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>> No.7536589 [View]
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7536589

>>7536581
Only a male intellect clouded by the sexual drive could call the stunted, narrow-shouldered, broad-hipped and short-legged sex the fair sex: for it is with this drive that all its beauty is bound up. More fittingly than the fair sex, women could be called the unaesthetic sex. Neither for music, nor poetry, nor the plastic arts do they possess any real feeling or receptivity: if they affect to do so, it is merely mimicry in service of their effort to please. This comes from the fact that they are incapable of taking a purely objective interest in anything whatever, and the reason for this is, I think, as follows. Man strives in everything for a direct domination over things, either by comprehending or by subduing them. But woman is everywhere and always relegated to a merely indirect domination, which is achieved by means of man, who is consequently the only thing she has to dominate directly. Thus it lies in the nature of women to regard everything simply as a means of capturing a man, and their interest in anything else is only simulated, is no more than a detour, i.e. amounts to coquetry and mimicry. One has only to observe how they behave in the theatre or at operas and concerts, e.g. the childish unconcern with which they go on chattering away during the most beautiful parts of the greatest masterpieces. If it is true the Greeks refused to allow women into the theatre, they did the right thing: at least one would have been able to hear what was going on. – Nor can one expect anything else from women if one considers that the most eminent heads of the entire sex have proved incapable of a single truly great, genuine and original achievement in art, or indeed of creating anything at all of lasting value: this strikes one most forcibly in regard to painting, since they are just as capable of mastering its technique as we are, and indeed paint very busily, yet cannot point to a single great painting; the reason being precisely that they lack all objectivity of mind, which is what painting demands above all else. Isolated and partial exceptions do not alter the case: women, taken as a whole, are and remain thorough and incurable philistines: so that, with the extremely absurd arrangement by which they share the rank and title of their husband, they are a continual spur to his ignoble ambitions.

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