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/lit/ - Literature

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>> No.11094722 [View]
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11094722

>>11088736
I was thinking of a pseudo-Enlightenment setting without the revolutionary ideals being on the run. More of an exploring of the divine king concept, yet not through actual monarchs, but merely the victims of the system. Not just any victims who are defined by that status, but monsters - or, in some cases, those far too ambitious or curious - deserving of their fate.

It's a fantasy world for a purpose, and I will use gods of many kinds. I will observe esoteric traditions of many kinds, with their curses and blessings. I will have abandoned gods seeking new flesh to burrow in, I will have a blue sun fighting the grey. I want a macabre dance of mercy and mercilessness that will leave none without hope, but all shall taste despair. I want to write a beautiful world, terrifying and magnificent!
I want so much in my book I must restrain myself - for my readers. In this way, it is also a tale of me and my journey. If I were to not restrain myself, I would say: My diary, desu. This is the very reason I have to restrain myself. I am too institutionalized to this world of image boards. Though it allows me to see beyond the light pollution of enlightenment that digests those around me. It needs to be poetic in the Lucasian way, and it will be in Finnish for maximizing poetic and organic use of language.

The main character will be a woman, but to make her have the sanity of a man, she shall be intersex. Sanity includes, obviously, both meanings, of cleanliness and (mental) health. A female has a womb so they can not, and should not be "sane" in the masculine way. However, I cannot be familiarized with that mode of thinking, but I love the female form, so I go around it. Like a man would. This will also tie in with her relationship with the divine and the monstrous, so it's source isn't merely out of the pragmatic and the erotic realms. My writing will have no smut in it, but the erotic implications of the world should be clear. I want a full mythology, with dancing languages, foul gods and lucrative forms.

I believe beauty is a theme, and I want to explore the notion of the traumatic danger of exposing it to all eyes. I also want to explore the chaotic subversion of a personal experience; why the psychedelic childhood rhymes with everything profound.

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