/lit/ - Literature

>>21271460

>>20915858
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to"; I (Cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria, but he sticks to his opinion, Greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo. There was something spoiled in the seed. People like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me.

>>20111955
>"The entire Renaissance, including its paintings, I declare to be a period of barbarism, in spite of all the great geniuses who were a part of it and based their art on it. How could this compare with the performance of an Aeschylus tragedy, which was a religious service?"
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to"; I (Cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria, but he sticks to his opinion, Greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo. There was something spoiled in the seed. People like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me.

>>19800008
>"The entire Renaissance, including its paintings, I declare to be a period of barbarism, in spite of all the great geniuses who were a part of it and based their art on it. How could this compare with the performance of an Aeschylus tragedy, which was a religious service?"
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to"; I (Cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria, but he sticks to his opinion, Greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo. There was something spoiled in the seed. People like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me.

>>19798891
>"The entire Renaissance, including its paintings, I declare to be a period of barbarism, in spite of all the great geniuses who were a part of it and based their art on it. How could this compare with the performance of an Aeschylus tragedy, which was a religious service?"
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to"; I (Cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria, but he sticks to his opinion, Greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo. There was something spoiled in the seed. People like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me.

>"The entire Renaissance, including its paintings, I declare to be a period of barbarism, in spite of all the great geniuses who were a part of it and based their art on it. How could this compare with the performance of an Aeschylus tragedy, which was a religious service?"
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to"; I (Cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria, but he sticks to his opinion, Greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo. There was something spoiled in the seed. People like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me.

Was he right?

1st December 1881, the Wagners are staying in Palermo, Sicily. talking about art and architecture...:
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to"; I (Cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria, but he sticks to his opinion, Greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo. There was something spoiled in the seed. People like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me. ("sie sind mir verhaßt")

>>19443799
1st December 1881, the Wagners are staying in Palermo, Sicily. talking about art and architecture...:
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to"; I (Cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria, but he sticks to his opinion, Greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo. There was something spoiled in the seed. People like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me. ("sie sind mir verhaßt")

>>18988502
1st December 1881, the Wagners are staying in Palermo, Sicily. talking about art and architecture...:
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to"; I (Cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria, but he sticks to his opinion, Greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo. There was something spoiled in the seed. People like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me. ("sie sind mir verhaßt")

>>18428740
Yes.

1st December 1881, the Wagners are staying in Palermo, Sicily. talking about art and architecture...:
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to"; I (Cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria, but he sticks to his opinion, Greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo. There was something spoiled in the seed. People like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me. ("sie sind mir verhaßt")

>>18076943
1st December 1881, the Wagners are staying in Palermo, Sicily. talking about art and architecture...:
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to"; I (Cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria, but he sticks to his opinion, Greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo. There was something spoiled in the seed. People like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me. ("sie sind mir verhaßt")

Reposting something an anon posted a while back:

1st december 1881, the Wagners are staying in Palermo, Sicily. talking about art and architecture...
full quote:
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to";
>I (cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria,
>but he sticks to his opinion, greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo.
>there was something spoiled in the seed. people like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me. ("sie sind mir verhaßt" isn't "i hate them")

1st december 1881, the Wagners are staying in Palermo, Sicily. talking about art and architecture...
full quote:
>The "plait"-church Domenico with the pillar of the saint disgusted him, "that's where the renaissance lead to";
>I (cosima) say, that the renaissance is as little to blame for it as Palestrina's music is to blame for the origin of the operatic aria,
>but he sticks to his opinion, greek art had influenced the world long after its fall, but with this eagerness to do it beautifully, to avoid the harsh, one arrived at the rococo.
>there was something spoiled in the seed. people like Nietzsche, through the renaissance-man Burckhardt, even say it openly what they want: Erasmus, Petrarca, they are abhorrent to me. ("sie sind mir verhaßt" isn't "i hate them")

basically op browses (((thenietzschechannel.com))) and reads their mutilated shit uncritically