/lit/ - Literature

Various /lit/ publications have come and gone: The Lit Quarterly, Pinecone, The April Reader, and Ideology, to name a few. There have been collaborative works, like Coronameron, The /lit/ Annotated Moby Dick, Legacy of Totalitarianism in a Tundra, and The Complete Works of God II. Some of these projects were one-offs, some were serialized. Some /lit/ projects, like Unreal Press, are still hanging on but are plagued by drama, and some, like &amp, seem to be rapidly in decline.

Also related are the solo writers of /lit/, composed of various namefags and shills who frequent the board: MNM-DR, John David Card, Zulu Alitspa, Frater Asemlen, Horia Belcea, Ogden Nesmer, Lewis Woolston. There are also those who did not come from /lit/ but are /lit/-adjacent simply because they are discussed here so frequently: Mike Ma, R. C. Waldun, Bronze Age Pervert.

This thread is for the discussion of the history of /lit/ writing and the future of /lit/. Why have so many /lit/ projects failed and fallen apart, and what do you think is next for the scene? Does anonymity vs pseudonymity vs. the use of real names make a difference in the success or failure of these projects, and the way in which these projects are perceived? Of the works that /lit/ has produced, are there common characteristics and themes shared between them? Is there a definitively /lit/ style of writing? Has /lit/ produced anything truly great, and if not, do you believe that it will in the future?

Various /lit/ publications have come and gone: The Lit Quarterly, Pinecone, The April Reader, and Ideology, to name a few. There have been collaborative works, like Coronameron, The /lit/ Annotated Moby Dick, Legacy of Totalitarianism in a Tundra, and The Complete Works of God II. Some of these projects were one-offs, some were serialized. Some /lit/ projects, like Unreal Press, are still hanging on but are plagued by drama, and some, like &amp, seem to be rapidly in decline.

Also related are the solo writers of /lit/, composed of various namefags and shills who frequent the board: MNM-DR, John David Card, Zulu Alitspa, Frater Asemlen, Horia Belcea, Ogden Nesmer, Lewis Woolston. There are also those who did not come from /lit/ but are /lit/-adjacent simply because they are discussed here so frequently: Mike Ma, R. C. Waldun, Bronze Age Pervert.

This thread is for the discussion of the history of /lit/ writing and the future of /lit/. Why have so many /lit/ projects failed and fallen apart, and what do you think is next for the scene? Does anonymity vs pseudonymity vs. the use of real names make a difference in the success or failure of these projects, and the way in which these projects are perceived? Of the works that /lit/ has produced, are there common characteristics and themes shared between them? Is there a definitively /lit/ style of writing? Has /lit/ produced anything truly great, and if not, do you believe that it will in the future?

Various /lit/ publications have come and gone: The Lit Quarterly, Pinecone, The April Reader, and Ideology, to name a few. There have been collaborative works, like Coronameron, The /lit/ Annotated Moby Dick, Legacy of Totalitarianism in a Tundra, and The Complete Works of God II. Some of these projects were one-offs, some were serialized. Some /lit/ projects, like Unreal Press, are still hanging on but are plagued by drama, and some, like &amp, seem to be rapidly in decline.

Also related are the solo writers of /lit/, composed of various namefags and shills who frequent the board: MNM-DR, John David Card, Zulu Alitspa, Frater Asemlen, Horia Belcea, Ogden Nesmer, Lewis Woolston. There are also those who did not come from /lit/ but are /lit/-adjacent simply because they are discussed here so frequently: Mike Ma, R. C. Waldun, Bronze Age Pervert.

This thread is for the discussion of the history of /lit/ writing and the future of /lit/. Why have so many /lit/ projects failed and fallen apart, and what do you think is next for the scene? Does anonymity vs pseudonymity vs. the use of real names make a difference in the success or failure of these projects, and the way in which these projects are perceived? Of the works that /lit/ has produced, are there common characteristics and themes shared between them? Is there a definitively /lit/ style of writing? Has /lit/ produced anything truly great, and if not, do you believe that it will in the future?

Various /lit/ publications have come and gone: The Lit Quarterly, Pinecone, The April Reader, and Ideology, to name a few. There have been collaborative works, like Coronameron, The /lit/ Annotated Moby Dick, Legacy of Totalitarianism in a Tundra, and The Complete Works of God II. Some of these projects were one-offs, some were serialized. Some /lit/ projects, like Unreal Press, are still hanging on but are plagued by drama, and some, like &amp, seem to be rapidly in decline.

Also related are the solo writers of /lit/, composed of various namefags and shills who frequent the board: MNM-DR, John David Card, Zulu Alitspa, Frater Asemlen, Horia Belcea, Ogden Nesmer, Lewis Woolston. There are also those who did not come from /lit/ but are /lit/-adjacent simply because they are discussed here so frequently: Mike Ma, R. C. Waldun, Bronze Age Pervert.

This thread is for the discussion of the history of /lit/ writing and the future of /lit/. Why have so many /lit/ projects failed and fallen apart, and what do you think is next for the scene? Does anonymity vs pseudonymity vs. the use of real names make a difference in the success or failure of these projects, and the way in which these projects are perceived? Of the works that /lit/ has produced, are there common characteristics and themes shared between them? Is there a definitively /lit/ style of writing? Has /lit/ produced anything truly great, and if not, do you believe that it will in the future?

Various /lit/ publications have come and gone: The Lit Quarterly, Pinecone, The April Reader, and Ideology, to name a few. There have been collaborative works, like Coronameron, The /lit/ Annotated Moby Dick, Legacy of Totalitarianism in a Tundra, and The Complete Works of God II. Some of these projects were one-offs, some were serialized. Some /lit/ projects, like Unreal Press, are still hanging on but are plagued by drama, and some, like &amp, seem to be rapidly in decline.

Also related are the solo writers of /lit/, composed of various namefags and shills who frequent the board: MNM-DR, John David Card, Zulu Alitspa, Frater Asemlen, Horia Belcea, Ogden Nesmer, Lewis Woolston. There are also those who did not come from /lit/ but are /lit/-adjacent simply because they are discussed here so frequently: Mike Ma, R. C. Waldun, Bronze Age Pervert.

This thread is for the discussion of the history of /lit/ writing and the future of /lit/. Why have so many /lit/ projects failed and fallen apart, and what do you think is next for the scene? Does anonymity vs pseudonymity vs. the use of real names make a difference in the success or failure of these projects, and the way in which these projects are perceived? Of the works that /lit/ has produced, are there common characteristics and themes shared between them? Is there a definitively /lit/ style of writing? Has /lit/ produced anything truly great, and if not, do you believe that it will in the future?

Various /lit/ publications have come and gone: The Lit Quarterly, Pinecone, The April Reader, and Ideology, to name a few. There have been collaborative works, like Coronameron, The /lit/ Annotated Moby Dick, Legacy of Totalitarianism in a Tundra, and The Complete Works of God II. Some of these projects were one-offs, some were serialized. Some /lit/ projects, like Unreal Press, are still hanging on but are plagued by drama, and some, like &amp, seem to be rapidly in decline.

Also related are the solo writers of /lit/, composed of various namefags and shills who frequent the board: MNM-DR, John David Card, Zulu Alitspa, Jason Bryan, Frater Asemlen, Horia Belcea, Ogden Nesmer, Lewis Woolston, F. Gardner. There are also those who did not come from /lit/ but are /lit/-adjacent simply because they are discussed here so frequently: Mike Ma, R. C. Waldun, Bronze Age Pervert.

This thread is for the discussion of the history of /lit/ writing and the future of /lit/. Why have so many /lit/ projects failed and fallen apart, and what do you think is next for the scene? Does anonymity vs pseudonymity vs. the use of real names make a difference in the success or failure of these projects, and the way in which these projects are perceived? Of the works that /lit/ has produced, are there common characteristics and themes shared between them? Is there a definitively /lit/ style of writing? Has /lit/ produced anything truly great, and if not, do you believe that it will in the future?

Various /lit/ publications have come and gone: The Lit Quarterly, Pinecone, The April Reader, and Ideology, to name a few. There have been collaborative works, like Coronameron, The /lit/ Annotated Moby Dick, Legacy of Totalitarianism in a Tundra, and The Complete Works of God II. Some of these projects were one-offs, some were serialized. Some /lit/ projects, like Unreal Press, are still hanging on but are plagued by drama, and some, like &amp, seem to be rapidly in decline.

Also related are the solo writers of /lit/, composed of various namefags and shills who frequent the board: MNM-DR, John David Card, Zulu Alitspa, Jason Bryan, Frater Asemlen, Horia Belcea, Ogden Nesmer, Lewis Woolston, F. Gardner. There are also those who did not come from /lit/ but are /lit/-adjacent simply because they are discussed here so frequently: Mike Ma, R. C. Waldun, Bronze Age Pervert.

This thread is for the discussion of the history of /lit/ writing and the future of /lit/. Why have so many /lit/ projects failed and fallen apart, and what do you think is next for the scene? Does anonymity vs pseudonymity vs. the use of real names make a difference in the success or failure of these projects, and the way in which these projects are perceived? Of the works that /lit/ has produced, are there common characteristics and themes shared between them? Is there a definitively /lit/ style of writing? Has /lit/ produced anything truly great, and if not, do you believe that it will in the future?

Various /lit/ publications have come and gone: The Lit Quarterly, Pinecone, The April Reader, and Ideology, to name a few. There have been collaborative works, like Coronameron, The /lit/ Annotated Moby Dick, Legacy of Totalitarianism in a Tundra, and The Complete Works of God II. Some of these projects were one-offs, some were serialized. Some /lit/ projects, like Unreal Press, are still hanging on but are plagued by drama, and some, like &amp, seem to be rapidly in decline.

Also related are the solo writers of /lit/, composed of various namefags and shills who frequent the board: MNM-DR, John David Card, Zulu Alitspa, Jason Bryan, Frater Asemlen, Horia Belcea, Ogden Nesmer, Lewis Woolston, F. Gardner. There are also those who did not come from /lit/ but are /lit/-adjacent simply because they are discussed here so frequently: Mike Ma, R. C. Waldun, Bronze Age Pervert.

This thread is for the discussion of the history of /lit/ writing and the future of /lit/. Why have so many /lit/ projects failed and fallen apart, and what do you think is next for the scene? Does anonymity vs pseudonymity vs. the use of real names make a difference in the success or failure of these projects, and the way in which these projects are perceived? Of the works that /lit/ has produced, are there common characteristics and themes shared between them? Is there a definitively /lit/ style of writing? Has /lit/ produced anything truly great, and if not, do you believe that it will in the future?