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/ic/ - Artwork/Critique

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5137020 No.5137020 [Reply] [Original]

Anybody got a collection of hq pictures of classical paintings/sculptures?

>> No.5137026

>>5137020
yes but I won't share them here 'cause this place is shit

>> No.5137029
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>>5137026
ok, anon

>> No.5137096

Bump

>> No.5137126

>>5137026
understandable, have a nice day

>> No.5137844
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>> No.5137851
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>> No.5137855
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>> No.5137873
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>> No.5137878
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>> No.5137879

>>5137878
that fucking lighting

>> No.5137881
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>> No.5137887
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>> No.5137901
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>> No.5137904
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>> No.5137910
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>>5137026
>restricting the sharing of culture, history and art, that doesn't belong to you, because your feelings are hurt

>> No.5137914
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>> No.5137916
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>> No.5137955
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>> No.5137961
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>> No.5137964
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5137964

This bastard gave me nightmares as a child.

>> No.5137965
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>> No.5137967
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>> No.5137977
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>> No.5137978
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>> No.5137982
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>> No.5137983
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>>5137916
A higher res version with more subdued colors.

>> No.5137984
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>> No.5137996
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>> No.5137997

>>5137964
Proko

>> No.5138009
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>> No.5138013
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>> No.5138029
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>> No.5138034
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>> No.5138040
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>> No.5138488

>>5137879
I was looking around for a minute like what lightning?

>> No.5138503
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>> No.5139038

Thanks, anons

>> No.5139428

>classical art thread
>19th century stuff
>russian school
>that one repin painting
always

where does ic even get recommended this stuff from? some youtube teacher? this cannot be a coincidence.

>> No.5139434 [DELETED] 

>>7691370

try this thread over on /wg/ they always have good stuff

>> No.5139595
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>> No.5139599
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>> No.5139604
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>> No.5139613

>>5137910
Have you heard the idiom "do not cast your pearls before swine"?

>> No.5139621

>>5139428
By not being underage

>> No.5139644
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>> No.5139881
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>> No.5140265
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>> No.5140267
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>> No.5140269
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>> No.5140280
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>> No.5140286
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>> No.5140588
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>> No.5140591
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>> No.5140593
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>> No.5140596
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>> No.5140597
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>> No.5140656
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>> No.5140664
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>> No.5140666
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>> No.5140668
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>> No.5140671
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>> No.5140960

>>5137026
Are you me?

>> No.5141112

>>5139621
you missed the point. i know who these are. they are actually the most entry level pseudo classical artists that ic seem to think of most frequently to represent classical art, and it hasnt changed for years.

>> No.5141136

https://www.wga.hu/ is your friend!

>> No.5141138

pretty sure anon posted a mega on exactly this a week or so ago

>> No.5141139

>>5141136

This has pretty much every catalogued open source image from the Renaissance and Baroque/Mannerist/Romance periods. Lot's of collections, not just paintings and objects

>> No.5141157

>>5137903
sauce? An even high resolution available out there? Looks like a dope ass Magic card

>> No.5141171

>>5141112

Not him, but "classical" is actually an extremely nebulous terminology to use. It could be referring to anything derivative of the Early to Late Renaissance and all the works that came after it. What specific vein of "classicism" are you looking for?
It would help to be more specific.
People post the 19th century artists and the Baroque artists so much because thats pretty much when the modern "Classical" style got locked-in for the Western cannon and because its fairly easy to see deviations from that school of thought afterward. It also helps that most of those artists are really fucking good.

>> No.5141304

>>5137026
4chan comments are a reflection of who we are

>> No.5141310

>>5139595
that's a dildo

>> No.5141773

>>5137903
Unmistakable.

>>5141157
That's from my home planet.

>> No.5141825

>>5140267
Isn’t it a mischief of history that, after thousands of years, painting accomplished peak realism right before the invention of colour photography?

>> No.5142070
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>>5141825
I have often wondered about the truth of this hypothesis and have sought the help of art historians to come to a conclusion. It seems like no big deal at first glance, but the fact is that all of our art of the twentieth century is deeply rooted in a set of assumptions about the nature of objects. We have made art in the image of objects which have lost the qualities they had in reality. One of the most obvious examples of this was the work of Marcel Duchamp. I suppose we should not be surprised to hear him saying that painting, like mathematics, is about mathematics. I wish we could say that Duchamp meant for this statement to be taken literally. I have found his statement to be somewhat more metaphorical. Indeed, his whole practice, from the very beginning, has been to make work which is about objects which have been reduced to symbols, whose only function in reality has been to represent objects. We know now that Duchamp was a great artist in that sense, but the truth is that this work is deeply embedded in his own ideas about art. This in turn is deeply embedded in the conceptualism he brought with him to Paris in 1894. His concept of painting is in fact deeply embedded in this very conceptualism, a concept which is a consequence of the idea of representing. It is a consequence of a set of ideas which led him to look for 'object' in a way which would ensure that painting could represent objects. This is what leads us to see him as a very powerful painter. I say 'paintings' not in the least in the sense of what we generally consider artistic works. Rather, I am talking about what we often think of as works of art. I consider this distinction important in its own right. We think of Picasso's The Thinker as a painting, as a great artistic achievement, and we find it the subject of a very important essay in a very important journal, but we do not see the painting as a representation of an object or an object as represented.

>> No.5142072
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>>5142070
So, in that sense, I look at this work as a great historical masterpiece but I look at it as a great work of art because it is a conceptual work which has been carried out with great philosophical commitment.

>> No.5142093

>>5142070
>objects which have been reduced to symbols, whose only function in reality has been to represent objects.
what does a toilet and a bicycle wheel represent as symbols? how have these tools been reduced to just symbols considering they both serve an actual function everyday beyond just recognition?

>> No.5142170

>>5142093
Whether or not you accept the explanation doesn’t matter. If somethings been reasoned to you then you either get it or you don’t. No one cares that you don’t understand it because clearly other people do. Your lack of understanding doesn’t equate to a lack of meaning

>> No.5142193

>>5137873
>>5137881
>>5137901
>>5137904
>>5137914
>>5137952
>>5137969
>>5137983
These are incredible.
Traditional truly is the Patrician's path.

>> No.5142224

>>5142170
i figured if you're willing enough to make such a massive post about this subject you'd also be willing to actually explain it. otherwise, why make the post at all if you dont care for anyone to understand it? besides, i was only asking a basic question. you're getting way too defensive

>> No.5143307

>>5141825
>compares photography to painting

You don't understand shit about painting, gtfo my /ic

>> No.5143338
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>>5141310
actually is a Strigil

>> No.5143349
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>> No.5143352
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>> No.5143356
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>> No.5143360
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>> No.5143788

>>5141171
from the revival of the classics in the renaissance it has always been something apart from simply drawing from life or the various regional styles of particularly those of the northern renaissance. something is classical when it consciously and sincerely takes inspiration from the classics especially when not only from statuary and the decorative arts but also from literature and the general spirit. it always had a tendency towards idealism and this was seen as something contrary to many styles throughout history, the most consistent being common realism or naturalism. a still life painting is not classical, but there are others.

up until the 19th century the model of classicism in painting was raphael. the spirit of classicism was written about by alberti, vasari, bellori, and winkelmann. there are some disagreements like vasari might include some artists as essentially classical while bellori does not. someone can be an old master and not classical in the theoretical sense such as caravaggio or rembrandt. i can understand why they might sometimes be shared in classical art threads, but it seems to me that with few exceptions the more actually classical a pre-modernist artist is the less they are thought of among many artists when thinking of classical art.

>> No.5144942

>>5137026
absolutely

>> No.5145023

>>5137955
Is this Bekinski? looks rad

>> No.5146166

>>5143307
>realism isn't real
Get in touch
with reality.
Mate.

>> No.5146264

>>5142070
>>5142072
go fuck yourself

>> No.5146271
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>> No.5146580

>>5137026
Yet you decide to share your time and hate with us.

>> No.5147158
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>>5146580
>"if you don't have what you like you must like what you have"
>muh sour grapes fallacy
>t. glowie
Just because the Military-Digital Complex has destroyed all venues of free speech it couldn't control, doesn't mean we should approve of it. Keep glowing.

>b…but we are free-speech alternative to Facebook and Twitter!
There's no such a thing as "free speech" with something like >>>/global/rules/8 in place.

>b…but this is where we can be anonymous!
With country flags and ids on /pol/? With >>>/global/rules/14 ?
Even Facebook is more anonymous. It's literally got its own Tor server.

References
[1] https://en.wikipedia.org/wiki/The_Fox_and_the_Grapes
[2] https://en.wikipedia.org/wiki/Military-digital_complex
[3] >>>/global/rules/8
[4] >>>/global/rules/14
[5] https://en.wikipedia.org/wiki/Facebookcorewwwi.onion