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/ic/ - Artwork/Critique

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>> No.6146706 [View]
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6146706

>>6146623
Just have fun.

>> No.4964189 [View]
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4964189

I want to draw as minimally as possible while still being impressive

>> No.4907883 [View]
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4907883

>>4907831
I might be talking out of my ass here, but I was looking through my folders and saw that Toriyama uses very minimal line-weights. If there is line-weight, it's very minor. Only places I see him use it is in the shadow of the car and some of the fur in that cat. Even Bulma's sleeves and the hair texture doesn't have line-weight, it's all done with line-spacing.

Page readability would have more to do with composition and shape-design more than anything else, I think. If you're having trouble with pen-pressure, set the "minimum size" of the brush up higher and see if that helps. Sometimes these digital brushes have that awful look where the end of each stroke tapers off artificially.

>> No.4861749 [View]
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4861749

Does anyone happen to know how Toriyama came to have so much skill in drawing vehicles and machinery? He's uncharacteristically good for a manga artist.

>> No.4603386 [View]
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4603386

>> No.3804418 [View]
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3804418

>>3804414

>> No.3794607 [View]
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3794607

>>3794353
This. I know its really easy to dunk on him for his same face designs in later Z, but I feel his early work which is a lot more bouncy, cartoony, and detailed still looks great.

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