sense Bazin does anymore, he's a very good place to start.

>> No.10105932

>>10100057
Zizek literally fast forwards the slow parts of films.

>> No.10105934

>>10101902
Cinema of Cruelty

>> No.10105998

I've got Andre Bazin, Noel Carroll, and Pauline Kael on my backlog. Can't vouch for any of 'em yet but each has caught my interest.

>> No.10106331

>>10103740
>every. single. element. is. purely. artificial.
Define your terms.

>> No.10106584

>>10105932
How do you know?

>> No.10106586

>>10106584
He has said so.

>> No.10106596

>>10105998
What backlog? What for?

>> No.10106598

>>10106586
Where? Why would he do that?

bt

>> No.10106602

>>10106586
btw, how did you respond so quickly?!

>> No.10106609

>>10106598
https://www.youtube.com/watch?v=OqpxT_iJ8Mc&feature=youtu.be&t=180
>>10106602
not the same anon

>> No.10106674

>>10106596
I just mean I've made a mental note to read them.

>> No.10107382

last bump

>> No.10108375

>>10100029
My diary desu.

>> No.10108479

I bump too. Waiting for an answer

>> No.10108504

>>10100029
Sculpting in Time by demigod Tarkovsky. Also Eisenstein.

>> No.10108658

>>10108479

There are a ton of answers in this thread.
>Truffaut/Hitchcock
>the work of Bazin
>Metz's Film Language
>Robin Wood's Hitchcock's Films Revisited and Hollywood from Vietnam to Reagan
>Agee on Film
>Kael's 5001 Nights at the Movies
>Tarkovsky's Sculpting in Time
>Sontag's Notes on Camp and her essay on Syberberg's Hitler: A Film from Germany
>Lynch on Lynch
>Deleuze's Cinema 1 and Cinema 2
>Manny Farber's Negative Space
>Rosenbaum and Hoberman's Midnight Movies

Pick and choose.

>> No.10108705

>>10100029
Mark Cousin's the Story of Film: an Odyssey

>> No.10108712

>>10103798
>hurrr durr children's superhero shit exists so i guess all of film is stoopid xD

>> No.10109106

>>10100029
Take a look at his fingers. Take all the time you need....

>> No.10109155

Lynch is a terrible director. If you like him please leave /lit/

>> No.10109164

>>10109155
It's fine if you're still asshurt over the Twin Peaks finale but suck it up.

>> No.10109207

>>10109164
The show was a mess and people who try to defend it are a joke.

>> No.10109224
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10109224

>>10109207
It's a great show and the only people who could possibly hate it are Mark Frost loving nerds.

>> No.10109353

I would recommend Jean Claude Carrière for absolute begginers.
Arnheim manifestos for later.
>>10100037
This. He uses cinema as a way to expose his philosophy, but in no way he studies it as art.

>> No.10109480

>>10109224
go back to your containment thread

>> No.10109561

>>10103798
but that's just a theory

A GAME THEORY

>> No.10109567

>>10105932
This. He said Rosellini's War Trilogy doesn't hold up. That made my piss boil.

>> No.10109573

>>10108705
Great choice, anon. Also make sure to pick up the DVD documentary too. 15 hours that are a perfect accompaniment and almost like a crash course in film theory, history and filmmaking.

A lot of people complain about Cousin's voice being tedious but I find it relaxing.

>> No.10109707

>>10103677
Start with the russians

>> No.10109725

>>10109573
stockholm my love is such a piece of crap can't believe the same guy who made that series made that film desu

>> No.10109865

4sjsjj

>> No.10110288

Don't bother with Andre Bazin, he's too outdated and his ideas are largely disproven.

Also lacanianism & psychoanalisys in cinema are dead (Zizek is a joke, but a fun read nonetheless).

My advice is to read the cinematic body from steven shaviro and go from there.

>> No.10110359

>>10104590
>>10105735
Sontag is jewish and a woman, the two taken together leaves the /pol/ ideologues to dismiss her work whenever she's brought up.
I'm sure there is valid criticism of her work but you won't find it so easily.

>> No.10110464

>>10109155
>Lynch is a terrible director.
I don't understand how you could seriously say that. Well, alright, I do know. You're a pleb.

>> No.10111127

>>10109155
Regardless of his other work, Mulholland Drive is still the best film of the 2000's. I don't doubt S&S and Cahiers on that.

>> No.10111182

>>10100029
stop pretending you care about film and just read continental philosophy

>> No.10111273

>>10111182
?

>> No.10111673

>>10106609
wtf i love criterion collection now!

>> No.10113470

is Film Art a good introduction to film analysis or can someone suggest a better alternative?

>> No.10114008

>>10113470
got you faem https://www.youtube.com/watch?v=PRXI__Wixas&list=PLJGOq3JclTH8J73o2Z4VMaSYZDNG3xeZ7