/lit/ - Literature

>>19360708

Not much beside better utilizing archetypes, but it is nostalgia for Aryana that is at the forefroont of the fantastic idealism that is present in "The Silmarillion", and in "The Children of Húrin".

>yet is not "finality" by nature crepuscular?
maturity signals a time to die
The twilight of finality is one of conjoined & synthesized auroral & vesperal light; it signals transition —revolutional transcendence unto immortality for some, recyclical termination unto death for others.

Numbers --and colours, for that matter--, are hypernal/hyperphenomenal, and their order: theological --that is: they are manifested in the order of phenomena (days, stars, limbs, geometric shapes, and so on) in concord with the pattern and parameters of Pleroma which were originally established by God.

>>16600865
>>16600896
>>16600909
The (hyper)cube, with its hexagonal manifestations, is, and always has been --as the geometric representation of the perpetual recursivity of, and imprisonment within, physis, and nature, that it is-- the ideological nucleus of Zion, pawn of Satan/Jupiter/YHWH; no computergenerated image, nor spurious rationalizations, can alter that.

The demonization of Saturn is merely another example of the "bottlenecking" tactic of Zionism, whereby it precludes revelation of the truth in the popular opinion of the vulgus by insidiously projecting its own perverse ideology, and symbolism, onto anything that is adverse to it.

Saturn/Sabaoth/Kronos/Ilos, companion of Sofia, and the original king of the Aryans, was the chief ruler star of this kosmos from eleventh millennium before Christian era to fourth millennium before Christian era; afterward he was usurped by Satan/Zeus/Jupiter/YHWH.