/ic/ - Artwork/Critique

>>2792505
I know the classics are there for a reason. I've done a few pose studies off from them, as well as just trying to figure out the strokes, flow, etc. I tend to go to them more when I hit a wall. My biggest wall I feel right now is getting accoustumed to digital. I use light contour lines usually before adding any sort of shading. I know that practicing just getting the shapes, and the shadows with charcoal would be good for me, I just feel like it's not my biggest hurdle at the moment. Might be wrong.

I struggle with models with any mass to them. I've drawn mostly off myself and ex's and none of us have had much mass. I've been focusing on trying out different body styles with my pose study practices. It's not so much them interacting with objects but with props or objects or simple things that give more foreshortening and sense to the general placement of them over just their shape.

What I was planning on doing was once I got the hang of my tablet drawing a friend in various positions using my house and furniture to get more dramatic angles. I'm kinda stubborn and determined to atleast be able to draw fine details digitally like I do traditionally before I move on to something else.

Here are some doodles from watching Tarzan and the jungle book with some kids on Christmas. I do do a lot of study on western animation. I guess I'm just biased and not that fond of anime. I know that Studio Ghibli Probably does some groundbreaking things like some studios here have, but I didn't grow up on those. I also came across a bunch of old animation cells as a kid and have fallen in love with the progression from them.