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>> No.17249879 [View]
File: 274 KB, 1239x436, opn vid release.png [View same] [iqdb] [saucenao] [google]
17249879

>>17244680
Post-internet is a contemporary moment and 4chan is a MAJOR part of it. And an unconscious contributor.

Oneohtrix Point Never released the video of his track "Still Life (Betamale)" on /mu/ back in 2013. Video was complied by a contemporary artist "Jon Rafman." See pic related if you want to see the video then you will find it on Vimeo.
Link to archived /mu/ thread on Jon Rafman's website.

>http://jonrafman.com/4chan.pdf

Here's a good article in which the artist is talking about 4chan and its culture.

>"I BEGAN TO KNOW the fighting game community of New York while I was doing interviews for my 2011 film Codes of Honor, which is about a lone gamer recounting his past experiences in professional gaming. That work generally deals with a loss of history and the struggle to preserve tradition in a culture where the new sweeps away the old at a faster and faster pace. I saw the pro gamer as a contemporary tragic hero who strives for classic virtues in a hyperaccelerated age. The very thing the gamer attempts to master is constantly slipping away and becoming obsolete, which acutely reflects our contemporary condition.

>When I held the pro gaming tournament at Zach Feuer in honor of the original Chinatown Fair arcade, which was the last great East Coast video arcade, it was as if the whole project had been leading up to that night. This was also true for the release on 4chan of my 2013 film Still Life (Betamale), a work that brings to light the darker fetishes of Internet subcultures—including furry fandom, kigurumi, and 8-bit anime. The community and the artist came face to face, and the reaction to the work was rich and varied. For instance, a 4chan user wrote:

this shit would have been cool in 2005 but you're on goddamn 4chan in 2013, one of the biggest sites for “SUCH A LOSER ;_;” people to ever browse the internet
someone didn't found out your dirty secret life and reveal it to everyone else
we've been doing it since the early/mid 2000's
it isn't special
get over it

>Here the commenter is mocking my fetishization of these subcultures in classic 4chan style, while also revealing that sense that the moment you “discover” said culture it has already moved on. It also indirectly hints at the sublime feeling I every now and again experience when I'm surfing the Web and I suddenly discover a new community or fully formed subculture that has its own complex vocabulary and history. It’s this overwhelming sensation that there are subcultures within subcultures, worlds upon worlds upon worlds ad infinitum.

Link to the article:
>https://www.artforum.com/interviews/jon-rafman-discusses-his-show-at-the-contemporary-art-museum-st-louis-47380

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