/jp/ - Otaku Culture

It becomes apparent then how the second day operates, and Beatrice's own active interference with the events. As the murders, along with an dynamic example of the human condition, inevitably unfold, Beatrice uses herself to keep the intended atmosphere, presentation and most importantly, love, intact for the tale. Many last moments are respectfully given their time to unfold. We see sides of Jessica, George, Shannon, Kanon, Eva, Rudolf, Kyrie, Genji, Krauss, Rosa, and possibly even Kumasawa that we never would have been able to bear witness too without Beatrice's love hardened reality. We get to realize their deep and real feelings about themselves, their family, friends and loved ones. The second day is always kept hazy and clouded, either implicitly or explictly, as shown by Episode 1 versus 2, 3 and 4 respectively. In the most basic sense, Beatrice at the very least, 'exists' in this feeling of haziness in our understanding of the events that happen over those repeating 2 days. This is a fact. There are many different directions one can extend the reality of the being known as Beatrice, but it is atleast true that she is what gives the tales an ordered and consistent persective into Rokkenjima and the Ushiromiya family. She scapegoats as the killer and culprit and gives eveyone an honest, genuine and compassionate memory, by clouding the truth with fantasy and magic. It is substantial to say that these realities could not have been created without Beatrice's existence. It is in this way that Beatrice creates the endless, while herself being trapped in a dead-end, being endowed with only 2 days to make these important episodes. They are the only thing left in existence of most of the Ushiromiya family, for both us and the minds of 1998.

>>6761844
You sure that's not Shannon?

>>5932033
ALWAYS BET ON DUKE

Umineko theory thread!

Post your hate here.

>>2718703

Umineko speculation thread.

1.) Does the incident where Shannon broke the mirror in the Shinto shrine have anything to do with the rest of the anti-fantasy side of the story?

2.) How did the red-eyed Kanon attack Gohda and the servants in the kitchen in episode two if he was long dead? I'd first thought someone had skinned him and worn the flesh, but even that's a bit extreme.

3.) OP is a faggot.