/lit/ - Literature

leave this board and never return if you haven't read these by the time you're 21

>E.T.A. Hoffmann, Herder, Lichtenberg, Bernardin de Saint-Pierre, Young, Klopstock, Sophokles, Novalis, Lessings »Nathan«, Auerbach's »Frau Professorin« und »Luzifer«, Waiblinger's diary desu, Grillparzer's »Sappho«, Sonetts by Dante und Tasso, Luther's »table talks«, Schiller's und Goethe's poems. Schiller's »Jungfrau«, Hammer's »Orientalische Poesien«, Heinse's »Laidion« und Seume's »Briefe über Rußland«. Mahlmann, Ewald v. Kleist, Leopold Schefer, Swift, Cicero, Pestalozzi, Pope, Andersen, Blumauer, Bürger, Franz Horn Eichendorff, Kinkel, Freiligrath, Geibel, Chamisso, Rollett, Kerner, Hippel, Freiligraths »Die Toten und die Lebenden«, Gryphius, Logau, Wernicke, Uhland, Hebbel, Tiedge, Raupach, Terenz, Rückert, Voß, Rob. Blum, R. Wagner, Zimmermann, Fr. v. Schlegel, Macauley, A. v. Humboldt, Grabbe, Büchner, Herwegh, Z. Werner, Byron, A. Grün, H. v. Collin, Zedlitz, Herbart, W. Menzel, Scherenberg, Tieck, Eckermann, A. Kahlert, Thibaut, Bulwer, Zelter, Wackenroder, Platen, C.M. v. Weber, Rottek

>He devoured every book he could get hold of, and after contributing his share to the expenses of the household he spent every penny he had left on books, thereby laying the foundation of an imposing library.

>with the first advances by a music publisher Brahms obtained collected works of aeschylus, plutarch, shakespeare and »faust«

>Brahms's music books: first and foremost there are the older theoretical works of Adlung, Forkel, Fux, Gerber, Hiller, Keller, Kellner, Kirnberger, Marpurg, Mattheson, Scheibe, Walther, and others, which Brahms began assembling as a very young man. Then came the great musicological and critical works of his own contemporaries: Jahn's Mozart, Chrysander's Handel, Spitta's Bach, and Pohl's Haydn; Nottebohm's Beethoveniana and thematic catalogs of Schubert and Beethoven, Köchel's Mozart catalog, Dommer's Dictionary and History of Music, and Hanslick's critical writings.

leave this board and never return if you haven't read these by the time you were 21

>E.T.A. Hoffmann, Herder, Lichtenberg, Bernardin de Saint-Pierre, Young, Klopstock, Sophokles, Novalis, Lessings »Nathan«, Auerbach's »Frau Professorin« und »Luzifer«, Waiblinger's diary desu, Grillparzer's »Sappho«, Sonetts by Dante und Tasso, Luther's »table talks«, Schiller's und Goethe's poems. Schiller's »Jungfrau«, Hammer's »Orientalische Poesien«, Heinse's »Laidion« und Seume's »Briefe über Rußland«. Mahlmann, Ewald v. Kleist, Leopold Schefer, Swift, Cicero, Pestalozzi, Pope, Andersen, Blumauer, Bürger, Franz Horn Eichendorff, Kinkel, Freiligrath, Geibel, Chamisso, Rollett, Kerner, Hippel, Freiligraths »Die Toten und die Lebenden«, Gryphius, Logau, Wernicke, Uhland, Hebbel, Tiedge, Raupach, Terenz, Rückert, Voß, Rob. Blum, R. Wagner, Zimmermann, Fr. v. Schlegel, Macauley, A. v. Humboldt, Grabbe, Büchner, Herwegh, Z. Werner, Byron, A. Grün, H. v. Collin, Zedlitz, Herbart, W. Menzel, Scherenberg, Tieck, Eckermann, A. Kahlert, Thibaut, Bulwer, Zelter, Wackenroder, Platen, C.M. v. Weber, Rottek

>He devoured every book he could get hold of, and after contributing his share to the expenses of the household he spent every penny he had left on books, thereby laying the foundation of an imposing library.

>with the first advances by a music publisher Brahms obtained collected works of aeschylus, plutarch, shakespeare and »faust«

>Brahms's music books: first and foremost there are the older theoretical works of Adlung, Forkel, Fux, Gerber, Hiller, Keller, Kellner, Kirnberger, Marpurg, Mattheson, Scheibe, Walther, and others, which Brahms began assembling as a very young man. Then came the great musicological and critical works of his own contemporaries: Jahn's Mozart, Chrysander's Handel, Spitta's Bach, and Pohl's Haydn; Nottebohm's Beethoveniana and thematic catalogs of Schubert and Beethoven, Köchel's Mozart catalog, Dommer's Dictionary and History of Music, and Hanslick's critical writings.

leave this board and never return if you haven't read these by the time you're 21

>E.T.A. Hoffmann, Herder, Lichtenberg, Bernardin de Saint-Pierre, Young, Klopstock, Sophokles, Novalis, Lessings »Nathan«, Auerbach's »Frau Professorin« und »Luzifer«, Waiblinger's diary desu, Grillparzer's »Sappho«, Sonetts by Dante und Tasso, Luther's »table talks«, Schiller's und Goethe's poems. Schiller's »Jungfrau«, Hammer's »Orientalische Poesien«, Heinse's »Laidion« und Seume's »Briefe über Rußland«. Mahlmann, Ewald v. Kleist, Leopold Schefer, Swift, Cicero, Pestalozzi, Pope, Andersen, Blumauer, Bürger, Franz Horn Eichendorff, Kinkel, Freiligrath, Geibel, Chamisso, Rollett, Kerner, Hippel, Freiligraths »Die Toten und die Lebenden«, Gryphius, Logau, Wernicke, Uhland, Hebbel, Tiedge, Raupach, Terenz, Rückert, Voß, Rob. Blum, R. Wagner, Zimmermann, Fr. v. Schlegel, Macauley, A. v. Humboldt, Grabbe, Büchner, Herwegh, Z. Werner, Byron, A. Grün, H. v. Collin, Zedlitz, Herbart, W. Menzel, Scherenberg, Tieck, Eckermann, A. Kahlert, Thibaut, Bulwer, Zelter, Wackenroder, Platen, C.M. v. Weber, Rottek

>He devoured every book he could get hold of, and after contributing his share to the expenses of the household he spent every penny he had left on books, thereby laying the foundation of an imposing library.

>with the first advances by a music publisher Brahms obtained collected works of aeschylus, plutarch, shakespeare and »faust«

>Brahms's music books: first and foremost there are the older theoretical works of Adlung, Forkel, Fux, Gerber, Hiller, Keller, Kellner, Kirnberger, Marpurg, Mattheson, Scheibe, Walther, and others, which Brahms began assembling as a very young man. Then came the great musicological and critical works of his own contemporaries: Jahn's Mozart, Chrysander's Handel, Spitta's Bach, and Pohl's Haydn; Nottebohm's Beethoveniana and thematic catalogs of Schubert and Beethoven, Köchel's Mozart catalog, Dommer's Dictionary and History of Music, and Hanslick's critical writings.

>goes to brahms concert
>omg he's just like me, i need that haircut