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>> No.18000331 [View]
File: 63 KB, 530x750, Wagner colour drawing.jpg [View same] [iqdb] [saucenao] [google]
18000331

>[R. says,] "Ideas such as Nietzsche's have found their voice in [Jacob] Burckhardt, the Renaissance man: Erasmus, Petrarch, I hate them."

What the FUCK did Wagner mean by this?

>> No.17495999 [View]
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17495999

>>17493396
Nietzsche already got Btfo'ed by another.

>> No.17006097 [View]
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17006097

>>17006025
Where's Wagner or Aeschylus? No love for drama as it is in Shakespeare, but never recognised?

>> No.16669304 [View]
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16669304

>On a typical evening at Tribschen Wagner and his wife ask, when the children are asleep, what book they should read together. Plato? Not yet bound. Schiller? Read him recently. Calderon? Shakespeare? Homer? 'We decide,' Cosima writes, 'on the last.' (I'm pleased at that, for Homer is far and away my favourite reading.) 'Most wonderful impression,' Cosima writes, 'a sublimely intimate evening, indelible images stamped on my mind. Untroubled sleep.'
>In the next day's entry she writes, 'The evening [is] crowned with four cantos from the Odyssey (Calypso, Nausicaa, Leucothea). Only distraction during the reading is watching R[ichard]'s fine, radiant countenance and delighting in the sound of his voice.' And on successive evenings she writes, about subsequent books of the Odyssey, 'Great delight ... The splendid happenings seem like a dream picture to me ... [Richard's] voice and his manner encompass the immortal work like music.
>One day, over lunch, Wagner rates Plato's Symposium above all other literary works: 'In Shakespeare we see Nature as it is, here we have the artistic awareness of the benefactor added; what would the world know about redeeming beauty without Plato?'
>One night they decide that there are seven great books. 'Over supper we discussed our indispensables and classified them thus: Homer, Aeschylus, Sophocles, Plato's Symposium, Cervantes Don Quixote, the whole of Shakespeare, and Goethe's Faust.
>The theatre at Bayreuth is opened, and they move into Wahnfried, the house Wagner designed there for himself. Properly married at last, they now have a library of over two thousand books to choose from for their evening reading. They make their way through several books of Thucydides together. Wagner wants to contrast German politics with those of classical Greece. 'Ah, they were too intelligent, those fellows,' he says of the Athenians. 'They could not last.' One day Cosima finds him reading Sophocles Oedipus and checking the translation against the original Greek. 'It is a torrent of beauty,' he says, 'now vanished forever: we are barbarians.'
>A son is born, and they draw up plans for his future reading. Philosophy: Schopenhauer. Religion: Eckhart, Tauler. Art: R. Wagner. And then, much the same great-books program as before, climaxing in the big three - Homer, Aeschylus, and Sophocles.

CONT

>> No.16669270 [View]
File: 63 KB, 530x750, Wagner colour drawing.jpg [View same] [iqdb] [saucenao] [google]
16669270

>>16668992
>On a typical evening at Tribschen Wagner and his wife ask, when the children are asleep, what book they should read together. Plato? Not yet bound. Schiller? Read him recently. Calderon? Shakespeare? Homer? 'We decide,' Cosima writes, 'on the last.' (I"m pleaed at that, for Homer is far and away my favourite reading.) 'Most wonderful impression,' Cosima writes, 'a sublimely intimate evening, indelible images stamped on my mind. Untroubled sleep.'
>In the next day's entry she writes, 'The evening [is] crowned with four cantos from the Odyssey (Calypso, Nausicaa, Leucothea). Only distraction during the reading is watching R[ichard]'s fine, radiant counternance and delighting in the sound of his voice.' And on successive evenings she writes, about subsequent books of the Odyssey, 'Great delight ... The splendid happenings seem like a dream picture to me ... [Richard's] voice and his manner encompass the immortal work like music.
>One day, over lunch, Wagner rates Plato's Symposium above all other literary works: 'In Shakespeare we see Nature as it is, here we have the artistic awareness of the benefactor added; what would the world know about redeeming beauty without Plato?'
>One night they decide that there are seven great books. 'Over supper we discussed our indispensables and classified them thus: Homer, Aeschylus, Sophocles, Plato's Symposium, Cervantes Don Quixote, the whole of Shakespeare, and Goethe's Faust.
>The theatre at Bayreuth is opened, and they move into Wahnfried, the house Wagner designed there for himself. Properly married at last, they now have a library of over two thousand books to choose from for their evening reading. They make their way through several books of Thucydides together. Wagner wants to contrast German politics with those of classical Greece. 'Ah, they were too intelligent, those fellows,' he says of the Athenians. 'They could not last.' One day Cosima finds him reading Sophocles Oedipus and checking the translation against the original Greek. 'It is a torrent of beauty,' he says, 'now vanished forever: we are barbarians.'
>A son is born, and they draw up plans for his future reading. Philosophy: Schopenhauer. Religion: Eckhart, Tauler. Art: R. Wagner. And then, much the same great-books program as before, climaxing in the big three - Homer, Aeschylus, and Sophocles.

CONT

>> No.16412278 [View]
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16412278

>>16412065
Based Wagner anon:

>If we leave these edicts on one side, as fairly well safeguarded, we come at once to the Christian command— if so we may term it—in the setting-up of the three so-called Theologic Virtues. These are commonly arranged in an order that appears to us not quite the right one for development of the Christian spirit; we should like to see "Faith, Hope, and Charity" transposed into "Love, Faith, and Hope." It may seem a contradiction to uphold this sole redeeming and engladdening trinity as the essence of all virtue, and its exercise as a commandment, seeing that its units, on the other hand, are claimed as grants of Grace. What a merit lies in their attainment, however, we soon shall see if first we weigh the almost exorbitant demand on the natural man conveyed by the injunction of" Love," in its exalted Christian sense. Through what is it, that our whole civilisation is going to ground, if not through lack of Love? The heart of youth, to which the world of nowadays unveils itself with waxing plainness, how can it love this world when it is recommended naught save caution and suspicion in its dealings with it? Surely there can be but one right way of guidance for that heart, the path whereon the world's great lovelessness should be accounted as its suffering: then would the young man s roused compassion incite him to withdraw himself from the causes of that Suffering of the world's, to flee with knowledge from the greed of passions, to lessen and avert the woes of others. But how to wake this needful knowledge in the natural man, since the first and most un-understandable to him is his fellow-man himself? Impossible, that commandments here should bring about a knowledge only to be woken in the natural man by proper guidance to an understanding of the natural descent of all that lives.—The surest, nay, in our opinion almost the only thing to lead to this, would be a wise employment of the Schopenhauerian philosophy, whose outcome, to the shame of every earlier philosophic system, is the recognition of a moral meaning of the world; which crown of all Knowledge might then be practically realised [260] through Schopenhauer's Ethics. Only the love that springs from pity, and carries its compassion to the utmost breaking of self-will, is the redeeming Christian Love, in which Faith and Hope are both included of a—Faith as the unwavering consciousness of that moral meaning of the world, confirmed by the most divine exemplar; Hope as the blessed sense of the impossibility of any cheating of this consciousness.

>> No.15981542 [View]
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15981542

>>15981509
>AFTER recognising the necessity of a regeneration of the human race, if we follow up the possibilities of its ennoblement we light on little else than obstacles.... We cannot withhold our acknowledgment that the human family consists of irremediably disparate races, (3) whereof the noblest well might rule the more ignoble, yet never raise them to their level by commixture, but simply sink [276] to theirs. Indeed this one relation might suffice to explain our fall; even its cheerlessness should not blind us to it: if it is reasonable to assume that the dissolution of our earthly globe is purely a question of time, we probably shall have to accustom ourselves to the idea of the human species dying out. On the other hand there is such a matter as life beyond all time and space, and the question whether the world has a moral meaning we here will try to answer by asking ourselves if we mean to go to ground as beasts or gods.
Yes, as you can see here and by Gobineau's proof of Wagner's African descent, Wagner was an African supremacist.

>> No.15642990 [View]
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15642990

>>15641627
All lies of a pseudointellectual coping Nietzsche incel.

Also Schopenhauer didn't hate Wagner retard, he just wrote down at the end of Die Walkure that it could have been shorter.

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