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>> No.23099323 [View]
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23099323

>>23093904
Empty Space: A Haunting, Kefahuchi Tract #3 - M. John Harrison (2012)

This third book is a sequel to both the first and second books. In the past it's either 2023 or 2024 and it follows the sole viewpoint of Anna, who was in the first book. In the future it's 2452 at the very earliest and follows the perspectives of the crew of the Nova Swing, the unnamed assistant, and a few others. Is there a present? It would seem that all time may be.

The opening screams "you're reading weird fiction!" and continues to do so for the remainder of the book. This is definitely the weirdest of the trilogy and I'd go as far as to say it's gratuitously so. I don't know if it was for the sake of shock value, grossness, perversion, transgression, or whatever else. I assume it was intended to be literary regardless. The question I asked myself the most by far was, "What purpose does its inclusion serve?" I wasn't able to find any answers to that.

The characters continued to be in the same fashion as the previous books and in some ways even more so. Two of the viewpoint characters don't have much of a self. Anna is entirely disordered which makes for similar reading and the unnamed is empty. All the other characters have some level of detachment, though its especially pronounced with the aforementioned. Its so weird that it makes for interesting reading at least.

When it comes to the plot, for Anna it's her daily life, which is peculiar due to her thought processes but otherwise relatively mundane. The unnamed continues to investigate stuff. The crew of the Nova Swing does runs from place to place. The others live their lives as they normally do. That's to say there isn't really a plot all that much. There's a galactic war going on the background, but it's irrelevant except for its metaphorical value. What plot there is revolves around an ancient artifact that may have unknowable motives and unlimited power.

As for the graphic content, there's a lot of sexual activity, effluence, and children. There's so much sex, though most of it is casually mentioned in passing rather than being described in detail. Seemingly almost everything comes back to sex or genitalia. Emesis may the second most common activity, as there's a steady flow of its discussion and occurrence throughout the book. In other words, vomit everywhere. There's also multiple scenes of urination and one of defecation. Children, both male and female, have several sexualized descriptions and engage in sexual activity. Again, it's brief moments not much described. There's no denying they're present though. Was all of this in service of profundity and literary excellence? Based on the reviews I looked through, many seem to think so, but that wasn't how I read it.

I'm very conflicted. It has so many problems but its also so fascinating. Reading it is an entrancing experience in both a pleasing and displeasing way. It's a very elegant sort of decadence. I don't know.

Rating: 3/5

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