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>> No.13502431 [View]
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13502431

>>13501551
I'm a big fan of field recording and find it to be a useful practice in a number of different ways - not least to build an awareness of noise pollution levels in one's living space. There's a lot of great writing about it, and it can go in a direction of ecology, ethnography, journalism - whatever. You can get into the subject/object boundary-blurring and the consensuality of receiving sound, modes of triangulating and identifying wildlife through remote sensing, or compose sounds from demonstrations, the city, and interviews into a protest piece. The implications of "listening" are manifold.
some great reading off the top:

>The Soundscape - R. Murray Schafer
>In The Field: The Art of Field Recording - Cathy Lane
great essays, one from Timothy Morton on the "life" of "earworms": basically catchy phrases - https://www.wfae.net/uploads/5/9/8/4/59849633/sscapevol15_v2.pdf
essential one from Hildegard Westerkamp, early follower of the movement, on physical practice - http://www.sfu.ca/~westerka/writings%20page/articles%20pages/soundwalking.html
https://soundcloud.com/liquid_architecture/anja-kanngieser-listening-to-the-anthropocene-sound-and-ecological-crisis
https://soundstudiesblog.com/2015/08/20/unsettling-the-world-soundscape-project-soundscapes-of-canada-and-the-politics-of-self-recognition/
https://grrrr.org/data/edu/20110509-cascone/Cascone-grainField_BETA_GOLDfix.pdf
http://earthear.com/aboutesa.html
http://nula.cc/
http://jonasgru.sk/start
http://www.janawinderen.com/

and one last excellent podcast combining radio history, field recording, postcolonial theory - https://www.fulcrum.org/concern/monographs/rx913r17x?locale=en

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