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>>11206932
https://isreview.org/issue/105/visualizing-revolution

there was a recent article here that provides a good reading list as well as a some suggested viewing.

Suggested Marxist filmography
This is by no means a complete list but a good starting point for films written and/or directed by Marxist filmmakers. I’ve tried to include a wide range of formal approaches from within a broad socialist framework. I have not included documentaries, as they are somewhat outside the scope of this article.

Arsenal (1929), written and directed by Alexander Dovzhenko.

Battle of Algiers (1966), directed by Gillo Pontecorvo, written by Gillo Pontecorvo and Franco Solinas.

Battleship Potemkin (1925), directed by Sergei Eisenstein, written by Nina Agadzhanova.

Burn! (1969), directed by Gillo Pontecorvo, written by Gillo Pontecorvo, Franco Solinas and Giorgio Arlorio.

Can Dialectics Break Bricks? (1973), directed by Kuang-Chi Tu (as Doo Kwang Gee), and René Viénet, written by Kuang Ni.

Death of a Bureaucrat (1966), directed by Tomás Gutiérrez Alea, written by Alfredo L. Del Cueto, Tomás Gutiérrez Alea and Ramón F. Suárez. A rare Marxist slapstick comedy.

The End of St. Petersburg (1927), directed by Vsevelod Pudovkin, written by Nathan Zarkhi.

Weekend (1967), written and directed by Jean-Luc Godard. Note: Godard is difficult to place, because his best films were made before becoming a Marxist. His “Marxist” films suffer all the worst excesses of late-60s Maoism. Weekend is a truly bizarre exception.

The Leopard (1963), directed by Luchino Visconti, written by Suso Cecchi D’Amico, Pasquale Festa Campanile, Enrico Medioli, Massimo Franciosa, Luchino Visconti.

Memories of Underdevelopment (1968), directed by Tomás Gutiérrez Alea, written by Edmundo Desnoes and Tomás Gutiérrez Alea.

Meshes of the Afternoon (1943), directed by Maya Deren, written by Maya Deren.

Missing (1982), directed by Costa-Gavras, written by Costa-Gavras and Donald Stewart.

Mother (1926), directed by Vsevolod Pudovkin, written by Maxim Gorky and Nathan Zarkhi.

October (1928), directed by Sergei Eisenstein, written by Sergei Eisenstein and Grigori Aleksandrov.

Rome, Open City (1945), directed by Roberto Rossellini, written by Sergio Amidei, Federico Fellini and Roberto Rossellini.

Salt of the Earth (1954), directed by Herbert J. Biberman, written by Michael Wilson.

Spartacus (1960), directed by Stanley Kubrick, written Dalton Trumbo.

The Wind That Shakes the Barley (2006), directed by Ken Loach, written by Paul Laverty.

Z (1969), directed by Costa-Gavras, written by Jorge Semprún.

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