/ic/ - Artwork/Critique

>>4494476
How about you study from life?

>>4494481
I want to get into creative drawing. Don't want to be a portrait illustrator or anything alike.

>>4494486
Most creative people use life as a starting point to then apply it to their creation. Ehem, picasso?

>>4494481
That is terrible advice for an absolute beginner and just amounts to
>lol git gud

>>4494493
I meant creative in the sense of being able to draw characters moving in space from imagination, not creating abstract or hipstery abominations

>>4494495
At least I know now that OP is a literal smoothbrain baiter retard. THREAD HIDDEN.

>>4494503
Ok crab

>>4494476
what are your goals
>draw from imagination
be more specific
all of these people will train you in individual things but not so much in others

>>4494502
I think you should still study from life. You won't learn from any of them if you don't supplement them with your own life studies. That being said, "who you should study first" is a valid question -- assuming that you have learned how to draw from observation.

>>4494579
>all of these people will train you in individual things but not so much in others
I think it would be better to explain what these "individual things" are and let him choose, no?

>>4494579
I want to draw original characters and give them movement, like, drawing them in comics and not just have them be stiff poses traced from photos
>>4494610
Alright I'll study from life

>>4494476
I recommend getting good at perspective first before going to other stuff it would make things alot easier and faster to understand. Drawabox is a good start. There are also books like how to draw and framed perspective. Prepared ur mind to get fucked as this is boring asf

>>4494610
that'd be a waste of time if OP didn't know what he wanted
>>4494617
drawabox will teach you basic 3D forms and construction but imo he's just discount Peter Han, so find his shit in the video threads instead. you'll use their method to learn to place objects in space and build off of them toward a complete drawing. a strong intuitive understanding of form and perspective is a prerequisite for accurate figure drawing
loomis, hogarth, and vilppu are all figure artists. only the former two have a background in comics/cartoons as far as i know but you may as well dip into all three and figure out whose teaching methods/processes you prefer. you can also look into steve huston and scott eaton, or as an added bonus michael hampton and rey bustos for anatomy. all of these people with the exception of bustos will teach gesture, which is what you're after when you say you want to draw figures with movement
this shit is fucking hard and time-consuming to learn so be ready to do work

>>4494681
oh, karl gnass is also good stuff for figure drawing. forgot him

>>4494476
Is this a cat's bum?

>>4494755
Thank you for projecting your sexual fantasies, fucking piece of shit

>>4494476
Proko.

>>4494955
Proko the jew? I ain't got that many shekels mate

>>4494928
>Thank you for projecting your sexual fantasies, fucking piece of shit
I think you might be on the wrong website if that bothers you.

>>4495041
He's a great teacher, but just listen to him, don't pay attention to Marshall, he's just a talentless fag.

>>4495089
What I meant is that most of his shit is premium

nice buttholes

>>4494486
Creative drawing? That's pretty broad. Are you going to be an astronaut too?

>>4495123
No I just want my characters to look like they're moving and shit so I can make a comic

>>4494476
Is that goatse?

>>4494476