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/lit/ - Literature


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17278633 No.17278633 [Reply] [Original]

Joyce killed literature by writting ulysses, a book so good that all literature now lives in his shadow as poor imitations or pieces that exist to spite his style.
He knew this, however, and gave us the keys to revive our art. We must learn from finnegan, authors must cease using these dreary shells we call tongues and become architects of their own languages, each novel being it's own contained linguistic dream, every page being it's own cypher. We must finish the wake, we must understand his greatest piece, only then can literature move forward

>> No.17279756

Finnegans Wake was designed to entrap literary critics, like amber, in a pointless industry of paralysis, as the Bible snared the finest minds of many centuries (for want of better fodder for intellectual labour).

>> No.17279878

>>17279756
>James Joyce chose to write and research a book through failing health for nineteen years as a prank
When will this mindset end

>> No.17279945

>>17279878
Its so clear that anyone who's read Joyce's work would never think it a prank or trap. Its obviously the next step in the evolution of him as a writer. Its just Ulysses pushed further.

>> No.17280591

>>17279878
Never. It's the kind of smug meme the midwit mind craves.
>actually, I don't have to read Finnegans Wake because I read that it was all a prank on literary critics!

>> No.17280602
File: 5 KB, 296x170, índice.jpg [View same] [iqdb] [saucenao] [google]
17280602

>>17278633
>I don't even consider Ulysses to be literature.

>> No.17280623

>>17278633
I dont give a single fuck about fart-sniffer James Joyce or his mundane ramblings.

>> No.17280641

>>17279878
What is FW actually...about...or doing or whatever? I 'read' through it once and have revisited parts of it over the years, and I have read like 4 or 5 little essays about it but I still don't really get it apart from the obvious connection to dream associations.

>> No.17280749

>>17278633
*its

>> No.17280900

>>17280623
Filtered, maybe stick to Harry Potter

>> No.17281843

>>17280641
a professor of mine once described finnegan's wake as joyce taking virginia woolf's efforts to create "word-paintings" to the furthest extreme. it does seem to be about 'something' and here and there you may get a glimpse of that 'something', but it was clearly written with the understanding that the reader will not pick up on everything. when you look at a painting, you can take it all in in an instant. this is because a painting exists spatially. but a novel exists temporally, you go word-by-word on the author's track over time. if you skip to the middle of a novel and pick a sentence at random to read, you'll comprehend the sentence, but not in the context of the larger work. finnegan's wake challenges this. i believe that you could read finnegan's wake by jumbling up the sentences into a new order and reading it that way.

>> No.17281850

>>17280602
Did he really said that?

>> No.17282377

>>17280623
>hasn't taken the fartpill

ngmi

>> No.17282617

>>17280641
Dreams and Irish geography mixed together. Anna Livey is the River Liffey for example.

>> No.17282628

>>17278633
Based post, anon.

>> No.17282659

>>17281843
>Joyce
>Inspired by a fucking woman that wrote shite
Yeah, right

>> No.17282671

>>17281843
Your professor does know that Woolf sperged when Ulysses first came out and called it absolute shit only to release Mrs. Dalloway a few years later in a seethe induced copy of Ulysses?

>> No.17282679

>>17281843
Very interesting take. The fact that the last sentence reconnects with the first seems to go in this direction
>>17278633
I think this is very interesting, anon. Do you think any author has attempted this, to a certain extent? A short story that sort of reminded me of FW in terms of linguistic experimentation was Tri-Stan: I Sold Sissee Nar to Ecko in DFW's Brief Interviews with Hideous Men.
The only problem I would have with this is that, in being architect of your own language, isn't there also the option of adopting a simple, communicative language? I mean, if my priority, in terms of expression, is quick, straightforward, pragmatic communication, wouldn't my personal language coincide with the language that is understandable to most readers?

>> No.17282691
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17282691

>>17282671
Probably not, desu. Academics tend to be clueless.

>> No.17282766

>>17278633
Ulysses is shit.

>> No.17282782
File: 680 KB, 600x542, retard_1.png [View same] [iqdb] [saucenao] [google]
17282782

>>17278633
>We must finish the wake
Congratulations on missing one of the most basic tropes of Finnegans Wake. It's a cyclical book that never finishes.

>> No.17282785

>>17282659
Woolf's novels are fantastic. Only female author I would recommend to someone here, Jane Austen is alright though

>> No.17282786

>>17280641
It's about Ireland.

>> No.17282792

That sounds like a massive waste of time

>> No.17282816

>>17281843
>i believe that you could read finnegan's wake by jumbling up the sentences into a new order and reading it that way
You really couldn't. Context is everything in this book. A single sentence may be baffling in itself, but meaning steadily bulids up from the cross-references and reiterations of ideas within paragraphs and longer sections.

>> No.17282819

>>17282766
You're shit.

>> No.17282893

>>17280641
>What is FW actually...about...
It's about the reader's massive, galaxy-sized pseud ego.

>>17282819
Yes, and? I'm not claiming to be le best writer of all time with my shitty brainlet stream of consciousness non-book.

>> No.17282919

>>17282893
Stick to Japanese comics.

>> No.17282928

>>17282919
Modernism is the 22-year-old's version of the 16-year-old's edgy animu. ("But it's not just for kids, mom!")