/lit/ - Literature

>"When Helen Lefkowitz said I was "such a creep" at Interlochen in 1956, her remark epitomized the feeling that females have always had about me. My attempts to understand why females rejected me and to decide what to do about it resulted in years of confusion. In 1961-1962, I tried to develop a theory of the creep problem. This theory took involuntary celibacy as the defining characteristic of the creep. Every society has its image of the ideal young adult, even though the symbols of growing up change from generation to generation.The creep is an involuntary celibate because he fails to develop the surface traits of adulthood--poise and sophistication; and because he is shy, unassertive, and lacks self-confidence in the presence of others . The creep is awkward and has an unstylish appearance. He seems sexless and childish. He is regarded by the ideal adults with condescending scorn, amusement, or pity."

http://www.vasulka.org/archive/Artists2/Flint/Blueprint.pdf

>"When Helen Lefkowitz said I was "such a creep" at Interlochen in 1956, her remark epitomized the feeling that females have always had about me. My attempts to understand why females rejected me and to decide what to do about it resulted in years of confusion. In 1961-1962, I tried to develop a theory of the creep problem. This theory took involuntary celibacy as the defining characteristic of the creep. Every society has its image of the ideal young adult, even though the symbols of growing up change from generation to generation.The creep is an involuntary celibate because he fails to develop the surface traits of adulthood--poise and sophistication; and because he is shy, unassertive, and lacks self-confidence in the presence of others . The creep is awkward and has an unstylish appearance. He seems sexless and childish. He is regarded by the ideal adults with condescending scorn, amusement, or pity."

http://www.vasulka.org/archive/Artists2/Flint/Blueprint.pdf