/lit/ - Literature

>>23211093
"Weia! Waga! Woge, du Welle, walle zur Wiege! Wagalaweia! Wallala weiala weia!"

>In his open letter to Friedrich Nietzsche of 12 June 1872 Wagner explained that Woglinde’s opening gambit is based on OHG heilawâc ( = water drawn from a river or well at some divinely appointed hour), recast by analogy with the eia popeia ( = hushabye) of children’s nursery rhymes.
>In conversation with Cosima, Wagner described this passage as ‘the world’s lullaby’ (CT, 17 July 1869), a reading already suggested by Opera and Drama, where the composer imputes the birth of language to a melodic vocalization.

>>21568288
>In his open letter to Friedrich Nietzsche of 12 June 1872 Wagner explained that Woglinde’s opening gambit is based on OHG heilawâc ( = water drawn from a river or well at some divinely appointed hour), recast by analogy with the eia popeia ( = hushabye) of children’s nursery rhymes.
>In conversation with Cosima, Wagner described this passage as ‘the world’s lullaby’ (CT, 17 July 1869), a reading already suggested by Opera and Drama, where the composer imputes the birth of language to a melodic vocalization.

>>21289142
>Weia! Waga! Woge, du Welle, walle zur Wiege! Wagalaweia! Wallala weiala weia!

>In his open letter to Friedrich Nietzsche of 12 June 1872 Wagner explained that Woglinde’s opening gambit is based on OHG heilawâc ( = water drawn from a river or well at some divinely appointed hour), recast by analogy with the eia popeia ( = hushabye) of children’s nursery rhymes.
>In conversation with Cosima, Wagner described this passage as ‘the world’s lullaby’ (CT, 17 July 1869), a reading already suggested by Opera and Drama, where the composer imputes the birth of language to a melodic vocalization.