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/jp/ - Otaku Culture


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11495168 No.11495168[DELETED]  [Reply] [Original]

i use xtube to get my amature tranny porn
and i've notice the japs love dressing like miku and sucking dick and getting fucked
is this the new thing in japan, becoming the waifu you could never have?

>> No.11495173

no

>> No.11495177

It's not new.

But I want /jp/ to do it.

>> No.11495178

>>11495168
gonna need some examples matey

>> No.11495182

>>11495177
it makes sense
anon A has waifu A
and anon B has waifu B

so anon A dresses like waifu B
and anon B dresses like waifu A

then they snuggle

>> No.11495185

>>11495178
http://www.xtube.com/video_search.php?search=miku

>> No.11495206

>you'll never dress as someone's waifu and receive all his love juice

>> No.11495215
File: 2.92 MB, 211x194, invisible orgasm.gif [View same] [iqdb] [saucenao] [google]
11495215

>>11495206
but.. what if i was their waifu all along?

>> No.11495216

>>11495182
>>11495206
>>11495215
stop this gay /a/ lingo

>> No.11495219

>>11495216
don't be so tsundere you baka

>> No.11495224

>>11495177
/jp/ does do it, we just dress as Saten instead of Miku.

>> No.11495233
File: 239 KB, 480x480, cwfa cockfart.png [View same] [iqdb] [saucenao] [google]
11495233

would you fuck me?
i'd fuck me hard

>> No.11495273

>>11495168
more importantly post the uncropped pic.

>> No.11495318

>>11495233
I love Cwfa Cockfart, I wonder what happened to Chris-chan. I heard he's now a sub-human tranny but he says he just like crossdressing or something.

>> No.11495327

would you ahegao for me /jp/?

>> No.11495357

>>11495327
O-only because you asked...baka!

>> No.11495391
File: 44 KB, 720x554, 1379352681707.jpg [View same] [iqdb] [saucenao] [google]
11495391

Everyone loves that, not just japs.

>> No.11495397

This thread is gay

>> No.11495419

Go back to /v/ OP. I saw you getting this pic from there.

>> No.11495428

>>11495419
this doesn't speak for you

>> No.11495429

The best way to truly be with your waifu, is to become your waifu.

You can be no closer to your waifu than to be her yourself.

>> No.11495436

>>11495185
How about searching cosplay stuff?

http://www.xtube.com/watch.php?v=rpJZN-G880-
http://www.xtube.com/watch.php?v=s4xRI-C375-
http://www.xtube.com/watch.php?v=Z3lAo-J774-

>> No.11495433

>>11495429
epic meme, dude

>> No.11495445
File: 471 KB, 445x700, 1380875677794.png [View same] [iqdb] [saucenao] [google]
11495445

I have an erection

>> No.11495443

>>11495436
gayyyyyyyyyyyyyuu

>> No.11495452

Baron Oranmore and Browne, of Carrabrowne Castle in the County of Galway and of Castle Macgarrett in the County of Mayo, is a title in the Peerage of Ireland. It was created in 1836 for Dominick Browne, who had earlier represented County Mayo in the House of Commons. His son, the second Baron, sat in the House of Lords as an Irish Representative Peer from 1869 to 1900. Lord Oranmore and Browne assumed the surname of Guthrie on his marriage in 1859 to Christina Guthrie. He was succeeded by his son, the third Baron. He was an Irish Representative Peer from 1902 to 1926 and a member of the short-lived Senate of Southern Ireland. In 1926 he was created Baron Mereworth, of Mereworth Castle in the County of Kent, in the Peerage of the United Kingdom. This title gave the barons an automatic seat in the House of Lords until the passing of the House of Lords Act 1999. On his death in 1927 the title passed to his son, the fourth Baron. He married, as his third wife, the actress Sally Gray. Lord Oranmore and Browne died in August 2002, aged 100 years and 291 days. He was thereby the third oldest hereditary peer ever. He was succeeded by his son, Dominick, from his first marriage, the fifth and (As of 2010) present holder of the titles.
In May 2011, Mereworth went to court to attempt to force the House of Lords to issue him a Writ of Summons allowing him to sit and vote in the House by virtue of the Letters Patent issued in the creation of the barony. The case (Baron Mereworth v Ministry of Justice) was dismissed on the grounds that the High Court did not have jurisdiction on how the House of Lords conducted its business. Furthermore, even if the court did have jurisdiction, the House of Lords act of 1999 clearly withdrew the right of holders of Letters Patent to be issued a Writ of Summons purely "by virtue" of those Letters.[1] Mereworth was also ordered to pay £8,800 in costs.

>> No.11495455

Autodefensas Campesinas de Córdoba y Urabá (ACCU), Spanish for Peasant Self-Defense Forces of Córdoba and Urabá, was a paramilitary group formed in northwestern Colombia, operating mainly in the Antioquia Department and Córdoba Department.[citation needed] It was founded by Fidel Castaño, Carlos Castaño and Vicente Castaño to retaliate against the assassination of their father Jesús Castaño by FARC-EP guerrillas. The guerrillas had kidnapped him and asked for ransom, but the father was never released despite their payment.[citation needed]
The Colombian military had been supporting farmers' efforts by training some of them in military doctrine, which also had military veterans or retirees in their lines. The Army was authorized to do this following the Colombian constitutional article that supported civilian arming as self-defense against a threat to their rights, and the Castaño brothers as well as other farmers in the region had armed themselves and hired bodyguards following this principle. The military officially cut its links with these groups after finding out some of its members had ties to drug dealers.
By 1994, several of these farmers had grouped together forming a small army to fight the guerrillas as part of the ACCU, led by Fidel Castaño and still being financed by drug dealers. The ACCU's first intentions were to protect their members' farms from being attacked by guerrillas and to defend those farmers' interests when threatened, including the protection of illegal drug crops and laboratories.[citation needed]

>> No.11495458 [SPOILER] 
File: 388 KB, 851x1070, 1374940657013.jpg [View same] [iqdb] [saucenao] [google]
11495458

>>11495452
>>11495455
hahahahha

>> No.11495459

>>11495445
hot damn

I wouldn't mind sucking that cock even if it gave me love bugs

>> No.11495460

In computer networking, the contention ratio is the ratio of the potential maximum demand to the actual bandwidth. The higher the contention ratio, the greater the number of users that may be trying to use the actual bandwidth at any one time and, therefore, the lower the effective bandwidth offered, especially at peak times.[1]
A contended service is a service which offers (or attempts to offer) the users of the network a minimum statistically guaranteed contention ratio, while typically offering peaks of usage of up to the maximum bandwidth supplied to the user. Contended services are usually much cheaper to provide than uncontended services, although they only reduce the backbone traffic costs for the users, and do not reduce the costs of providing and maintaining equipment for connecting to the network.
The "contention ratio" is the maximum number of other people you will have to share the connection infrastructure with. So a contention ratio of 50:1 would mean that the maximum number of people you could be sharing the connection with at anytime is 49 other people. If all 50 people were downloading at the same time then your download speed could drop hugely, in reality though this doesn't happen and you can enjoy much faster download speeds.[citation needed]

>> No.11495462

One of the issues with a stated contention ratio is that it is not, on its own, adequate for comparing services. There is a huge difference between 1000 users each on a 2Mbit/s service sharing a 40Mbit/s pipe, and 50 users each on a 2Mbit/s service sharing a 2Mbit/s pipe. In the latter case two users trying to download at the same time means each get 50% of the speed. When there are a 1000 users it would take 20 users maxing out their 2Mbit/s link at the same time to show any congestion. However both of these would be quoted as 50:1 contention.
Contention ratios are essentially just planning rules which are used to design a network offering (typically) an Internet service. The perception of the quality of that service will depend on the actual usage of the users of the service. This is partly why rules such as 20:1 for business and 50:1 for residential users came about. The actual usage demands of users have changed over the years and for evening/weekend traffic residential users can be demanding a lot of bandwidth making 50:1 contention ratios inappropriate. Contention ratios also only really make sense if dealing with relatively consistent speeds. The fact a single back-haul in the UK could have users at 500kbit/s and users at 100Mbit/s makes normal contention ratio planning a thing of the past. In practice, a well run network aims to avoid links hitting limits, and upgrades the links when they do - this only works where the pricing model allows extra revenue to pay for the higher usage links and this is hitting some "unlimited use" tariffing models.

>> No.11495465

In the Roman Republic, moneyers were called tresviri aere argento auro flando feriundo, literally "three men for striking (and) casting bronze, silver (and) gold (coins)". This was a board of the college of the vigintisexviri. The title was sometimes abbreviated III. VIR. AAAFF. or even III. VIR. A.P.F. (tresviri ad pecuniam feriundum) on the coinage itself. These men were collectively known as the tresviri monetales or sometimes, less correctly, as the triumviri monetales. The singular is triumvir monetalis.[1] In English, they are also sometimes called mint magistrates.
In the early times of the Republic, there are few records of any officers who were charged with the superintendence of the mint, and there is little respecting the introduction of such officers apart from a very vague statement from Pomponius. (de Orig. Jur. Dig. 1. tit. 2. § 30.) It was thought by Niebuhr (Hist, of Rome, iii. p. 646) that they were introduced at the time when the Romans first began to coin silver, in 269 BC, but modern authors consider this too precise a reading of Pomponius.[2] It is known that a college of three was in existence ca 150 BC.[3] A fourth magistrate was added by Julius Caesar in 44 BC during a time when the mint output was particularly large (in preparation for a war against Parthia).

>> No.11495464

>>11495452
>>11495455
>>11495460
>>11495462
keep it up champ, only five hours of this until it's at the bump limit

>> No.11495466

D. Kim Rossmo is a Canadian criminologist specializing in geographic profiling. He joined the Vancouver Police Department as a civilian employee in 1978 and became a sworn officer in 1980. In 1987 he received a Master's degree in criminology from Simon Fraser University and in 1995 became the first police officer in Canada to obtain a doctorate in criminology.[1] His dissertation research resulted in a new criminal investigative methodology called geographic profiling, based on Rossmo's formula. This technology was integrated into a specialized crime analysis software product called Rigel. The Rigel product is developed by the software company Environmental Criminology Research Inc. (ECRI), which Rossmo co-founded.[2]

In 1995, he was promoted to detective inspector and founded a geographic profiling section within the Vancouver Police Department. In 1998, his analysis of cases of missing sex trade workers determined that a serial killer was at work, a conclusion ultimately vindicated by the arrest and conviction of Robert Pickton in 2002. A retired Vancouver police staff sergeant has claimed that animosity toward Rossmo delayed the arrest of Pickton, leaving him free to carry out additional murders.[3] His analytic results were not accepted at the time and after a falling out with senior members of the department he left in 2001. His unsuccessful lawsuit against the Vancouver Police Board for wrongful dismissal exposed considerable apparent dysfunction within that department.[1]

>> No.11495467

>>11495464
I'm pretty sure it's just some analyblasted girl who can't stant the thought of /jp/ not workshipping her beef curtain pussy.

>> No.11495468

The Tumuk Humak Mountains (Dutch: Toemoek-Hoemakgebergte, Portuguese: Serra do Tumucumaque, French: Monts Tumuc Humac) are a mountain range in South America, stretching about 120 kilometers (75 mi) east-west in the border area between Brazil in the south, Suriname and French Guiana in the north. In the language of the Apalam and Wayana peoples, Tumucumaque means "the mountain rock symbolizing the struggle between the shaman and the spirits".[citation needed] The range is very remote and almost inaccessible.
Both the Maroni and Oyapock rivers originate in the Tumuk Humak Mountains. The Maroni (Dutch: Marowijne) forms the entire (disputed) border between Suriname and French Guiana, and the Oyapock (Portuguese: Oiapoque) most of the border between French Guiana and Brazil.
The Tumuk Humak Mountains are part of the Tumucumaque Uplands of the Guiana Shield. They are geographically important because they form the divide between the biogeographical system of the Amazon Basin and that of the Atlantic coastal area of the Guianas. The Tumuk Humak plateau is covered primarily with lowland and plateau forests.
Brazil's Tumucumaque National Park is named after the Tumuk Humak Mountains and covers that country's section of the mountain range, in the states of Pará and Amapá. It is Brazil's largest national park and the world's largest protected tropical forest. The highest point in the state of Amapá is located there, reaching 701 meters (2,300 ft).[1]
The French film Tumuc Humac (1970), directed by Jean-Marie Périer, was named after the mountain range.

>> No.11495472

In 1972, Ternana finally won Serie B and reached Serie A for their first time, again with Viciani as coach. However the club did not prove to be ready for Serie A, as they were promptly relegated in their debut appearance in the top flight, managing only three wins in 30 matches. In 1974, again in Serie B, Ternana managed to reach one of the three top spots, winning their second promotion to Serie A; this was however followed by yet another sad relegation. In the following years, despite a number of noted head coaches such as Edmondo Fabbri, Cesare Maldini and Renzo Ulivieri, Ternana did not manage to return in the top flight, and instead were relegated to Serie C in 1980, despite a prestigious run in the Coppa Italia 1979-80, where Ternana reached the semi-finals, being then eliminated 3–1 on aggregate by AS Roma.
During the 1980s Ternana played between Serie C1 and Serie C2, before going bankrupt on 12 December 1987.Managed by an official liquidator, Ternana ended the season and escaped relegation. The club, bought in the summer of 1988 by a consortium headed by Gaspare Gambino, won promotion to Serie C in 1988–89 after winning the penalty shootout in a playoff against Chieti. Successively, Ternana won Serie C1 in 1992 and marked their return to Serie B; this was however followed by financial troubles that prevented new signings

>> No.11495479

The first novel related to Banks was published in 1987, and carried the blurb: "After once living in London and working as part of the Metropolitan Police Unsolved Crime Squad, Detective Inspector Alan Banks now lives in the fictional English town of Eastvale which is located in Yorkshire north of Ripon near the A1.[1] He has two children, Tracy and Brian, and a doting wife, Sandra. Since moving to Eastvale, Banks now works as the DCI for Eastvale Police, with his own small office, containing a metal desk and two chairs, with the window looking out onto the town's busy Market Square. Coming from working-class stock, DCI Banks abhors anything to do with money and wealth, a driving force behind his decision to move from London to Eastvale. His big goal was to not get caught up in the materialism of the big city, and by moving away, has managed to raise a respected family in a bucolic setting. DCI Banks also has an unique but good taste in music, and often, his charming demeanor helps him to relate to his suspects, as well as victims of crime. He can come down hard, though, when he needs to get answers quickly. But his main strength - he uses creativity in his interrogations and investigations."

>> No.11495484

The village may have been named after a saint 'Sant Paramanand' who lived on the rock where the village is situated. It is part of Rampur district.
The village comprises three small villages. At one time, these villages flooded so the people moved to the rock where the saint Sri Paramanda helped people and the village was founded.
There are seventeen castes living in Param villages. Param has two temples and one mosque. Hatt is a market near Param Junior High School. The market is open Thursday and Sunday, year round, from 11:30 AM to 6:30 PM. It has organic produce all year round, with as much as possible locally grown. More than 25 vendors, including six farmers, offer organic foods, from fresh greens to root vegetables, apples, citrus fruits, and milk.
The First Regional Rural Bank of India, Prathama Bank, has a branch for village farmers since 1979. There is a Param E-Seva Kendra near the Prathama Bank to fulfill the villager's Information Technological needs.

>> No.11495488
File: 1.00 MB, 720x720, 1373070311952.gif [View same] [iqdb] [saucenao] [google]
11495488

http://www.mediafire.com/?613c9d1y6486cwb

>> No.11495489

The 1970 FIFA World Cup was the ninth FIFA World Cup, the quadrennial international football championship for men's national teams. It took place from 31 May to 21 June 1970 in Mexico, the first World Cup tournament to be staged in North America, and the first held outside Europe and South America. Teams representing 75 nations from all six populated continents entered the competition, with its qualification rounds beginning in May 1968. Fourteen teams qualified from this process to join host nation Mexico and defending champion England in the sixteen-team final tournament.
The tournament was won by Brazil, who claimed their third World Cup title by defeating another two-time former champion, Italy, 4–1 in the final, thereby winning the right to permanently keep the Jules Rimet Trophy. The victorious team led by Carlos Alberto, and featuring players such as Pelé, Gérson, Jairzinho, Rivelino, and Tostão, is often cited as the greatest-ever World Cup team.[1][2][3][4] They achieved a perfect record of wins in all six games in the finals, as well as winning all their qualifying fixtures.[5]
Despite the issues of altitude and high temperature, the finals largely produced attacking football which created an average goals per game record not since bettered by any subsequent World Cup Finals.[6][7][8] With the advancements in satellite communications, the 1970 Finals attracted a new record television audience for the FIFA World Cup as games were broadcast live around the world[9] and, for the first time, in colour.[10][11]

>> No.11495495

He was born in Venice, the natural son of the scholar Lazare de Baïf, who was at that time French ambassador at Venice. Thanks, perhaps, to the surroundings of his childhood, he grew up an enthusiast for the fine arts, and surpassed in zeal all the leaders of the Renaissance in France. His father spared no pains to secure the best possible education for his son. The boy was taught Latin by Charles Estienne, and Greek by Ange Vergèce, the Cretan scholar and calligraphist who designed Greek types for Francis I.
When he was eleven years old he was put under the care of the famous Jean Daurat. Ronsard, who was eight years his senior, now began to share his studies. Claude Binet tells how young Baïf, bred on Latin and Greek, smoothed out the tiresome beginnings of the Greek language for Ronsard, who in return initiated his companion into the mysteries of French versification.
Baïf possessed an extraordinary facility, and the mass of his work has injured his reputation. Besides a number of volumes of short poems of an amorous or congratulatory kind, he translated or paraphrased various pieces from Bion of Smyrna, Moschus, Theocritus, Anacreon, Catullus and Martial. He resided in Paris, and enjoyed the continued favor of the court. In 1570, in conjunction with the composer Joachim Thibault de Courville, with royal blessing and financial backing, he founded the Académie de musique et de poésie, with the idea of establishing a closer union between music and poetry; his house became famous for the concerts which he gave, entertainments which Charles IX and Henry III frequently attended. Composers such as Claude Le Jeune, who was to become the most influential musician in France in the late 16th century, and Jacques Mauduit, who carried the Academie's ideas into the 17th century, soon joined the group, which remained secretive as to its intents and techniques.

>> No.11495498

>>11495458
I love it when the cute trap is just male enough that he isn't a girl with a dick stapled on. That way I can actually imagine him bouncing up and down on my cock, making cute moans and mewls as his body shivers and he shoots a long milky white stream of boymilk on my/his chest.

>> No.11495502

>>11495488
w-what's that?!?

>> No.11495500

Baïf elaborated a system for regulating French versification by quantity, a system which came to be known as vers mesurés, or vers mesurés à l'antique. In the general idea of regulating versification by quantity, he was not a pioneer. Jacques de la Taille had written in 1562 the Maniére de faire des vers en français comme en grec et en Latin (printed 1573), and other poets had made experiments in the same direction; however, in his specific attempt to recapture the ancient Greek and Latin ethical effect of poetry on its hearers, and in applying the metrical innovations to music, he created something entirely new.
Baïf's innovations also included a line of 15 syllables known as the vers Baïfin. He also meditated reforms in French spelling.
His theories are exemplified in Etrenes de poezie Franzoeze an vers mezures (1574). His works were published in 4 volumes, entitled Œuvres en rime (1573), consisting of Amours, Jeux, Passetemps, et Poemes, containing, among much that is now hardly readable, some pieces of infinite grace and delicacy. His sonnet on the Roman de la Rose was said to contain the whole argument of that celebrated work, and Colletet says it was on everybody's lips.
He also wrote a celebrated sonnet in praise of the St. Bartholomew's Day Massacre. Baïf was the author of two comedies, L'Eunuque, 1565 (published 1573), a free translation of Terence's Eunuchus, and Le Brave (1567), an imitation of the Miles Gloriosus, in which the characters of Plautus are turned into Frenchmen, the action taking place at Orléans. Baïf published a collection of Latin verse in 1577, and in 1576 a popular volume of Mimes, enseignemens et proverbes.

>> No.11495505

He was born in Valenciennes, where he probably received his early musical training. Sometime fairly early in life he became a Protestant. The first record of his musical activity is from 1552, when four chansons attributed to him were published at Leuven, in anthologies of works by several composers.[1] In 1564 he moved to Paris, where he became acquainted with the Huguenots.[2] By this time he had already acquired some international fame, as evidenced by the appearance of his name in a list of "contemporary composers of excellence" in a manuscript copy of the Penitential Psalms of Orlande de Lassus, which were probably composed in the 1560s in Munich. Lassus may have met Le Jeune in the mid-1550s during a trip to France; however this has not been definitely established.
In 1570 Le Jeune began his association with the Academie de musique et de poésie, headed by Jean-Antoine de Baïf, an association which was to be decisive both on Le Jeune's music and on the direction taken by the Academie. That Baïf was a Catholic, who even wrote a sonnet extravagantly praising the St. Bartholomew's Day Massacre in 1572 (in which somewhere between 5,000 and 30,000 Protestants were murdered) appears not to have dissuaded Le Jeune from working with him, and Le Jeune continued to set his poetry, and follow the ideals of the Academie, into the 1580s. In 1581, in collaboration with Baïf, d'Aubigné and Ronsard, he wrote incidental music for the wedding of the Duke of Joyeuse and the queen's half-sister, Marie de Lorraine.[3]

>> No.11495512
File: 143 KB, 812x582, Capture.png [View same] [iqdb] [saucenao] [google]
11495512

>>11495460
>>11495462
And this is why comcast is so shitty.
ISPs should only use a shared medium in their customer premises network if it has enough bandwidth.

>> No.11495511

Le Jeune was the most famous composer of secular music in France in the late 16th century, and his preferred form was the chanson. After 1570, most of the chansons he wrote incorporated the ideas of musique mesurée, the musical analogue to the poetic movement known as vers mesurée, in which the music reflected the exact stress accents of the French language. In musique mesurée, stressed versus unstressed syllables in the text would be set in a musical ratio of 2:1, i.e. a stressed syllable could get a quarter note while an unstressed syllable could get an eighth note. Since the meter of the verse was usually flexible, the result was a musical style which is best transcribed without meter, and which sounds to the modern ear to have rapidly changing meters, for example alternating 2/8, 3/8, etc.
In opposition to the chanson style of the Netherlandish composers writing at the same time, Le Jeune's "Parisian" chansons in musique mesurée were usually light and homophonic in texture. They were sung a cappella, and were usually from three to seven voices, though sometimes he wrote for as many as eight. Probably his most famous secular work is his collection of thirty-three airs mesurés and six chansons, all to poems by Baïf, entitled Le printemps. Occasionally he wrote in a contrapuntal idiom reminiscent of the more severe style of his Netherlandish contemporaries, sometimes with a satirical intent; and in addition he sometimes used melodic intervals which were "forbidden" by current rules, such as the expressive diminished fourth; these strictures were codified by contemporary theorists such as Gioseffe Zarlino in Venice, and were well known to Le Jeune.
Le Jeune also was keenly aware of the current humanist research into ancient Greek music theory.

>> No.11495517

Lassus was born in Mons in the County of Hainaut (modern-day Belgium). Information about his early years is scanty, although some uncorroborated stories have survived, the most famous of which is that he was kidnapped three times because of the singular beauty of his singing voice. At the age of twelve, he left the Low Countries with Ferrante Gonzaga and went to Mantua, Sicily, and later Milan (from 1547 to 1549). While in Milan, he made the acquaintance of the madrigalist Spirito l'Hoste da Reggio, a formative influence on his early musical style.
He then worked as a singer and a composer for Costantino Castrioto in Naples in the early 1550s, and his first works are presumed to date from this time. Next he moved to Rome, where he worked for Cosimo I de' Medici, Grand Duke of Tuscany, who maintained a household there; and in 1553, he became maestro di cappella of the Basilica di San Giovanni in Laterano, the ecumenical mother church of Rome and a spectacularly prestigious post indeed for a man only twenty-one years old. However, he stayed there for only a year. (Palestrina would assume this post a year later, in 1555.)

>> No.11495520

No solid evidence survives for his whereabouts in 1554, but there are contemporary claims that he traveled in France and England. In 1555 he returned to the Low Countries and had his early works published in Antwerp (1555–1556). In 1556 he joined the court of Albrecht V, Duke of Bavaria, who was consciously attempting to create a musical establishment on a par with the major courts in Italy. Lassus was one of several Netherlanders to work there, and by far the most famous. He evidently was happy in Munich and decided to settle there. In 1558 he married Regina Wäckinger, the daughter of a maid of honor of the Duchess; they had two sons, both of whom became composers. By 1563 Lassus had been appointed maestro di cappella, succeeding Ludwig Daser in the post. Lassus remained in the service of Albrecht V and his heir, Wilhelm V, for the rest of his life.
By the 1560s Lassus had become quite famous, and composers began to go to Munich to study with him. Andrea Gabrieli went there in 1562, and possibly remained in the chapel for a year; Giovanni Gabrieli also possibly studied with him in the 1570s. His renown had spread outside of strictly musical circles, for in 1570 Emperor Maximilian II conferred nobility upon him, a rare circumstance for a composer; Pope Gregory XIII knighted him; and in 1571, and again in 1573, the king of France, Charles IX, invited him to visit. Some of these kings and aristocrats attempted to woo him away from Munich with more attractive offers, but Lassus was evidently more interested in the stability of his position, and the splendid performance opportunities of Albrecht's court, than in financial gain. "I do not want to leave my house, my garden, and the other good things in Munich," he wrote to the Duke of Electorate of Saxony in 1580, upon receiving an offer for a position in Dresden.

>> No.11495524

>>11495502
a python script that turns you into a girl if you run it

don't download !!!!!

>> No.11495524,1 [INTERNAL] 

I remember this thread
those were the days

>> No.11495524,2 [INTERNAL] 

Does anyone else wanna fart right in that anime girl's mouth?

>> No.11495524,3 [INTERNAL] 

wwtd

>> No.11495524,4 [INTERNAL] 

>>11495524,2
i want to slide my penis into her mouth

>> No.11495524,5 [INTERNAL] 

Just had a good edging session and now I'm finding cum everywhere. It was like a volcano.

>> No.11495524,6 [INTERNAL] 

Why is this image so damn lewd?

>> No.11495524,7 [INTERNAL] 

I have never had a thing for oral sex but after seeing the OP I kind of want to cum down a cute girl's throat and have her lick my penis.

>> No.11495524,8 [INTERNAL] 

gays = subhuman

>> No.11495524,9 [INTERNAL] 

>>11495524,5
how long did u edge bro

>> No.11495524,10 [INTERNAL] 

>>11495524,6
I don't know, but I'm disappointed it's not cropped from something.

>> No.11495524,11 [INTERNAL] 

http://say-move.org/a/comeplay.php?comeid=1232745

.. who.. ?

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