/lit/ - Literature

>>7955736
>This makes Romeo and Juliet look like Twilight.
it basically was. it was performed for the common people who couldn't understand complex plots or themes
which is why everything is spelled out for the audience (those neverending soliloquies) albethey said with fancy/impressive language -- which by the way is misconstrued by modern audiences as overly flowery because of its archaic terms when those were in fact in common usage around that time -- not that this takes away from the structure of the *relatively* simpler english as the structure is quite the work of good solid craftsmanship
short version: this is what plebs love and non-plebs merely like

>>7935985

'On Women' by Schopenhauer has everything you'll ever need to know

https://ebooks.adelaide.edu.au/s/schopenhauer/arthur/essays/chapter5.html

>Neither for music, nor for poetry, nor for fine art have they any real or true sense and susceptibility, and it is mere mockery on their part, in their desire to please, if they affect any such thing.

>This makes them incapable of taking a purely objective interest in anything, and the reason for it is, I fancy, as follows. A man strives to get direct mastery over things either by understanding them or by compulsion. But a woman is always and everywhere driven to indirect mastery, namely through a man; all her direct mastery being limited to him alone. Therefore it lies in woman’s nature to look upon everything only as a means for winning man, and her interest in anything else is always a simulated one, a mere roundabout way to gain her ends, consisting of coquetry and pretence. Hence Rousseau said, Les femmes, en général, n’aiment aucun art, ne se connoissent à aucun et n’ont aucun génie (Lettre à d’Alembert, note xx.). Every one who can see through a sham must have found this to be the case.

>Nothing different can be expected of women if it is borne in mind that the most eminent of the whole sex have never accomplished anything in the fine arts that is really great, genuine, and original, or given to the world any kind of work of permanent value...And Huarte, in his book which has been famous for three hundred years, Examen de ingenios para las scienzias, contends that women do not possess the higher capacities. Individual and partial exceptions do not alter the matter; women are and remain, taken altogether, the most thorough and incurable philistines; and because of the extremely absurd arrangement which allows them to share the position and title of their husbands they are a constant stimulus to his ignoble ambitions. And further, it is because they are philistines that modern society, to which they give the tone and where they have sway, has become corrupted. As regards their position, one should be guided by Napoleon’s maxim, Les femmes n’ont pas de rang; and regarding them in other things, Chamfort says very truly: Elles sont faites pour commercer avec nos faiblesses avec notre folie, mais non avec notre raison. Il existe entre elles et les hommes des sympathies d’épiderme et très-peu de sympathies d’esprit d’âme et de caractère. They are the sexus sequior, the second sex in every respect.

>>7423128

Neither for music, nor for poetry, nor for fine art have they any real or true sense and susceptibility, and it is mere mockery on their part, in their desire to please, if they affect any such thing.

This makes them incapable of taking a purely objective interest in anything, and the reason for it is, I fancy, as follows. A man strives to get direct mastery over things either by understanding them or by compulsion. But a woman is always and everywhere driven to indirect mastery, namely through a man; all her direct mastery being limited to him alone. Therefore it lies in woman’s nature to look upon everything only as a means for winning man, and her interest in anything else is always a simulated one, a mere roundabout way to gain her ends, consisting of coquetry and pretence. Hence Rousseau said, Les femmes, en général, n’aiment aucun art, ne se connoissent à aucun et n’ont aucun génie (Lettre à d’Alembert, note xx.). Every one who can see through a sham must have found this to be the case. One need only watch the way they behave at a concert, the opera, or the play; the childish simplicity, for instance, with which they keep on chattering during the finest passages in the greatest masterpieces.

Nothing different can be expected of women if it is borne in mind that the most eminent of the whole sex have never accomplished anything in the fine arts that is really great, genuine, and original, or given to the world any kind of work of permanent value.

Huarte, in his book which has been famous for three hundred years, Examen de ingenios para las scienzias, contends that women do not possess the higher capacities. Individual and partial exceptions do not alter the matter; women are and remain, taken altogether, the most thorough and incurable philistines