/ic/ - Artwork/Critique

Hey frens. Been a while. finished filling this page up though! I’ve been super busy rebuilding an engine every waking moment of the day for about a month, so I was wiped out and had no time for drawing.
And then went on a trip for a few weeks, but I was able to do a little studying. A little Morpho simple forms, some gesture/figure stuff, and working through Hampton’s figure course to then re-tackle Bridgman like that one anon with the absolutely bonkers before/after Bridgman progress pic.
>>6894796
Coom isn’t the only thing that gets me to draw, but… I understand.
>>6894808
Say sike right now
>>6894835
Cute
>>6894931
Hm. You might try using two straights to approximate the curve.
>>6894943
What did you personally dislike about the Karen’s course? I don’t have any personal experience with Krenz’s stuff, but did DAB to lesson 4 and found it useful overall.
>>6894946
The hand’s a little too big, but it’s pretty well drawn. You did a good job of depicting volume in such a simple drawing. Great use of overlaps and wrapping lines anon. GMI
>>6894951
Based and GMI. Keep going! And especially keep it up with the doodles from imagination. That’s something most of us don’t do enough of.
>>6894956
Yeah. He’s probably got lots of casual mileage, or he’s just got a natural affinity. No use being jelly. Guess we better get drawing :)
>>6894987
Do both. Use the imagination drawings to find weaknesses, then use study to remove them.
>>6894996
>skinny legs
If you mean slim and toned but still shapely, then fine. But skinny? That would take much skill to make appealing. You’d have to have them still well-shaped, but really gestural and with pleasing rhythms to look good. Tableguy does slender legs well imo.