/lit/ - Literature

>>10635559
Flaherty resurrected tradition within selected sects of peoples that had moved on, he made peoples enact their own myths. Flaherty equalized these elements into a transparent continuity that was entirely divorced by the nature of his rigorous studies. He invested and sought connection to the metastructural framework of continuous reality therefore I'm always hesitant to call anything by Flaherty, Stroheim, or Griffith a film, but if Moana occupied that medium, it would be the very best of it without a doubt, no question. Flaherty has suppressed conflict, Flaherty suppressed juxtaposition, the prolongued sound implementation only enhances. A non-diegetic done through gestated diegetic capture. All of his elements are divorced and suppressed yet still united, Flaherty long achieved his sought distillation of essence, but Moana in particular quesitons the essence of life without ever asking the question. Every element in a Flaherty work is divorced but they are united together contrapuntally to ask the eternal questions regarding time, space, and history with allusions to a future enacted in the present.