/ic/ - Artwork/Critique

>>3037184

There would be something to say about how there's a continuity between the old and the new, like Rembrandt search on reflected light and Soulages search on dark reflecting light, but in the past that search was done through a classical painting whereas people like Mondrian prefered to go directly on what interested them... which gives something which doesn't hit any cord in me. How come I can like his paintings of trees and mills but not his later works? Especially as the composition is very similar.

My eyes apparently can only experience the exquisite through the intercession of litteral objects, I don't experience it directly through big canvas with 3 colors.

> Here's my take on the artist subconscious intention
> of course he wasn't aware of it because it's subconscious so he told things about mystical experiences
> but really it's about driving fast and how you cannot relate to the other drivers