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/lit/ - Literature


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10239995 No.10239995 [Reply] [Original]

>realize Underground man is a satirical character
>still identify with him

Great, I'm a living parody. What's the next step?

>> No.10240000

>>10239995
try to become the overman and fall into a pit of despair and guilt

or

become a christian

>> No.10240005

It’s not satirical. Anyone who thinks any of Dostoevsky’s characters are satirical are missing the point.

>> No.10240056

>>10240005
Notes was even a parody of Bourgeois Russian novels of the day preoccupied with the mundane suffering of the upper class. If robots want to identify with a character then they should read The Diary of a Superfluous Man.

>> No.10240062

You better listen to underground hip-hop.

>> No.10240102

>>10240062
You know it. J Dilla is like my favorite :^)

>> No.10240130

>>10240056
Are you trying to say the Underground man is upper class?

>> No.10240150

>>10240130
no but he whines about the same trifling minutiae. His destitution is probably part of highlighting the absurdity of the "heroism" of railing against social slights and other petty bullshit.

>> No.10240159
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10240159

Anyone else feel like all of Dosto's protagonista heavily resemble each other apart from some of them having a characteristic more blown up than the others?
They all feel pretty similar to me

>> No.10240170

>>10240150
Again, you don’t understand the purpose of the story like the majority of the people here.

>> No.10240225

>>10240159
that's brainlet talk. In what way is the gentle and gullible nature of Prince Mishkin related to the paranoid and treacherous disposition of the Underground Man?

>> No.10240254

>>10240225
Ok there are counter examples but rodya, the underground man and the protagonists from White Nights and the Gambler all ressemble each other so much in their thought processes, mental health etc...
There are probably more examples but I've only read two novels and his short stories so far

>> No.10240297

>>10240254
Most writers write the same character over and over with a few exceptions.

>> No.10240301

>>10240170
can you do your best to summarise the purpose of the story ?

>> No.10240325

>>10239995
>Satirical
He isn't satirical, he's just not a good person. You are, to some extent, supposed to relate to him. Everyone, after all, is spiteful, and no one truly wants utopia, deep down. But at the same time, the moral core of the novel is Liza. Dosto's telling you not to give into the pessimism and spite of the Underground Man. To, like Liza, refuse his money, and leave him, trapped in his basement, complaining about his shitty liver.

tl;dr find God

>> No.10240340

>>10240325
(Reminder Liza lived and died the exact way the Underground man described)

>> No.10240348

>>10240130
He has a fucking servant tbqh.

>> No.10240354

He isn't satirical because (at least in Dosto's head) he's actually real

>> No.10240359

>>10240340
I never met Liza again and I have heard nothing of her. I will add, too, that I remained for a long time afterwards pleased with the phrase about the benefit from resentment and hatred in spite of the fact that I almost fell ill from misery.

We don't know that. Liza disappears after giving him the money. Whether she remained a prostitute or not is of no consequence to the moral message of the book. She has refused to be miserable, she's refused to live in a basement and complain about overcoats and drinking-parties to which she wasn't invited all day. She has, despite being a prostitute, become a better person than the supposedly more noble and learned main character.

>> No.10240360

so do you want 2*2 to be 5 or are we doing nothing but making sounds in eachothers heads with using only marks on a page or screen?

>What's the next step?
why not complete the set and make 2+2 =5 with 1984

>> No.10240377

I liked Underground man too. Whether others find him a satirical person is not really of any importance. For that matter, I've seen writers I respect (the Russian symbolists) refer to Dostoyevski as the 'Underground man' which for me underscores the point that there's a truth in the Underground man which reaches further than defining a character in a book, rather it says something of Dostoyeski and his literary importance.

>> No.10240381

To this day, you still can’t refute anything the underground man said, or prove anything he did was better or worse than what the others did.

>> No.10240428
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10240428

>>10240377
I didn't like him but there was something I found resonated with me about his openly hypocritical attitude.

>> No.10240443
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10240443

>>10240428
don't you mean hypercritical

>> No.10240449

>>10240170
Let me guess. You understand the purpose of the story.

>> No.10240450

>>10240443
both but I kind of like the idea of disarming all of your opponents by holding yourself up to no real standards up to and including internal logical consistency.

>> No.10240463

>>10240443
>i know that feel in pic related

>> No.10240500

>>10240450
>>10240450
Yes, the character, the character's ethics don't matter, and even so, for that reason his observations ring more true. I symphatize with what psychologists would call a psychotic/manical protagonist all the time, because that's literature's, greatness, the greatness of the Underground man: the hypocritical, bitter, unmistakenly weak and hopeless human.

>> No.10240558

>>10240170
Are you thinking about the interpretation of Girar ?

>> No.10242420

Got it all wrong OP

Uman isnt satirical. Hes a dramaticized version of every human being: irrational and contradictory at every turn

The Uman is the dark underbelly all beasts possess. He seems abhorrent autistic and undesirable. Yet you cannot escape the Uman that you are

>> No.10242432

>>10240254
His characters usually go through the full range of emotions one could get in social settings or loneliness. I believe that you might get that impression because loneliness is a theme explored by Dostoevsky with great accuracy, so if all characters go through loneliness they might seem similar. But their personalities are different, the underground man doesn't rationalize his superiority with the same historical and somewhat logical argumentation, he is more of an adult with an undeveloped emotional side, while Rodya is at the point of conflicting ideologies under a great societal change.

>> No.10242433

>>10242420
No, as another poster pointed out him and his travails are modelled after parodying the "superfluous man" trope that was popular in Russian Literature. Basically books about supreme gentlemen who are crawling in their skin. I commend him for it

>> No.10242944

>>10240381
The man was petty. The way he reacted to his friends when he wasn't invited to the send-off party was something a child would do out of stubbornness by forcefully injecting himself into their group not caring at all that his presence would shake the dynamic they were already comfortable with.
I didn't find any reason to refute his points or prove whether his actions were right or wrong, I mainly looked at the man acting infantile with certain fondness because I had felt the exact same things as he, but at an earlier age. I think it's a cautionary tale of isolation. Socialization is paramount if you really want to further yourself as a person.

>> No.10242971

>>10239995
Stop living and become the pure essence of parody

>> No.10242975

>>10240348
But he can't even pay the servant