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/lit/ - Literature

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>> No.13262354 [View]
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13262354

>>13261347
This

>> No.13177327 [View]
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13177327

>>13176321
>“During one particularly harrowing moment, Hannah was describing a moment of violence that was all too familiar to women, particularly those in the LGBTIQ community,” McCann wrote. “The room was silent. Then, a lone male voice from the back of the room shouted ‘Where’s the bloody jokes?'”

>According to McCann, the audience, which included a large contingent of women from a Canberra queer women’s group, immediately shouted down the heckler.

>“Everyone is yelling,” she recalled. “One amazing woman who looked like she could snap me like a twig jumps up from her seat in front of us and was looking back into the crowd as if she was personally going to go find the guy. All the frustration and repressed anger of the night unleashed at once.”

>“Through all this Hannah is standing on the stage, mic in hand, waiting out the crowd’s anger,” McCann continued. “Here’s this woman who is telling the most viscerally sad and confronting story I’d ever heard on stage and this one guy thought he was entitled enough to interject. I’d be furious.”

>“She wasn’t. When she eventually speaks it’s to direct the ushers to remove him. ‘I don’t want you here,’ she says, calmly. ‘I’ll donate the money from your ticket to a charity that helps victims of domestic violence. Get out, mate.’ Then she went straight back into her set.”

>> No.13122701 [View]
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13122701

>“During one particularly harrowing moment, Hannah was describing a moment of violence that was all too familiar to women, particularly those in the LGBTIQ community,” McCann wrote. “The room was silent. Then, a lone male voice from the back of the room shouted ‘Where’s the bloody jokes?'”

>According to McCann, the audience, which included a large contingent of women from a Canberra queer women’s group, immediately shouted down the heckler.

>“Everyone is yelling,” she recalled. “One amazing woman who looked like she could snap me like a twig jumps up from her seat in front of us and was looking back into the crowd as if she was personally going to go find the guy. All the frustration and repressed anger of the night unleashed at once.”

>“Through all this Hannah is standing on the stage, mic in hand, waiting out the crowd’s anger,” McCann continued. “Here’s this woman who is telling the most viscerally sad and confronting story I’d ever heard on stage and this one guy thought he was entitled enough to interject. I’d be furious.”

>“She wasn’t. When she eventually speaks it’s to direct the ushers to remove him. ‘I don’t want you here,’ she says, calmly. ‘I’ll donate the money from your ticket to a charity that helps victims of domestic violence. Get out, mate.’ Then she went straight back into her set.”

>> No.13048698 [View]
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13048698

>“During one particularly harrowing moment, Hannah was describing a moment of violence that was all too familiar to women, particularly those in the LGBTIQ community,” McCann wrote. “The room was silent. Then, a lone male voice from the back of the room shouted ‘Where’s the bloody jokes?'”

>According to McCann, the audience, which included a large contingent of women from a Canberra queer women’s group, immediately shouted down the heckler.

>“Everyone is yelling,” she recalled. “One amazing woman who looked like she could snap me like a twig jumps up from her seat in front of us and was looking back into the crowd as if she was personally going to go find the guy. All the frustration and repressed anger of the night unleashed at once.”

>“Through all this Hannah is standing on the stage, mic in hand, waiting out the crowd’s anger,” McCann continued. “Here’s this woman who is telling the most viscerally sad and confronting story I’d ever heard on stage and this one guy thought he was entitled enough to interject. I’d be furious.”

>“She wasn’t. When she eventually speaks it’s to direct the ushers to remove him. ‘I don’t want you here,’ she says, calmly. ‘I’ll donate the money from your ticket to a charity that helps victims of domestic violence. Get out, mate.’ Then she went straight back into her set.”

>> No.12837876 [View]
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12837876

>>12837517
Who wouldn't want 60,000 words of preop male resentment humour?
https://youtu.be/zUrqUWNcSOg

>> No.12810458 [View]
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12810458

>>12810453
>I AM IN MY PRIME!
>i am in my prime!

>> No.12796879 [View]
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12796879

Only acceptable answer.

>> No.12653739 [View]
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12653739

>>12652468
>attaching signifies A to reassuring situation B
https://youtu.be/qPj8pjAXYdQ

>> No.12646597 [View]
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12646597

>>12646511
>YOU
>YOU IN THE BACK
>WHO SAID YOU COULD LAUGH

>> No.12613513 [View]
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12613513

>>12612478
Female humour is just that Michael Richards breakdown without the 'nigger' payoff.

>> No.12389351 [View]
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12389351

>>12388152
WHERE'S THE BLOODY QUOTES!?!

>> No.12353033 [View]
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12353033

>>12353014
Or in other words,
>A SEVENTEEN-YEAR-OLD GIRL IS NEVER EVER IN HER PRIME!
>I AM IN MY PRIME!!
>I AM IN MY PRIME!!!

>> No.12339972 [View]
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12339972

>>12339899



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