/lit/ - Literature

>>22063057
Because muh relational web.
https://imgur.com/a/QzLlLS9

>>22051537
Topos: a category that provides a framework for understanding and formalizing aspects of logic, set theory, and topology. It can be seen as a generalization of the category of sets. Intuitively, a topos can be thought of as a category that captures the notion of a generalized space, where objects can be seen as "spaces" or "collections" of elements, and morphisms can be seen as "continuous" or "structure-preserving" maps between these spaces. One key feature of a topos is that it has an internal logic, which means that it provides a way to reason about truth and propositions within the category itself. This internal logic allows for the development of a formal language within the topos, enabling the study of logical systems and the formulation of theorems.

Natural Transformation: a way of transforming one functor into another while respecting the internal structure (i.e., the composition of morphisms) of the categories involved.

Functor: a mapping between categories.

Category: a collection of "objects" that are linked by "arrows".

>...the metaphysical universe which consists of relations between relations between physical entities.

https://old.reddit.com/r/NarrativeDynamics/comments/13bzqha/aho_mitakuye_oyasin_all_my_relations/

https://www.youtube.com/watch?v=qm7Xt2Qsjcg

Eris Out.

>>22027143
>Finally, not all perspectives on the volume produce the same intensity of subjective experience. Some are more aesthetically pleasing than others because of the more "artistic" character of these aspects and the unification of aspects decided by the perspective. In concrete human conscious experience, there is no "bare" perception of space; space is experienced as beautiful or ugly, sacred or profane, important or trivial. The togetherness of the elements in a perceived volume has a subjective, emotional character over and above but not separate from the aspects contributed objectively by the data. In Process and Reality this will be interpreted by the doctrine of subjective forms, a doctrine ascribing an emotional-purposive side to any form of prehension, even the most primitive. The theme is hinted at in the poetic analysis of Science and the Modern World (75-94), but not further elaborated. It is a necessary component of a theory of prehensive unification that a perspective is to be more than the merely public togetherness of its geometrical relations to its world.

This diagram is an illustration of: "Each position is the perspective which it takes on in the other included subvolumes. In other words, the structure of the volume from the perspective constitutes the perspective.... [and also] The aspect from the perspective enters into the constitution of the perspective. Therefore, it is equally true that the togetherness of the perspectival aspects constitutes the perspective and that the perspective "decides" the aspects. Each is what the other makes it to be."

In this diagram each circle is a perspective, and contains within itself it's unique perspectival relationships to other perspectives in the volume. "The merely public togetherness of its geometrical relations to its world." is the web of lines between the perspective-circles.

"Not all perspectives on the volume produce the same intensity of subjective experience" is represented in the diagram as the colored dots within each perspective-circle and lines of varying distance/intensity. The different colors represent different subjective qualities experienced by the individual perspective.

https://www.youtube.com/watch?v=2K_aHCJbxN0

While you watch the above video, analogize "tea" and "wushu fighting styles" as "fields of study and inquiry."