/ic/ - Artwork/Critique

Rank all of these authors purely from a drawing skills/art quality point of view
>Kentaro Miura
>Yusuke Murata
>Takehiko Inoue
>Kazushi Hagiwara
>Kohta Hirano
>Yukito Kishiro
>Tetsuo Hara
>Hirohiko Araki
>Tite Kubo
>Masashi Kishimoto
>Kohei Horikoshi
>Akira Toriyama
>Osamu Tezuka
>Katsuhiro Otomo
>Hayao Miyazaki
>Yoh Yoshinari
>Range Murata
>Yoshikazu Yasuhiko
>CLAMP
>Hiroyuki Takei
>Kazuki Takahashi
>Ito Ogure

Where I can find more information regarding the differences in the way japanese and western authors approach stories? I've been mulling over this for a while. I don't mean common tropes that get used in each, but more in a macro lens, regarding structure, development, and conclusions.
Also, it's too hard to generalize, but I'd like to explore individual works more as well. There is popular American entertainment across the world that doesn't get as popular, or even bombs hard. in Japan, just like there are a lot of classic anime that never caught on in the US or are downright unknown to even casual anime fans, for reasons that shouldn't be oversimplified.
Take one of the few legitimately decent popular non-anime cartoons that managed to become mainstream on a global level, Arcane. It always failed to get in the Netflix top 10 in Japan, whereas it was a massive hit even in its neighbors South Korea and China. There's got to be an explanation for the difference in tastes, which should reflect preferences in storytelling.

What is the point of grinding shapes and loomis heads on their own if you're not going to use them for observational drawing purposes? I see many people focusing 95% of their output on the former without considering the latter (and they said their goal is to draw from imagination...), and those people usually take a shitton of years to get out of beg. On the other side, I noticed that the people who mainly do 75% personal work and 25% drawing from life + studying other artists while also not having a specific comfort zone tend to improve at very quick rates if they keep at it.
Is this the ultimate redpill?

2000-2009 otaku stuff
>Touhou
>Marisa Stole The Precious Thing
>We Are Japanese Goblin
>Overdrive
>Cirno's Perfect Math Class
>Tsurupettan
>Ronald McDonald Insanity
>"Take it easy!"
>Love Hina
>Haruhi Suzumiya
>Death Note
>Code Geass
>Tengen Toppa Gurren Lagann
>Maria-sama Ga Miteru
>Lucky Star
>K-On!
>Godannar
>Nanoha
>Clannad
>Elfen Lied
>Ikkitousen
>Mai-Hime/Mai-Otome
>Queen's Blade
>Welcome to the NHK
>Samurai Champloo
>FLCL
>Kannazuki no Miko
>Strike Witches
>Tenjou Tenge
>Fullmetal Alchemist
>Ouran High School Host Club
>Toradora
>Strawberry Panic
>Guilty Gear XX
>KOF02
>Melty Blood
>Soulcalibur 2
>Final Fantasy X
>Dragon Quest 8
>Tales of Symphonia, Abyss, Vesperia
>Disgaea
>Xenosaga
>Persona 3
>Ar Tonelico
>Mana Khemia
>Odin Sphere
>GrimGrimoire
>Riviera
>Radiata Stories
>Katamari Damacy
>Everybody is playing everything, reading everything and watching everything
>Everybody is gay for Bridget
>Linetrap
>"Weeaboo" is a derogatory term for westerners who try to be Japanese, not a general term for westerners into Japanese stuff
>No western anime fans trying to police other fans about loli or any other dumb shit
>H-Doujin scene dominated by vanilla and yuri Touhou doujins, rest is doujins of popular anime, JRPGs and fighting games. Futa doujins don't have balls.

2020s weebshit
>Gacha games
>DLC
>Vtubers
>Isekai
>Normalfags getting into anime. Fans of different stuff now hate each other. Fans of harem or ecchi are losers, fans of yuri are cucks, fans of lolis are pedos, fans of milfs are normalfags, etc.
>Astolfo
>Trannies
>"Weeb" is anyone into Japanese media
>"muh pedo" "FBI, open up!"
>Western fans bringing politics into shit
>H-Doujin scene dominated by FGO, rest is FOTM anime and other gacha games, console games don't get doujins anymore, NTR everywhere. Futa doujins have balls.