/ic/ - Artwork/Critique

>>6631395

I am in awe of the fact that you bring up such interesting topics!

I would not say that the reason lies in the classical school or university education. I just read a lot and am extremely attentive to the real life around me. You see, if you take some interesting photo of a unique life moment, then an outside viewer will still not understand it without your explanation.

Maybe you saw the photo of the victim that the serial killer took right before he tortured this girl to death. It's just a scared girl in a dress. Only the history of this photo will make the viewer take a closer look at the image.

Reality is never clear and unambiguous. If you give the viewer the opportunity to think out what is happening, he will be completely delighted, I guarantee it!

Now let's get back to what I read in order to better understand the symbols and the collective unconscious, which I appeal to in my art. Naturally, there will be a lot of esotericism here. And this esotericism does not come from Eastern Europe at all (it came here later). So it's available to you too.

As I said, I am attracted to the shocking meaning hidden behind something ordinary, like a photo of a frightened girl in a dress. Biographies of serial killers are best suited here. In one of our cities, a family of real cannibals ate 80 people while living in an apartment building through the wall from dozens of ordinary people. Here is the shock content behind the external routine.