/ic/ - Artwork/Critique

>>4150848
you have to observe other people and then you'll make the connection, especially with different lightings or observing subtleties in real life. i wrote off reilly a while ago but as i drew more people i became drawn back to it and use it as the base for my faces since it fills in the gaps left by other construction methods. there are many, many different lines in his book. the important part is taking what's most useful to you in what you see. you don't have to use every single line every time.

i had trouble seeing lines like the right side because i was used to seeing cheeks break that up or smooth skin/muscle/fat. until i saw different situations or faces that it definitely is a line.