/lit/ - Literature

>>20393471
I WISH I WERE HER BICYCLE SEAT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I WISH I WERE HERE LITTLE TAMPON BABY BOY!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! HER JUGS JIGGLE WHEN SHE MOVES IN A WAY THAT INDICATES SHE OFTEN DOESN'T WEAR A BRA!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! HER ASS GOT THICKER WHEN SHE GOT FAT AND I DON'T MIND AT ALL!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

WOMEN'S ASSES!!!!!!!!!! I LOVE WOMEN'S ASSES!!!!!!!!!!!!!!!!!!

>>20160466
If you're trying to sound like a bong or burger you'll probably unironically sound better if you attempt a meymey over the top rendition of what you think they should sound like.
I do this when I speak Japanese and my friends say that's the only time they can really understand what I'm saying so I dunno it might just be me

>>19750119
Pernicious nonsense wrapped in twiddle twaddle ramblings while easily being one of the most influential books published in the 20th century. This is the most different of all of Nietzsche’s books while simultaneously epitomizing all of his other writings even to the point of making this book seem unoriginal, something that I’ve never felt with any of his other books. It’s clear that a lot of this book were notes from his other books, and the rest were notes for what would become this book. There is one thing that struck me about this book, overall it was the most unoriginal of all of Nietzsche’s writings because he had for the most part said it elsewhere in his writings but says it here in such a way that it will appeal to the proto-fascist and soon-to-be Nazis who will lap this stuff up.

Ayn Rand loved Nietzsche and was going to use his quotations as chapter headings for ‘The Fountainhead’ until she realized that she misunderstood him; she obviously agreed with his fascism but wasn’t able to understand his philosophy beyond the superficial and I suspect it was this book that originally hooked her. Heidegger wrote an incredibly influential book explaining this book that influenced Derrida, Foucault and Rorty, but, most importantly, Oswald Spengler explicitly cites Nietzsche and Goethe as his major influences for volume I of Decline of the West (by all means read that God awful book if only to understand why one can call Trump a fascist), and lastly in Hitler’s autobiography, Nietzsche with Goethe, Luther and Fredrich the Great were Hitler’s acknowledged greatest influences. BTW, within this book I would say that Goethe was equally praised by Nietzsche as Hitler and Spengler praised him.

Make no mistake. This book is vile. The ‘always conniving Jew uses their knowledge against the ignorance of the other’ or whatever nonsense Nietzsche wrote, hysterical women never can learn or write good literature, the German is superior, Machiavelli was a great thinker, and so on and so on. But, that’s not my real problem with this book since it’s easy to dismiss that has nothing but prejudices.

All of the perniciousness of fascism lurks within this book. All of Donald Trump and what he is trying to do against humanity is within this book. Equality is anathema for them. Humanism is irrelevant and dangerous to them. A great leader, according to Nietzsche is required in order to save us. Spengler made Julius Caesar his great leader while in this book Nietzsche did too, but also Napoleon would do, or until a Hitler comes along or a Trump.

>>19732670
838.

What we lack in music is an æsthetic which would impose laws upon musicians and give them a conscience; and as a result of this we lack a real contest concerning "principles."—For as musicians we laugh at Herbart's velleities in this department just as heartily as we laugh at Schopenhauer's. As a matter of fact, tremendous difficulties present themselves here. We no[Pg 273] longer know on what basis to found our concepts of what is exemplary, masterly, perfect. With the instincts of old loves and old admiration we grope about in a realm of values, and we almost believe, "that is good which pleases us".... I am always suspicious when I hear people everywhere speak innocently of Beethoven as a "classic"; what I would maintain, and with some seventy, is that, in other arts, a classic is the very reverse of Beethoven. But when the complete and glaring dissolution of style, Wagner's so-called dramatic style, is taught and honoured as exemplary, as masterly, as progressive, then my impatience exceeds all bounds. Dramatic style in music, as Wagner understood it, is simply renunciation of all style whatever; it is the assumption that something else, namely, drama, is a hundred times more important than music. Wagner can paint; he does not use music for the sake of music, with it he accentuates attitudes; he is a poet. Finally he made an appeal to beautiful feelings and heaving breasts, just as all other theatrical artists have done, and with it all he converted women and even those whose souls thirst for culture to him. But what do women and the uncultured care about music? All these people have no conscience for art: none of them suffer when the first and fundamental virtues of an art are scorned and trodden upon in favour of that which is merely secondary (as ancilla dramaturgica). What good can come of all extension in the means of expression, when that which is expressed, art itself, has lost all its law and order? The picturesque pomp and power[Pg 274] of tones, the symbolism of sound, rhythm, the colour effects of harmony and discord, the suggestive significance of music, the whole sensuality of this art which Wagner made prevail—it is all this that Wagner derived, developed, and drew out of music. Victor Hugo did something very similar for language: but already people in France are asking themselves, in regard to the case of Victor Hugo, whether language was not corrupted by him, whether reason, intellectuality, and thorough conformity to law in language are not suppressed when the sensuality of expression is elevated to a high place? Is it not a sign of decadence that the poets in France have become plastic artists, and that the musicians of Germany have become actors and culturemongers?

[2/4]

I'll start:

Pernicious nonsense wrapped in twiddle twaddle ramblings while easily being one of the most influential books published in the 20th century. This is the most different of all of Nietzsche’s books while simultaneously epitomizing all of his other writings even to the point of making this book seem unoriginal, something that I’ve never felt with any of his other books. It’s clear that a lot of this book were notes from his other books, and the rest were notes for what would become this book. There is one thing that struck me about this book, overall it was the most unoriginal of all of Nietzsche’s writings because he had for the most part said it elsewhere in his writings but says it here in such a way that it will appeal to the proto-fascist and soon-to-be Nazis who will lap this stuff up.

Ayn Rand loved Nietzsche and was going to use his quotations as chapter headings for ‘The Fountainhead’ until she realized that she misunderstood him; she obviously agreed with his fascism but wasn’t able to understand his philosophy beyond the superficial and I suspect it was this book that originally hooked her. Heidegger wrote an incredibly influential book explaining this book that influenced Derrida, Foucault and Rorty, but, most importantly, Oswald Spengler explicitly cites Nietzsche and Goethe as his major influences for volume I of Decline of the West (by all means read that God awful book if only to understand why one can call Trump a fascist), and lastly in Hitler’s autobiography, Nietzsche with Goethe, Luther and Fredrich the Great were Hitler’s acknowledged greatest influences. BTW, within this book I would say that Goethe was equally praised by Nietzsche as Hitler and Spengler praised him.

Make no mistake. This book is vile. The ‘always conniving Jew uses their knowledge against the ignorance of the other’ or whatever nonsense Nietzsche wrote, hysterical women never can learn or write good literature, the German is superior, Machiavelli was a great thinker, and so on and so on. But, that’s not my real problem with this book since it’s easy to dismiss that has nothing but prejudices.

All of the perniciousness of fascism lurks within this book. All of Donald Trump and what he is trying to do against humanity is within this book. Equality is anathema for them. Humanism is irrelevant and dangerous to them. A great leader, according to Nietzsche is required in order to save us. Spengler made Julius Caesar his great leader while in this book Nietzsche did too, but also Napoleon would do, or until a Hitler comes along or a Trump. Trump has anointed himself as the self-appointed uber-mensch for our time. Nietzsche is really saying ‘stop thinking and follow me and let your feelings be your guide’. There is no being, there is only becoming and a great thinker will be needed to rise above the herd. --- [To be continued]

>>18091042
>with further ado