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>> No.21576162 [View]
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21576162

>>21576066
Cope.

>> No.20876691 [View]
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20876691

>In 1871, the German philosopher Friedrich Nietzsche sent a birthday gift to Richard Wagner's wife, Cosima: a composition for piano, four hands. The music quoted the "Siegfried Idyll" and bore the rather Wagnerian title "Echoes of New Year's Eve, With Processional Song, Peasant Dance and the Pealing of Bells." When Cosima played the work with the conductor Hans Richter, Wagner fidgeted through the performance. Before it ended, he left the room. A guest found "the Master" lying on the floor, overcome with laughter.

>> No.20129871 [View]
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20129871

>>20129553
Wagner, whom Joyce regarded as an antecedent to his own artist life, was also a schizo.

>I was prepared to give up Art and everything if I could once more become a child of Nature. But, my good friend, I was obliged to laugh at my own naivete when I found myself almost going mad. None of us will reach the promised land-we shall all die in the wilderness. Intellect is, as someone has said, a sort of disease; it is incurable. In the present conditions of life, Nature only admits of abnormities. At the best we can only hope to be martyrs; to refuse this vocation is to put oneself in opposition to the· possibilities of life. For myself, I can no longer exist except as an artist; since I cannot com• pass love and life, all else repels me or only interests me in so far as it has a bearing on Art. The result is a life of torment, but it is the only possible life. Moreover, some strange experiences have come to me through my works. When I think of the pain and discomfort which are now my chronic condition, I cannot but feel that my nerves are completely shattered: but marvellous to relate, on occasion, and under a happy stimulus, these nerves do wonders for me; a clearness of insight comes to me, and I experience a receptive and creative activity such as I have never known before. After this, can I say that my nerves are shattered? Certainly not. But I must admit that the normal condition of my temperament-as it has been developed through circumstances-is. a state of exaltation, whereas calm and repose is· its abnormal condition. The fact is, it is only when I am "beside myself" that I become my real self, and feel well and happy. If Goethe felt otherwise, I do not envy him on that account; as indeed I would not change places with any one,-not even with Humboldt, whom you look on as a genius, an opinion I cannot share. No doubt you feel just as I do, and are not prepared to change with any one; wherein you do wisely.

>> No.19610198 [View]
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19610198

>>19609924
You take that back!

>> No.19507878 [View]
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19507878

>>19507707
>Wagner, at this time, had moved into a cottage built in the grounds of Wesendonck's villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain. One evening in September of that year, Wagner read the finished poem of "Tristan" to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress (and later wife), Cosima von Bülow.

>> No.19423351 [View]
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19423351

>>19423332
>>19423344
Based.

>> No.19385927 [View]
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19385927

>>19384480
>Wagner, at this time, had moved into a cottage built in the grounds of Wesendonck's villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain. One evening in September of that year, Wagner read the finished poem of "Tristan" to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress (and later wife), Cosima von Bülow.

>> No.18602658 [View]
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[ERROR]

>>18602523
>Wagner, at this time, had moved into a cottage built in the grounds of Wesendonck's villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain. One evening in September of that year, Wagner read the finished poem of "Tristan" to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress (and later wife), Cosima von Bülow.

>> No.18572803 [View]
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18572803

>>18572764

>> No.18014694 [View]
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18014694

>>18013813

>> No.17949548 [View]
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17949548

>>17949508

>> No.17667537 [View]
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17667537

>>17666666
Holy shit fucking digits of truth. Unequivocally, absolutely based. This is the gigachad of /lit/ posting

>> No.17580932 [View]
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17580932

>>17580510
>Wagner, at this time, had moved into a cottage built in the grounds of Wesendonck's villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain. One evening in September of that year, Wagner read the finished poem of "Tristan" to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress (and later wife), Cosima von Bülow.

>> No.17430837 [View]
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17430837

>>17428327
>implying

>> No.17425408 [View]
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17425408

>>17425365
>Wagner, at this time, had moved into a cottage built in the grounds of Wesendonck's villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain. One evening in September of that year, Wagner read the finished poem of "Tristan" to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress (and later wife), Cosima von Bülow.
100%.

>> No.17229665 [View]
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17229665

>>17228928
Absolutely

>> No.17228771 [View]
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17228771

>>17228755
Cope.

>> No.17226088 [View]
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17226088

>Wagner, at this time, had moved into a cottage built in the grounds of Wesendonck's villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain. One evening in September of that year, Wagner read the finished poem of "Tristan" to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress (and later wife), Cosima von Bülow.

>> No.17162556 [View]
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17162556

>>17162533
Wagner certainly did.

>> No.17150590 [View]
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17150590

>>17150576
>Wagner, at this time, had moved into a cottage built in the grounds of Wesendonck's villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain. One evening in September of that year, Wagner read the finished poem of "Tristan" to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress (and later wife), Cosima von Bülow.

>> No.17122835 [View]
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17122835

>>17122821
>>17122827
Odd, try this one.

>> No.16946989 [View]
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16946989

>>16946956
>Wagner, at this time, had moved into a cottage built in the grounds of Wesendonck's villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain. One evening in September of that year, Wagner read the finished poem of "Tristan" to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress (and later wife), Cosima von Bülow.

>> No.16933157 [View]
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16933157

>>16932348
>Wagner, at this time, had moved into a cottage built in the grounds of Wesendonck's villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain. One evening in September of that year, Wagner read the finished poem of "Tristan" to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress (and later wife), Cosima von Bülow.

>> No.16929903 [View]
File: 161 KB, 669x952, young Richard Wagner.jpg [View same] [iqdb] [saucenao] [google]
16929903

>Wagner, at this time, had moved into a cottage built in the grounds of Wesendonck's villa, where, during his work on Tristan und Isolde, he became passionately involved with Mathilde Wesendonck. Whether or not this relationship was platonic remains uncertain. One evening in September of that year, Wagner read the finished poem of "Tristan" to an audience including his wife, Minna, his current muse, Mathilde, and his future mistress (and later wife), Cosima von Bülow.

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