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/lit/ - Literature

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>> No.12156083 [View]
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12156083

>>12154214
This is the best book you can read if you DON'T want to get out of depression

>> No.11819984 [View]
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11819984

this book has infected me. i regret reading this.

>> No.11813677 [View]
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11813677

got memed into reading this and i this is actually great. why do people here hate it?

>> No.11788364 [View]
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11788364

it's so lucid. are there any other books that feel as lucid and dreamy as this?

>> No.11781222 [View]
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11781222

Nothing irks me more than the vocabulary of social responsibility. The very word ‘duty’ is unpleasant to me, like an unwanted guest. But the terms ‘civic duty’, ‘solidarity’, ‘humanitarianism’ and others of the same ilk disgust me like rubbish dumped out of a window right on top of me. I’m offended by the implicit assumption that these expressions pertain to me, that I should find them worthwhile and even meaningful. I recently saw in a toy-shop window some objects that reminded me exactly of what these expressions are: make-believe dishes filled with make-believe tidbits for the miniature table of a doll. For the real, sensual, vain and selfish man, the friend of others because he has the gift of speech and the enemy of others because he has the gift of life, what is there to gain from playing with the dolls of hollow and meaningless words? Government is based on two things: restraint and deception. The problem with those glittering expressions is that they neither restrain nor deceive. At most they intoxicate, which is something else again. If there’s one thing I hate, it’s a reformer. A reformer is a man who sees the world’s superficial ills and sets out to cure them by aggravating the more basic ills. A doctor tries to bring a sick body into conformity with a normal, healthy body, but we don’t know what’s healthy or sick in the social sphere. I see humanity as merely one of Nature’s latest schools of decorative painting. I don’t distinguish in any fundamental way between a man and a tree, and I naturally prefer whichever is more decorative, whichever interests my thinking eyes. If the tree is more interesting to me than the man, I’m sorrier to see the tree felled than to see the man die. There are departing sunsets that grieve me more than the deaths of children. I keep my own feelings out of everything, in order to be able to feel. I almost reproach myself for writing these sketchy reflections in this moment when a light breeze, rising from the afternoon’s depths, begins to take on colour. In fact it’s not the breeze that takes on colour but the air through which it hesitantly glides. I feel, however, as if the breeze were being coloured, so that’s what I say, for I have to say what I feel, given that I’m I.

>> No.11777852 [View]
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11777852

May I at least carry, to the boundless possibility contained in the abyss of everything, the glory of my disillusion like that of a great dream, and the splendour of not believing like a banner of defeat: a banner in feeble hands, but still and all a banner, dragged through mud and the blood of the weak but raised high for who knows what reason – whether in defiance, or as a challenge, or in mere desperation – as we vanish into quicksand. No one knows for what reason, because no one knows anything, and the sand swallows those with banners as it swallows those without. And the sand covers everything: my life, my prose, my eternity.

I carry my awareness of defeat like a banner of victory.

>> No.11774052 [View]
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11774052

>>11773997
no

>> No.11766688 [View]
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11766688

>It sometimes occurs to me, with sad delight, that if one day (in a future to which I won’t belong) the sentences I write are read and admired, then at last I’ll have my own kin, people who ‘understand’ me, my true family in which to be born and loved. But far from being born into it, I’ll have already died long ago. I’ll be understood only in effigy, when affection can no longer compensate for the indifference that was the dead man’s lot in life. Perhaps one day they’ll understand that I fulfilled, like no one else, my instinctive duty to interpret a portion of our century; and when they’ve understood that, they’ll write that in my time I was misunderstood, that the people around me were unfortunately indifferent and insensitive to my work, and that it was a pity this happened to me. And whoever writes this will fail to understand my literary counterpart in that future time, just as my contemporaries don’t understand me. Because men learn only what would be of use to their great-grandparents. The right way to live is something we can teach only the dead.

this is pretty spooky desu. also tfw you are pessoa's kin :)
who else? :3

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