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>> No.23450507 [View]
File: 55 KB, 587x800, 1715728532381056.jpg [View same] [iqdb] [saucenao] [google]
23450507

>>23450495
Take the Wagner-pill, he synthesises both. In Siegfried is the Ubermensch, life-affirmation, without sinful conscience; in Parsifal is self-abnegation, to reach a higher affirmation. In both the central character is a youthful hero.

https://www.youtube.com/watch?v=T11EGn5lheI

>Wagner alone saw beyond — beyond the vision of both Nietzsche and Shaw — to a new form, shadowy, as yet obscure, visible in outline only, but still a higher form: the mysterious shape of Parsifal. Here is the beginning of the will to power and the will to beauty in the mystical union which is all-achieving: the man comes who weeps because he has killed a swan rather than exults because he can kill a dragon, who holds the all-powerful spear on condition that he does not use it. Shaw should have understood that it is possible both to kill dragons and to weep over the death of swans — in fact he did, at least in adumbration.
- Oswald Mosley

>> No.23386015 [View]
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23386015

>>23385949
Oswald Mosley wrote a whole book on Wagner.

>It is at this point that we must pass beyond Shaw who sees in Götterdämmerung, as Nietzsche saw in Parsifal, the betrayal of the hero, the higher man who surpasses present humanity; they both believed him, for rather diverse reasons, to be not only desirable but essential. Yet, was Wagner’s vision an abnegation of the higher conception, a reversion to the thing it had superseded, or a new and necessary superseding of the higher, which was still inadequate to the supreme purpose? In Zarathustra, beyond the lion which represents the superman, comes the child which combines both the will to achievement and the will to beauty, “ein aus sich rollendes Rad, eine erste Bewegung, ein heiliges Ja-sagen.” If that, indeed, was Wagner’s dream, Nietzsche could not complain, and Shaw would not; yet neither realized it.
>Wagner alone saw beyond — beyond the vision of both Nietzsche and Shaw — to a new form, shadowy, as yet obscure, visible in outline only, but still a higher form: the mysterious shape of Parsifal. Here is the beginning of the will to power and the will to beauty in the mystical union which is all-achieving: the man comes who weeps because he has killed a swan rather than exults because he can kill a dragon, who holds the all-powerful spear on condition that he does not use it. Shaw should have understood that it is possible both to kill dragons and to weep over the death of swans — in fact he did, at least in adumbration.

>> No.22225425 [View]
File: 55 KB, 587x800, Mosley.jpg [View same] [iqdb] [saucenao] [google]
22225425

>>22225343
>It is at this point that we must pass beyond Shaw who sees in Götterdämmerung, as Nietzsche saw in Parsifal, the betrayal of the hero, the higher man who surpasses present humanity; they both believed him, for rather diverse reasons, to be not only desirable but essential. Yet, was Wagner’s vision an abnegation of the higher conception, a reversion to the thing it had superseded, or a new and necessary superseding of the higher, which was still inadequate to the supreme purpose? In Zarathustra, beyond the lion which represents the superman, comes the child which combines both the will to achievement and the will to beauty, “ein aus sich rollendes Rad, eine erste Bewegung, ein heiliges Ja-sagen.” If that, indeed, was Wagner’s dream, Nietzsche could not complain, and Shaw would not; yet neither realized it.
>Wagner alone saw beyond — beyond the vision of both Nietzsche and Shaw — to a new form, shadowy, as yet obscure, visible in outline only, but still a higher form: the mysterious shape of Parsifal. Here is the beginning of the will to power and the will to beauty in the mystical union which is all-achieving: the man comes who weeps because he has killed a swan rather than exults because he can kill a dragon, who holds the all-powerful spear on condition that he does not use it. Shaw should have understood that it is possible both to kill dragons and to weep over the death of swans — in fact he did, at least in adumbration.

>> No.21535964 [View]
File: 55 KB, 587x800, Sir Oswald Mosley.jpg [View same] [iqdb] [saucenao] [google]
21535964

>>21533621
Really any writing by picrel on Fascism. I recommend Fascism for the Million, Fascism: 100 Questions Asked and Answered, and My Life. I would probably call Mosley a racist, to be honest, but he was certainly not a bigot, which is a more important distinction to make than most think.

>> No.20607817 [View]
File: 55 KB, 587x800, Mosley.jpg [View same] [iqdb] [saucenao] [google]
20607817

>>20607464
>It is at this point that we must pass beyond Shaw who sees in Götterdämmerung, as Nietzsche saw in Parsifal, the betrayal of the hero, the higher man who surpasses present humanity; they both believed him, for rather diverse reasons, to be not only desirable but essential. Yet, was Wagner’s vision an abnegation of the higher conception, a reversion to the thing it had superseded, or a new and necessary superseding of the higher, which was still inadequate to the supreme purpose? In Zarathustra, beyond the lion which represents the superman, comes the child which combines both the will to achievement and the will to beauty, “ein aus sich rollendes Rad, eine erste Bewegung, ein heiliges Ja-sagen.” If that, indeed, was Wagner’s dream, Nietzsche could not complain, and Shaw would not; yet neither realized it.
>Wagner alone saw beyond — beyond the vision of both Nietzsche and Shaw — to a new form, shadowy, as yet obscure, visible in outline only, but still a higher form: the mysterious shape of Parsifal. Here is the beginning of the will to power and the will to beauty in the mystical union which is all-achieving: the man comes who weeps because he has killed a swan rather than exults because he can kill a dragon, who holds the all-powerful spear on condition that he does not use it. Shaw should have understood that it is possible both to kill dragons and to weep over the death of swans — in fact he did, at least in adumbration.

>> No.20289878 [DELETED]  [View]
File: 55 KB, 587x800, Mosley.jpg [View same] [iqdb] [saucenao] [google]
20289878

>It is at this point that we must pass beyond Shaw who sees in Götterdämmerung, as Nietzsche saw in Parsifal, the betrayal of the hero, the higher man who surpasses present humanity; they both believed him, for rather diverse reasons, to be not only desirable but essential. Yet, was Wagner’s vision an abnegation of the higher conception, a reversion to the thing it had superseded, or a new and necessary superseding of the higher, which was still inadequate to the supreme purpose? In Zarathustra, beyond the lion which represents the superman, comes the child which combines both the will to achievement and the will to beauty, “ein aus sich rollendes Rad, eine erste Bewegung, ein heiliges Ja-sagen.” If that, indeed, was Wagner’s dream, Nietzsche could not complain, and Shaw would not; yet neither realized it.
>Wagner alone saw beyond — beyond the vision of both Nietzsche and Shaw — to a new form, shadowy, as yet obscure, visible in outline only, but still a higher form: the mysterious shape of Parsifal. Here is the beginning of the will to power and the will to beauty in the mystical union which is all-achieving: the man comes who weeps because he has killed a swan rather than exults because he can kill a dragon, who holds the all-powerful spear on condition that he does not use it. Shaw should have understood that it is possible both to kill dragons and to weep over the death of swans — in fact he did, at least in adumbration.

>> No.19555217 [View]
File: 55 KB, 587x800, Mosley.jpg [View same] [iqdb] [saucenao] [google]
19555217

>>19552334
>Wagner alone saw beyond — beyond the vision of both Nietzsche and Shaw — to a new form, shadowy, as yet obscure, visible in outline only, but still a higher form: the mysterious shape of Parsifal. Here is the beginning of the will to power and the will to beauty in the mystical union which is all-achieving: the man comes who weeps because he has killed a swan rather than exults because he can kill a dragon, who holds the all-powerful spear on condition that he does not use it. Shaw should have understood that it is possible both to kill dragons and to weep over the death of swans — in fact he did, at least in adumbration.

>> No.19431348 [View]
File: 55 KB, 587x800, 467CF1C1-176A-4ADD-B63F-FE285E3A8A4E.jpg [View same] [iqdb] [saucenao] [google]
19431348

Thoughts on this poo eyed spaghettishit larping as a white man? How many dicks did he suck?

>> No.19226998 [View]
File: 55 KB, 587x800, Oswald_mosley_MP.jpg [View same] [iqdb] [saucenao] [google]
19226998

>>19226901
>>19226968
>thinks labor will accomplish anything
Even pic related left them because of how conservative they were lmao

>> No.18947460 [View]
File: 55 KB, 587x800, Mosley.jpg [View same] [iqdb] [saucenao] [google]
18947460

>It is at this point that we must pass beyond Shaw who sees in Götterdämmerung, as Nietzsche saw in Parsifal, the betrayal of the hero, the higher man who surpasses present humanity; they both believed him, for rather diverse reasons, to be not only desirable but essential. Yet, was Wagner’s vision an abnegation of the higher conception, a reversion to the thing it had superseded, or a new and necessary superseding of the higher, which was still inadequate to the supreme purpose? In Zarathustra, beyond the lion which represents the superman, comes the child which combines both the will to achievement and the will to beauty, “ein aus sich rollendes Rad, eine erste Bewegung, ein heiliges Ja-sagen.” If that, indeed, was Wagner’s dream, Nietzsche could not complain, and Shaw would not; yet neither realized it.
>Wagner alone saw beyond — beyond the vision of both Nietzsche and Shaw — to a new form, shadowy, as yet obscure, visible in outline only, but still a higher form: the mysterious shape of Parsifal. Here is the beginning of the will to power and the will to beauty in the mystical union which is all-achieving: the man comes who weeps because he has killed a swan rather than exults because he can kill a dragon, who holds the all-powerful spear on condition that he does not use it. Shaw should have understood that it is possible both to kill dragons and to weep over the death of swans — in fact he did, at least in adumbration.

>> No.17047914 [View]
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17047914

>> No.16107520 [View]
File: 55 KB, 587x800, Mosley.jpg [View same] [iqdb] [saucenao] [google]
16107520

>>16107517
>On the one hand you find in Fascism, taken from Christianity, taken directly from the Christian conception, the immense vision of service, of self-abnegation, of self-sacrifice in the cause of others, in the cause of the world, in the cause of your country; not the elimination of the individual, so much as the fusion of the individual in something far greater than himself; and you have that basic doctrine of Fascism, service, self-surrender to what the Fascist must conceive to be the greatest cause and the greatest impulse in the world. On the other hand you find taken from Nietszchian thought the virility, the challenge to all existing things which impede the march of mankind, the absolute abnegation of the doctrine of surrender; the firm ability to grapple with and to overcome all obstructions. You have, in fact, the creation of a doctrine of men of vigour and of self-help which is the other outstanding characteristic of Fascism.

>At the moment of a great world crisis, a crisis which in the end will inevitably deepen, a movement emerges from a historic background which makes its emergence inevitable, carrying certain traditional attributes derived from a very glorious past, but facing the facts of today, armed with the instruments which only this age has ever conferred upon mankind. By this new and wonderful coincidence of instrument and of event the problems of the age can be overcome, and the future can be assured in a progressive stability. Possibly this is the last great wave of the immortal, the eternally recurring Caesarian movement; but with the aid of science, and with the inspiration of the modern mind, this wave shall carry humanity to the further shore.

Oswald Mosley

>> No.16100976 [View]
File: 55 KB, 587x800, Mosley.jpg [View same] [iqdb] [saucenao] [google]
16100976

>>16100973
>On the one hand you find in Fascism, taken from Christianity, taken directly from the Christian conception, the immense vision of service, of self-abnegation, of self-sacrifice in the cause of others, in the cause of the world, in the cause of your country; not the elimination of the individual, so much as the fusion of the individual in something far greater than himself; and you have that basic doctrine of Fascism, service, self-surrender to what the Fascist must conceive to be the greatest cause and the greatest impulse in the world. On the other hand you find taken from Nietszchian thought the virility, the challenge to all existing things which impede the march of mankind, the absolute abnegation of the doctrine of surrender; the firm ability to grapple with and to overcome all obstructions. You have, in fact, the creation of a doctrine of men of vigour and of self-help which is the other outstanding characteristic of Fascism.

>At the moment of a great world crisis, a crisis which in the end will inevitably deepen, a movement emerges from a historic background which makes its emergence inevitable, carrying certain traditional attributes derived from a very glorious past, but facing the facts of today, armed with the instruments which only this age has ever conferred upon mankind. By this new and wonderful coincidence of instrument and of event the problems of the age can be overcome, and the future can be assured in a progressive stability. Possibly this is the last great wave of the immortal, the eternally recurring Caesarian movement; but with the aid of science, and with the inspiration of the modern mind, this wave shall carry humanity to the further shore.

Oswald Mosley

>> No.15639482 [View]
File: 55 KB, 587x800, Oswald mosley.jpg [View same] [iqdb] [saucenao] [google]
15639482

what does /lit/ think of Mosley?

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