/jp/ - Otaku Culture

Conversely, Kotonoha, Sekai and the other girls are demure to the point of what looks to any discerning Western feminist eye as rape. The short skirts and large breasts serve to contribute to male sexuality, not to strengthen the feminine, and Makoto's "come on, baby, you know I love you" never fails. Kotonoha manages invariably to blush and gasp when in contact with Makoto's roving hands, but since it is not for Japanese women to say no, she never does. Sekai similarly allows Makoto to take advantage of her because she is incapable of refusing the guy who is both her friend and her romantic interest.
The supporting female characters flock to Makoto in the peak of his promiscuity, both out of a social obligation to satisfy male sexuality, and in an attempt to express themselves the only way they can think of.Finally, the end serves to remind us of what happens to those who do not conform to social norms.