/lit/ - Literature

>>20278506
>Life is like a play full of actors. When you think too much about the roles that you and others play you break character, you snap out of it.

Only if you pretended/makebelieved to be something that you were really not.

The integral transvertibility of an object (persona) is contingent to the universal coherence of its subject (person/personality) —id est: prerequisite for the congruence of what is alterable in appearence (of person/personality) is the integral essence of what is transvertible in form (of persona).

This is why, among other things, thespians inevitably convey their essence through their roles, the excellent ones being the closest/most connected to themselves in their play.


>You become a spectator but not sitting in the audience but standing on the stage unable to leave and unable to snap back into your role.

You are not meant to prematurely leave; you are meant to relevate the stage; this is done via prospiration, when the imaginal self —through the conscious self— relevates the essential self, as if it were playing a videogame; the physical analogue to this is when the spirit —through the mind— hovers above the body during moments of intense focus exterted upon the body, when "in the zone".

The hero is potentiated the most in the champion, because the champion carries the most gravity, since he has encycled the world through his revolutions, setting his tone, and rolling out his depth, hence why the inspirited person is magnetically attracted —magnergized— toward him in particular, and toward the prospect of revolution in general.

The hero is most potentiated in the champion, because the champion carries the most gravity, since he has encycled the world through his revolutions, setting his tone, and rolling out his depth, hence why the inspirited person is magnetically attracted —magnergized— toward him in particular, and toward the prospect of revolution in general.

>>19613333

Nothing, something, somanythings.

The head prognoses (foreknows) the weather, and prepares the season; the formative seasoning of the imagination supraordinates, and exalts, the ambient impression received from the biological seasons; the internal accordiates the external.

One is perpetually striving to match the cordiological with the chronological; the processive atemporality of the former ever comes to terms with the successive chronicality of the latter, without ever necessarily getting used to it.

By the colourfulness of the headsky is the outer sky relevated, and made exalted.