/ic/ - Artwork/Critique

>>2426153
Two different people here bro. I'm the Vort dink. First response in two days, been working on breaking cubism away from discrete views by adding motion, attempting to retain some semblance of form. It's slow going, but we're getting there.

>This notion of getting rid of the old in favour of the new is such a adolescent concept
Yet there is always a drive to remove what is and replace it. the problem I see with tearing down history is then we just go re-walk down paths we've already run down believing they're new. Look at Trump in the states, there are tons of connections to how he holds himself and his arguments that lead to Hitler coming into power. Not many see it but here we are, I'm honestly looking forward to a fascist USA, going to make for a nice big war.

>My entire studio is one great trash bin
A bin that you've slowly curated with action. I'm going to be piecing together some collages later built to map an area using random chance. I built a paper fortune teller from a map of Paris, to use it I look at the leaves and pick the first word that comes to mind from it (say ferèze > Hack) and flip it that many times, I repeat this on the inner map and pick a the first pocket with something to stand out. Under the leaves are various colours. I'm going to use this tool to select collage elements of colour from a delineated area (say downtown, or Riversdale) and set them out and cut out 1x1in squares using a form (while blindfolded). Composition I will leave to myself however and the final piece will have some visual coherency. But I'm trying to pull my conscious thoughts and directions out of this work (which still shows through in a reduced capacity, the areas chosen, the compositions and rotations). I want to let the piece speak for itself, but my hand is still to be in there. Not just as Artist as Instruction-executor.

>critics' reviews in newspapers
This is a great one. One benefit of my town is that I'm involved with various gallery runne