/ic/ - Artwork/Critique

>>1674974
This is interesting and helps me out a lot. I like what you did with it changing the composition around it really adds more depth. The figures would need a little reworking should I take this rout.
Thanks Anon this is definitely going to help me with lighting ( it really brings to light a lot of questions I had about light logic. ) I was having trouble with the flooring color and count decide what color to make it and this really helps with harmonizing of colors. The size changes really helps emphasize the depth. Thanks again anon this is much appreciated this really dose show / explain so much

op here- had I added the cast shadows there would have been 74,358 different balls- that's a lot to take in. That is if you did the two analogous colors the compliments and the pure hues in the cast shadows and then doing the 'normals' 'tints' and 'shades' for each of those- each could have a different effect.

>>1674213
>>1674186
>>1674126
>>1674089
>>1674073
>>1673937
>>1672550
>>1672519
>>1672508
>>1671439
>>1671443
The composition is fine. Everything seems to be in perspective. If anything is mildly off it helps improve the Gestalt. This is not an architectural rendering.
I’ve kept with the golden rule of three thirds for my composition. I created multiple areas of interest throughout the piece and I have a good mixture of harmonic and complimentary hues throughout. This composition has a heavy pull to the right and it’s weighted nicely on the left. The image has several implied rhythms as well. A few areas of emphasis have been toyed with to help engage the viewer- such as the largest sun s placed behind the pillars. Yes I realize the image so far had generic layouts of the shadow place meant- I am building this up slowly. I plan on adding more high contrast to the lighting in the future to help push the lighting effects and make it more dramatic and really tie the piece together. Once this work is finished it won’t have any lines. I’ve help identify the vanishing points on the horizon line. I would currently like suggestions / help for shadow placement and intensity. Also; The two point linear perspective of the table used to line up with the one point I moved it and it is still in perspective. The objective of this assignment is to create One point linear, two point linear and Atmospheric perspectives in one composition. The small desk and the light saber are two point- The hall way floor, pillars etc are One point .The background pushes atmospheric with the fading of mountains in the distance. The tree helps with the diminishment of clarity before the backgrounds. Adding halation to the pillars once the lines are gone to help add to the sense of light logic and that atmospheric perspective. The verity of clothing, the background,characters, and objects helps add a sense of mystery to the story this piece is conveying- There is a clear story here.

>>1674126
oh yeah I did move the desk from it's original placement it just felt unsettling before where it was- So it's perspective IS off- I did that when the image was still in it's sketching phase with a fellow class mate giving me insight on why it looks so unsettling. I wasn't sure how to do the saber and put that in perspective That cubit thing on the desk will have rounded off edges and such before it's finished .

>>1670766

that's the previous thread I lost before ( Finally found it )

here are the perspective lines

>>1673937
Ive been told my word is a bit stiff and I'm not sure I understand /how/ to make things more fluent or feel more flowy. Any explination on how would be appreciated.

I'm having trouble making my last figure fit n t the picture plane-

>>1673783
I took this advice for my own image and expanded on the sky a it more. I've gone a head and add in some more clouds and some light streams.

I'm not sure how to make Tempo's face I want it to be illuminated by a blue screen- any suggestions that could help with this?

>>1671512
I stopped positing in the draw thread- I had a progression thread but I lost it. This thread popped up when I was trying to reply to the progression thread- I created this one on accident. I am no longer in the draw thread.

Solid Snake as Jedi =U What have I done? I actually did that one by accident. This piece is coupled with the one I am currently working on- Hopefully these perspectives look okay

>>1671309
He's not an elf. Sorry m8.

The sphere is for color theory help?
Some one told me my colors didn't have harmony so I read a little about color theory but my mind if full of fuck I tried out Complimentary colors on the cloak

>>1671357
>>1671348
>>1671257
WTF is Color theory? I font think I get this concept very well - I can make spheres but In not so sure I'm good at applying this technique to other objects

Updates

>>1671357
are those brushes and textures ? I think the particle effects looks nice

>>1671359
Thanks! I'll try working on that then you make a good point.
>>1671350
>>1671357
>>1671371
I got rid of the lens flair D; No need to fight ; 3;
I'm not sure what sort of materials I want the walls and floors to be made out of- I think the desks would be Plasteel. would it be weird if I made the walls a marble like finish like the columns? Perhaps make the floor look like industrial metal slabs? Or would that clash too much?

>>1671269
>>1671270
>>1671257
There are supposed to be two suns I'm not sure if the lens flair looks okay or not. Also dose the map out of lighting on the columns? look right?

Here it is with out the suns http://sta.sh/0s5e2buph82

lens flare too bright?

update

>>1670907
He is seated- he is moving so he's pressed against one of the walls either getting to his feet or sitting down. The redhead standing and the dark haired up in the front left are females- the rest are males.

update

https://join.me/988-970-855
if you'd like to watch

So I'm working on this for a figure drawing class- I need to represent Multipoint perspective, single point perspective and Atmospheric perspective. I plan on also using this work as a light logic study. Is there anything I could do to help improve the composition? I am hoping to really push this composition. Any other critiques and comments are welcomed- I will be positing updates.

current work

>>1670536
At first I thought it was an streamer close up of an unfinished Twilight Sparkle horn. I suggest try thinking about what you would like to convey to the viewer a little more if your piece is supposed to be non objective try and pin down what shapes and or colors even marks might help relay that information. Circles and triangles are very emphatic in composition and it seems you have both going on. I think perhaps a swirl or vortex might make things interesting and add a little more depth.

>>1670118
>>1670145
progress

>>1670531
I'd like to help but is there a narrative?