/lit/ - Literature

>>14684639
Gentlemen, this is Tina.

The guys, wasted, attempt to greet Tina.

TINA
Who's the lucky groom?

The guys point at Fisher, roaring. Tina presses her lips to
Fisher's ear.

TINA
Hi Fisher.

Boyd dims the lights, cranks up the MUSIC as the guys stumble
for position on and around the couch. Tina starts to move,
very sexy.

Michael tokes a joint.

MICHAEL
God, I love women.

TINA'S DANCE MONTAGE

SERIES OF SHOTS:

TINA dances, slowly peeling off her clothes.

The guys are into it. Michael seems especially turned-on.

Tina moves in on Fisher, starts a very nasty lap dance...
somehow incorporating a rubber hose.

The guys hoop and holler...

Michael is mesmerized...

Tina grinds on Fisher's lap, touching her nipples...

Michael's going crazy... He tries to touch her, she slaps
his hand away...

Fisher can't take it anymore...

Tina relents... moves on...

Michael reaches for her leg like a dog in heat.

She passes over him, teasing, tormenting him, and settles
onto Adam's lap.

The guys roar in approval... Michael glowers...

Adam turns bright red as Tina arouses and rides him...

CRY BABY- TRACI LORDS

“I’m just a be-bop baby, and I don’t take nothing from no one! See ya later, daddios…” OK, so she’s not Meryl Streep… but Traci Lords has me laughing my ass off as I look as this clip again after so many years. For you Millennials who never heard of Cry Baby, check it out.

BOOGIE NIGHTS- NINA HARTLEY

Character as device. Nina Hartley’s character has what, three lines in the movie? Because of her poor Little Bill melts down which leads to one of the defining sequences in Boogie Nights. Let’s start with this driveway scene. You can find the full script here. The dialogue in this scene just flows, so natural…