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/ic/ - Artwork/Critique

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>> No.4346715 [View]
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4346715

i keep trying to refresh DAD out of habit

>> No.4101275 [View]
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4101275

>>4100580
DELET

>> No.4000204 [View]
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4000204

>>3990517
I got to /ic/ (art and CRITIQUE board) for CRITIQUES on my ART and each and every fucking time (about twice a month) I come here to post my ART I GET FUCKING IGNORED even when I BEG FOR CRITIQUES
NOTHING
NO RESPONSES
NILCH

you know what I got after posting my art along with "please give me a critique, any critique, please"?
A FUCKING QUESTION
NOT A CRITIQUE
A QUESTION
I FUCKING HATE THIS PLACE AND I DON"T KNOW WHERE TO GO FOR CRITIQUES ANYMORE REEEEEEEE

>> No.3871712 [View]
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3871712

>someone tries to tell me my art is nice when i am my own worst critic

>> No.3417901 [View]
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3417901

>>3417864
> Here's your fucking art history: big tiddy girls with fat asses
Congratulations, you just summarized the past two centuries of developments in western art

Van Gogh tried starting a commune in southern france because he thought the weather there was similar to Japan's, reasoning that somehow affected how they rendered figures so flatly

Paul Gauguin spent a couple years up in Brittany because >rural life n shiet, then in Micronesia ogling over prepubescent indigenous women whilst complaining about their lack of "modern" amenities

Pablo Picasso made a career out of selling replications of stolen objects that were brought back from Africa, as a way of returning the arts to a more natural form of beauty

Breaking the chains of western art historical narratives was the whole fucking point of the modernist transition; blurring the line(s) between artistic expression and common utility once again, as a way of exiting the hellish nightmare that is modern society

>> No.2633048 [View]
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2633048

I dropped out of artschool after 2,5 years.
Only after that did i started to develop my own ideas so maybe i should have stayed longer.

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