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>> No.33932339 [View]
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33932339

>>33932309
Reasonable question, I personally have never understood Russophobia.

>> No.33879002 [View]
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33879002

>>33878966
I've already checked, brute.

>> No.33776158 [View]
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33776158

All Rosafags are the true quintessential embodiment of cringe

>> No.33696945 [View]
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33696945

>>33696857
I think all the endings are perfect for a work like Umineko, no one could have come up with a better one than what we have, the magical ending of course is sugary-sweet as in some fairy tale, but in fact everyone understands that it's just imagination. EP7 seemed better to me in some aspects, such as the revelation of Kinzo's past, a very competent person in the form of Willard, also showed Yasu in a happy development, or the scenes with Kyrie and Rudolf's performance, which make the blood run cold in the veins.

>> No.33553414 [View]
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33553414

Hello guys
Explain the trick with the six locked rooms in episode 3, how did Sayo create the sixth locked room if the chapel key was found in the boiler room before everyone even went to the chapel? So it necessarily had to be locked by someone outside, but that someone also had to have the master key with them to lock the boiler room as well. How did she do that without an accomplice? Does the chapel have some autolock system that'd allow her to close it from the inside once she arrives there at Kanon's clothings, so that a key wouldn't be needed? If not, how did she lock the chapel?

>> No.33525480 [View]
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33525480

>>33525425
You're too evil... and there is no love in you.

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