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>> No.3894772 [View]
File: 550 KB, 1735x2472, 010.jpg [View same] [iqdb] [saucenao] [google]
3894772

>>3893804
looks good but for two of them, bottom left and bottom middle, you have parallel lines for the pelvis and torso. we have https://en.wikipedia.org/wiki/Contrapposto where we typically make the lines of shoulders and waist intersect. this allows us to shift the weight of our body and make for more interesting poses along illusion of depth/3d. i don't have a resource like a video or book to point you to off the top of my head but figure books should cover it.

actually there's a japanese book i remembered: (Tatsuya Ihara) Revolutioary Pose and Application of Contraposto Poses

>> No.3647814 [View]
File: 550 KB, 1735x2472, 010.jpg [View same] [iqdb] [saucenao] [google]
3647814

>>3647804
good work on both of these. for the first, nice construction. but try drawing the ribbons as dynamically as you draw hair.

drapery is better in the second. biggest thing i'd mention is drawing a line from her center of gravity (roughly the center of the pelvis or belly button on a female, sternum for a male) straight to the ground. if we did that in your image, she'd be standing like she's drunk about to fall over. compare it to the studied image.

source is from Tatsuya Ihara - Revolutioary Pose and Application of Contraposto Poses. there's a chinese version floating around too but the japanese one is in the jp specific artbook thread mega. it's been really helpful for me lately going through poses.

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